After the intermission, saxophonist Kirk Whalum appeared, he had with him his original band members Marcus Finnie on drums and John Stoddart on keys, plus Günter Asbeck on bass and Martin Feske on guitar. He started his set with drummer Marcus Finnie's composition "Fish And Spaghetti" from the drummer's Boundless album, before he played material from his own catalog, like "Do You Feel Me", bringing a southern feeling to the show, "Cain't Stay Blue" from his current Gospel According To Jazz Chapter IV project and his rendition of Maxwell's "Ascension", that has become a staple of his show. He slowed things down with a heartfelt acappella version of Whitney Houston's "I Will Always Love You" wandering around in the audience while doing this song. John Stoddart got his slot as well, before they raised the heat again with the great Stevie Wonder composition "All I Do", another song that has become a firm part of his shows. This was another solid set by this consummate and spirited artist.
Friday night, the festival continued with guitarist Paul Brown doing his own thing. He was supported by the house band (Martin Feske on guitar, Lutz Deterra on keys, Günter Asbeck on bass and Marcus Finnie on drums) who as always did a great job. He kicked off his show with Grover's "Winelight", followed by the cool "Brother Earl", bringing things nicely up to speed. He slowed it down a bit with his cool cover of Mark/Almond's "The City", before the pace picked up again with "The Funky Joint", a track named after his studio. Then he invited singer Melina, his latest protégée, to the stage to do "Love And Trust" with him, before he delved deeper into his catalog with songs like , "Sugarfish" and "Foreign Exchange", the title track from his collaboration album with Marc Antoine, with Martin Feske doing an excellent job taking care of his guitar part. Later he invited saxophonist Vincent Ingala to the proceedings, providing some soulful playing, this young artist amazes me each time he plays, he sounds like a seasoned player with his perfect technique and emotional expression. Another highlight was his rendition of the Bill Withers classic "Ain't No Sunshine" with Jonathan Fritzen on keyboards, both players poured all their heart into the performance. Paul Brown veered off into blues territory playing "Hurricane" from his Brothers Brown project, a blues band he has on the side with his brothers. They concluded the show with the groovy "24/7" with two additional horn players from the local band Saxophobia, each one doing a hot sax solo, before they returned for an encore, having all players on the stage, doing a great cover of "Ain't No Stopping Us Now", having people get off their seats.
Friday morning, we made a little trip to a nearby market at the small village Son Servera, we drove there with two shuttle buses. After a bit of shopping and checking out the place, we went to an old church named "esglesia nova" that never was finished, only the walls were standing, providing a great setting for an open air concert by singer Melina. The sky was blue and there was nice breeze going during the show. Melina hails from San Antonio, Texas and just finished her first album Wishing On Love that was produced by Paul Brown. She kicked off her show with "Killing Me Softly With His Song" before Paul Brown on guitar joined the stage. They did a number of tracks from that album, starting with "Stay With Me Tonight", followed by Luther's "Superstar", her own "Maybe Not Today", Mary J. Blige's "I'm Going Down", Etta James' "At Last" in a funked up version and the heavy grooving "It's Love", with lots of nice solos by Paul Brown. Melina is a great singer with a strong voice and impeccable intonation, who is a joy to listen to. She finished her show with the Jacksons classic "Shake Your Body (Down to the Ground)" with guest Vincent Ingala on saxophone, giving every member of the band some solo space, this song had people dance in the aisles. They came back for an encore, doing "Let's Stay Together, bringing a great show to an end.
Next was saxophonist Euge Groove who did a powerful, funky show featuring his gutsy saxophone playing, supported by the house band. He opened his show with "House Of Groove" which segued into "Faithful Central", after that he did several songs from his current Got 2 Be Groovin' album, like "Rain Down On Me", "Homie Gown" with special guest Paul Brown on guitar, plus several tracks from his catalog like "Living Large" and "Slam Dunk" from his debut album, having people groove in their seats. He did his usual booty dance contest and gave a vinyl copy of his current album away to the best dancer. A nice track was the laid back "Just My Imagination" that was just beautifully played, plus an acappella version of "Amazing Grace". At the end of the show, he got really funky with "From The TOP" (his reference to Tower of Power) where he invited Vincent Ingala to the stage, who took no prisoners as well. This was an awesome show by one of the best sax players on the scene.
