Sunday night, piano prodigy Joey Alexander appeared at the Miller Center for the Arts. This 12 years old boy from the Island of Bali, Indonesia has been baffling audiences ever since he entered the scene, attracting interest and support from people like Herbie Hancock and others. He appeared in a trio setting with drummer Ulysses Owens and acoustic bassist Dan Chmielinski. He opened his show with "Smile", followed by John Coltrane's "Countdown", Thelonius Monk's "Criss Cross" and Herbie Hancock's "Maiden Voyage". I was quite fascinated by the full sound he got out of his Steinway grand piano and his accomplished piano playing, once this boy immersed himself into the piano, nothing held him back and he expressed himself in a way that was way beyond his age, it was subtle and powerful at the same time. He ended his show, which lasted a little over an hour, with a blues number, leaving an excited and impressed audience. I look forward to hear him again and see where his musical journey will lead him.
Part two of the double bill Sunday afternoon were Pieces Of A Dream, the classic Philly band featuring founding members James Lloyd on keyboards and Curtis Harmon on drums, still going strong promoting their current release All In. Featured saxophone player was Tony Watson, plus David Dyson on bass and a second keyboard player. Guitarist Rhon Lawrence was absent. They kicked off their show with the groovy "Turn It Up", bringing things nicely up to speed. After one more track from the new album they went back to one of their biggest classics, "Mt. Airy Groove" from 1982 with a slamming bass solo by David Dyson that had him even break a string, but he kept going relentlessly nevertheless, plus a powerful drum solo by Curtis Harmon. They slowed down the pace with the melodic "Quiet Nights In The City" featuring James Lloyd on keyboards, followed by the introspective "For You", dedicated to his late mother, which was started out beautifully solo on the keys before the rest of the band kicked in. After that, we got a surprise with special guest Barbara Walker, singer on the original version in 1981, performing a funked up version of "Warm Weather" with the band. Then we got "All In", the title track of the current album, and the beautiful "Anywhere You Are", a song written by Curtis Harmon for his wife, both featuring the soulful sax of Tony Watson. The fun segment contained James Lloyd playing his keyboard the opposite way blindfolded, before they wrapped up their show with the Beatles classic "Come Together" with James Lloyd doing an extended stroll into the audience with his keytar strapped on. This band always provides an entertaining show full of great music.
Sunday afternoon we got a double bill, starting with the great East Bay Soul led by trumpet player Greg Adams of TOP fame. The lineup of the band consists of two trumpets (Greg Adams and lead trumpet player Lee Thornburg), three saxophone players (Darryl Walker who also takes care of all the vocal duties, Greg Vail and Johnnie Bamont, who also plays flute and baritone sax), plus Nick Milo on keyboards (former longtime musical director for Joe Cocker), Kay-Ta Matsuno on guitar, Herman Matthews on drums, Johnny Sandoval on percussion and Dwayne "Smitty" Smith on bass (who also played with Boney James). This extensive lineup of seasoned players brought a great bunch of funky tunes to the stage, Darryl Walker provided great vocals with "Little Black Dress", one of the many songs they did from the current album That's Life. Next was a nice instrumental featuring Greg Adams on flugelhorn and Johnnie Bamont on flute, followed by the groovy "To Catch A Thief" from the East Bay Soul 2.0 album and a heartfelt rendition of the Marvin Gaye classic "What's Going On" featuring singer Darryl Walker. The pace picked up with the swinging "Damned If You Do" from the current album, with more great vocals by Darryl Walker, but he really killed it with his ultra soulful performance of "Going In Circles", that had people cheer and sing along. They continued with another instrumental featuring Greg Adams' mellow flugelhorn and the horn section, before delving into "Let's Stay Together" with everybody singing along. They closed their show with a lengthy instrumental giving everybody some solo space, especially guitarist Kay-Ta Matsuno delivered a burning guitar solo, as expected they were called back for an encore, doing "Jump, Shout And Holler" from their debut album, complete with some audience participation. This was one of the best shows so far, my only complaint was that it was far too short.