The 5th annual Smooth Jazz Festival Mallorca took place like usual at the 5 star luxury resort Protur Biomar Gran Hotel & Spa in Sa Coma, on the east coast of the Spanish island Mallorca. This hotel provides the perfect setting for the festival, not only for the live music events, but also for meeting friends and chilling in the various areas of the vast complex. People from all across Europe and the US gathered here to listen to their favorite artists and have some fun. In addition, it is easy to meet your favorite artists since they stay at the same hotel and mingle with their fans, they usually have their spouses and other family members with them, making this a special event for them too.
The festival was kicked off by Swedish keyboardist Jonathan Fritzen, who hails from Stockholm and was born to an American father and a Swedish mother. He has a successful smooth jazz career going on and belongs to the newest generation of smooth jazz players, his playing is a cross between Brian Culbertson and Jim Brickman with beautiful melodies and smooth grooves. This year's band consisted of the tried and tested Lutz Deterra on keyboards, Martin Feske on guitar and Günter Asbeck on bass, plus Marcus Finnie on drums, who is a member of Kirk Whalum's band and took over the chore of playing drums during the whole festival, he made the band sound especially good. Jonathan Fritzen played several songs from his current release Fritzenized, like "Fingers On Fire", plus several others from his catalog, like "Sweet Spot" from his Magical release, with special guest Paul Brown on guitar appearing on stage, a solo piano version of "Nordic Night", the introspective "Midnight Secrets", plus "To The Top" and "Celebration", both featuring saxophonist Vincent Ingala, who is his global touring partner, among others. For the song "Dance With Me", he strapped on his keytar and played a lengthy solo strolling into the audience to the delight of his fans. His show was well received and opened the festival just the right way.
Sunday night at 7pm, the last concert of the festival took place at the Scottish Rite Cathedral with the Gospel According to Jazz Celebration featuring Kirk Whalum and guests. He had his usual band with Marcus Finnie on drums, Kevin Turner on guitar, John Stoddart on keyboards, Doc Gibbs on percussion and Braylon Lacy on bass. His guests were Rick Braun on trumpet, Gerald Veasley on bass, plus singers Yolanda Adams, Shelea Frazier and Candace Benson, plus the Doxa Gospel Ensemble, performing music from his current volume 4 of the series. After two solo pieces first by Kirk Whalum, then Rick Braun (doing "Ave Maria"), the band joined the stage to do the latin "Un Amor Supremo", other songs were the Wayman Tisdale classic "Sunday's Best" featuring Gerald Veasley and "Can't Stay Blue". We got some nice vocals as well, first was Candace Benson who poured her heart into it, one song was done just with her sitting at the piano. Later Shelea Frazier was featured in one song, before more instrumentals were played and more preaching by Kirk Whalum was done. The show really started for me when Yolanda Adams entered the stage, the pace picked up and one could really feel some gospel joy, especially when the Doxa Gospel Ensemble joined the proceedings. The show was concluded with the great "Love Is The Answer", after playing for well over 2 hours.
PS: During the show, they announced the first gospel music cruise that will sail in March 2016. More infos at http://www.thegospelmusiccruise.com.
Sunday afternoon at 3pm, we were in for a special treat by the concert of the New York Voices who were backed by the Reading Pops Orchestra, there was almost not enough space to accommodate all the musicians on the stage of the Miller Center For The Arts, the percussion section was somewhere hidden on the side of the stage, while the band (drums, bass, piano, guitar) was hidden inside the orchestra. Leader Darmon Meader played some saxophone solos during the concert and was responsible for most of the arranging. The four singers took us through a varied selection of songs, among them "Don't You Worry 'Bout A Thing", "Ain't No Sunshine", "Ain't Nobody Here But Us Chickens" and others, some songs were done acapella. The highlight of the show for me was their rendition of the Queens classic "Bohemian Rhapsody" that delighted the crowd. This veteran band is together for 27 years now and their impeccable singing is a joy to behold. This was a memorable show.