Sunday morning we had the Smooth Jazz WJJZ Sunday Jazz Brunch with saxophonist Andy Snitzer and special guest guitarist Nick Colionne. It was held at the Inn At Reading, after a nice buffet, the music started with Andy Snitzer who was backed by an excellent band which provided the perfect backdrop for his soulful and expressive playing. He opened with "As I Was Before", followed by the beautiful "American Beauty", the title track of his brand new CD dedicated to his 21 months old daughter. Next were "Marseille" featuring a great guitar solo, "Velvet", his tribute to one of his idols, Grover Washington, Jr. and the slow burning "Passion Play", which still is a radio favorite. Then it was time to bring his special guest Nick Colionne to the stage to raise the heat a little bit with his awesome guitar playing, especially memorable was the heartfelt "When You Love Somebody". Andy Snitzer continued the show with his own "River's Road", the soulful "Next To You", a song dedicated to his wife and "Taking Off" from the Traveler album. Nick Colionne joined again to finish the show with Andy Snitzer's first hit "You've Changed", bringing a really nice and entertaining show to a satisfying end.
Saturday night's Midnight Jam led by bassist Gerald Veasley was another great musical experience. He was backed by his usual core players as the night before, among the string of players joining in were saxophonists Andrew Neu, Greg Vail, Andy Snitzer, Elan Trotman and Art Sherrod, drummer Third Richardson, keyboardists Rob DeBoer and Bobby Lyle, bassist Brian Bromberg, guitarists Chieli Minucci, David P. Stevens and Nick Colionne, who brought the house down with his famous "Dirty Dishes Blues", plus a few more players that I cannot name right now. It was another memorable and entertaining night. There will be two more Midnight Jams at Building 24 next Friday and Saturday.
At 10pm, two of the best soul/r&b singers on the scene were due with Phil Perry and Howard Hewett. Phil Perry had a killer band laying down a smooth and still grooving musical carpet with 3 great background singers (with Lori Williams and Vanessa Williams), he started the show ripping through his catalog with songs like "You Send Me", "Say Yes", the pace picked up with a great cover of Christopher Cross' "Ride Like The Wind", followed by "The World Is A Ghetto", delivering another great vocal performance. Then Howard Hewett joined the stage, doing "Stand Up", a song he recorded together with Phil Perry, before his own segment of the show took place. Howard Hewett went through some of his most cherished songs, this guy is pure magic and his singing is simply mesmerizing. Then Phil Perry came back and continued with songs like "A Better Man", "La La Means I Love You" and "Love Don't Love Nobody" among others, a special highlight was singing "Where Is The Love" with his wife Lillian Tyles Perry, which provided some moving moments. This was a great show by two consummate singers providing many magical moments.
In the evening, Four80East led by keyboardist Rob DeBoer and percussionist Tony Grace performed at the Building 24, with special guests guitarist Matt Marshak and saxophonist Art Sherrod. They created their continuous carpet of cool grooves that had us nodding our heads, interspersed with great solos by all involved. Matt Marshak on guitar blends very well with this unit, while saxophonist Art Sherrod injected a lot of fire into the proceedings. They had me in the palm of their hand right from the start. They kicked off the show with the title track from Positraction, then the guests were featured with Matt Marshak doing his song "Lifestyle" and Art Sherrod doing "Nobody Greater" from his latest spiritual release. Next were "Sandbar", "Cadillac Kid" featuring Matt Marshak, "Smooth Groove" featuring Art Sherrod, both showing their tremendous skills. Then some audience participation was in order with "To The Eastside, To The Westside", which is always fun. Matt Marshak played the great "Teddy P", one of my favorites from his catalog, before Art Sherrod did his rendition of EWF's "That's The Way Of The World" with "My Cherie Amour" thrown in as a bonus with some more audience participation. The groove picked up with some more Four80East classics like "Eastside", the song that put them on the map, having people get up and dance. This was a great and very entertaining show with some of my favorite musicians, definitely one of the many highlights of this festival for me.
Next was saxophonist Michael Lington who originally hails from Copenhagen, Denmark, but now resides in the US for many years. He belongs to the top of the smooth jazz genre and delivered another great show backed by a killer band plus a 2 piece horn section courtesy of the Berks Horns, kicking off with some songs from his current album Second Nature, before special guest Taylor Dayne joined to sing "I Can't Stand The Rain", then going back to sing some of her early hits. Michael Lington featured more songs from his brand new album, which was recorded in Al Green's studio in Memphis with members from Al Green's band plus remaining members of the Stax band, plus the Dap-Kings in NY, plus Booker T, oozing the spirit of this era. After that segment, he did a beautiful rendition of "Everything Must Change", wandering around in the audience, which left a remaining impression. Taylor Dayne came back to do a few more songs, among them the Barry White classic "Can't Get Enough Of Your Love, Babe" plus more of her own, before Michael Lington wrapped up the show with his rendition of AWB's "Pick Up The Pieces", having people get up and dance. They were called back for an encore, first Michael Lington did a heartfelt cover of a Kenny Loggins' "Danny's Song", then Taylor Dayne joined in to do the Rufus classic "You Got The Love", finishing a great and varied show.
Saturday afternoon, bassist Brian Bromberg did his own show, he was supported by the 5 piece Berks Horns (led by Mike Anderson), the band consisted of Tom Zink on keyboards, Joel Taylor on drums and Chris Farr on saxophone. They started in high gear with Brian Bromberg on his big acoustic bass playing several straight ahead tracks from his last CD Full Circle, among them "Sneaky Pete" with the horn section adding additional fuel. Other tracks were "Naw'lins!" and "Boomerang" that featured a nice solo by drummer Joel Taylor. After that song, he switched to his electric bass and things became decidedly funky. The energy level rised with "Bass Face" and its slamming bass and great playing by the whole band. Then he switched to his smaller acoustic bass guitar that is tuned like a guitar, eventually entering smooth jazz territory, playing the nicely grooving "Snuggle Up", the Chicago classic "Does Anybody Really Know What Time It Is?", and the cool latin track "Havana Nights (aka Havana Nagila)". They finished their show with an uptempo straight ahead version of Michael Jackson's "Don't Stop Til You Get Enough" which was fun. This was a great concert that went from straight ahead to funky to smooth and back, with a great horn section that substantially added to the music.
At midnight the first Midnight Jam led by bassist Gerald Veasley took place at Building 24 which turned out to be the perfect spot for this event. The Midnight Jam started out years ago as a loose session in the Jazz Base at the Crowne Plaza, which soon could not accommodate all the people that wanted to attend which was a bit frustrating, then after an experiment with a big tent on the premises of the Crowne Plaza which was not too successful, the event now wound up at Building 24. This venue now is able to hold more people in a nice club setting, so I guess the Midnight Jam has found its new home.
Host Gerald Veasley was supported by his friends and core players, drummer Richard Waller, Chris Farr on the saxophone and keyboardist Donald Robinson, plus Four80East percussionist Tony Grace. These players provided the backdrop to a string of guest players joining in, according to the concept of the night, all the players currently at the festival are invited to participate in a non rehearsed, spontaneous and mostly improvisational setting, which for me provides the best part of the festival. No matter how tired I am, I am there! And certainly, with all this talent on display, I was not disappointed.
The first player to join in was guitarist Matt Marshak, later Rob DeBoer from Four80East came to the stage, then saxophonists Albert Rivera and Art Sherrod Jr. joined in, Brian Bromberg took over the bass, doing "Cold Duck Time". Then saxophonists Nelson Rangell and Andy Snitzer came to the stage, Bobby Lyle sat at the keys, doing an uptempo straight ahead number with Nelson Rangell stetting the bar high on his alto sax, but Andy Snitzer following easily with his awesome and still soulful tenor playing. Guitarist Chieli Minucci joined in, supporting singer Phil Perry on his renditions of "Summertime" and "Betcha By Golly Wow" which were both mind boggling. Things got even better with Nick Colionne and David P. Stevens on guitars and Carol Riddick doing "What You Won't Do For Love" with the stage crammed with all the players, doing extended solos. This lengthy track closed the first of four midnight jams.