Sunday morning at 10am, the Brassy Sunday Jazz Brunch took place at the Crowne Plaza Reading Ballroom, people were seated a tables and after nice breakfast, were enjoying the show by Elan Trotman on sax, Jeff Bradshaw on trombone and Joey Sommerville on trumpet. They kicked off their show with James Brown's "Pass The Peas" and you could feel the fun and chemistry those three players have with each other. Next was the Duke Ellington classic "Caravan", before the three alternated performing material from their own releases. Joey Sommerville did "Desire" from his current album Overnight Sensation, then Jeff Bradshaw did two nice covers with "All I Do" and "Feel Like Making Love", with lots of gutsy trombone playing. Next was Elan Trotman playing his own "Smooth And Saxy" which was simply smooth jazz bliss, then he paid homage to Sonny Rollins with "Don't Stop The Carnival", supported by his two fellow players. Joey Sommerville played the funky "The Next Big Thing" from his current release, then Jeff Bradshaw slowed things down again with a nice R&B track, before Elan Trotman picked up the soprano sax to give us a some island flavor with his own "Tradewinds". The three players united to do the EWF classic "Love's Holiday" which is one of my favorites from the whole EWF catalog, with some sexy vocals by Jeff Bradshaw. The temperature was rising with "Master Blaster", having everybody on their feet, the show concluded with Joey Sommerville's own "Like You Mean It", bringing an entertaining and energetic show to an end.
At 10pm, a very special show put together by keyboardist Bobby Lyle tagged "Remembering Joe Sample" was taking place at the Crowne Plaza Reading Ballroom with an all-star band, most notably son Nicklas Sample on bass and longtime fellow Crusaders member Wilton Felder on saxophone, plus J.J. Williams on drums, Randy Jacobs on guitar, Doc Gibbs on percussion, Everette Harp on sax, Jeff Bradshaw on trombone and Rick Braun on trumpet. After a short moment of silence for the memory of Joe Sample, they kicked off the show with the Joe Sample classic "Viva De Funk", before Bobby Lyle addressed the crowd with some background information about his personal relationship with Papa Joe, having lived in the same neighborhood in Houston, TX like him, being part of the family. You could feel that Bobby really tried to do his memory justice and reflect his musical persona in this show to its full extent. Consequently, he did "Gee Baby, Ain't I Good To You" (written in 1929) reflecting Joe Sample's love for stride piano, before his connection with Marcus Miller with "Seven Years Of Good Luck" (from the Spellbound album) was highlighted. Then his seminal Rainbow Seeker album was acknowledged with "In All My Wildest Dreams", a beautiful track that belongs to the best work of his whole career. Then came singer Liz Hogue and sang "One Day I'll Fly Away" (originally done by Randy Crawford), followed by "I'm So Glad I Am Standing Here Today" (a Crusaders track originally sung by Joe Cocker), doing both songs justice with her heartfelt performance. After that, Nicklas Sample gave some information about the Joe Sample Foundation and Joe Sample Youth Organization in Houston, before the show continued with Bobby Lyle sitting at the piano doing a solo improvisation that culminated in "It Happens Every Day". The show concluded with the inevitable "Street Life", the biggest hit of his entire career, with all musicians reunited for a grand finale of a truly great tribute show to the late Joe Sample.
At 7pm, keyboardist Jason Miles and trumpet player Ingrid Jensen set out to deliver something Kind Of New, with an all-star band at the Miller Center Of The Arts. The lineup consisted of legendary drummer Mike Clark, saxophonist Jay Rodriguez, bassist Buster Hemphill, plus special guests Joe Lovano on saxophone and Lionel Loueke on guitar. Their new album Kind Of New - referring to Miles Davis' Kind Of Blue - had just been released and they played material from the new release. The music was definitely related to Miles Davis, the band tried to pick up from where he left, moving the music to new territory. The music performed on the stage is hard to describe; in parts I was wondering if it was fusion, avant-garde, free jazz, experimental or all of those wrapped together, backed by a funky groove provided by one of the funkiest cats in the business. With lineup changes prior to the show (the originally scheduled Gary Bartz was replaced by Joe Lovano), the ensemble might not have been as tight as it could have been, with sax and trumpet not always blending too well, bordering on cacophony. Still, the show had it merits, especially Lionel Loueke's guitar solo which was quite impressive, and the individual solos of the members were good, particularly Ingrid Jensen's whose trumpet playing was strong. At any rate, it was a show that definitely was very unique.