In between shows, I took the opportunity to briefly check out the show of trumpet player Rick Braun doing The Music of Chet Baker in the SOUTH Jazz Parlor at Berks. He was accompanied by a fine young band of musicians from LA, they played in a classic acoustic quartet formation doing straight ahead jazz out of Chet Baker's catalog. Glad to see this kind of music represented at the festival!
In the early evening, I had the opportunity to see new age pianist Jim Brickman live for the very first time at the Miller's Centre for the Arts. I followed his career while he was on Windham Hill and later he got off my radar. He performed solo at a beautiful Steinway grand piano going through several of his hits, doing the vocals himself. In between songs he talked to the audience revealing details about his career and told stories behind particular songs, the last part of the show was dedicated to fan requests that were collected prior to the show. It was an entertaining show providing plenty of pretty melodies by a consummate pianist.
Saturday afternoon, Everette Harp & Friends were Remembering George Duke. Led by saxophonist Everette Harp, several artists whose careers were linked to the late keyboardist George Duke paid tribute to this great artist who passed away in 2013. Singers Chante Moore and Phil Perry, bassist Brian Bromberg, keyboardist Brian Simpson, drummer Rayford Griffin, guitarist Dwight Sills, plus the 5 piece Berks Horns stood on the stage, doing songs from the catalog of George Duke and projects he was involved in. They started out with "Brazilian Love Affair", followed by "Shine On" which was sung by Everette Harp and the nice latin track "Geneva" featuring some nice flute work. In between songs, stories and memories were shared and some tears were shed, George still is sorely missed. Both Phil Perry and Chante Moore did some truly heartfelt songs, among them "Love Don't Love Nobody", "Touch And Go", "Sweet Baby" and "No Rhyme, No Reason", before they wrapped it up with "Reach For It" with bassist Michael Manson joining in. This was a truly unique, touching and personal concert dedicated to the late great George Duke leaving a satisfied crowd.
Then I rushed over to Gerald Veasley's Midnight Jam at Building 24 where artists like Phil Perry, Paul Jackson Jr., Brian Simpson, David P Stevens, Donald Robinson, Andy Snitzer, Richard Waller, Michael Manson, Andrew Neu, Vincent Ingala and others provided another great time of music, especially nice were covers of "Friends And Strangers" plus an awesome vocal of "Free" sung by Tamika Patton that brought the house down.
At 10pm, West Coast Jam featuring trumpet player Rick Braun, guitarist Norman Brown and saxophonist Richard Elliot were performing at the ballroom of the Double Tree hotel, they were backed by Eric Valentine on drums, Nate Phillips on bass, Ron Reinhardt on keyboards and Gerey Johnson on guitar, they also had a great three piece horn section funking things up. This wonderful band provided a solid backdrop for the three main players who went through material from their individual catalogs, alternating on stage, as a special guest they had singer Lindsey Webster doing "Love Take Me" from Rick Braun's current release. This was a truly great show by a bunch of seasoned players who always deliver.
Friday night, Japanese pianist Keiko Matsui performed at the Miller's Performing Arts Center with her own band, we got Dave Karasony on drums, Rico Belled on bass, Jackiem Joyner on saxophone and - filling in on short notice - David P. Stevens on guitar, who did a great job. They went through a string of songs from her vast catalog (she composed over 270 songs so far), doing classics like "Forever, Forever", and new material from her current CD like "Journey To The Heart" and others. She delighted the crowd with her flawless piano playing and pretty melodies, it is always a joy to hear her play, and this particular concert was especially satisfying.
Thursday night, everybody's favourite show, the Berks All-Star Jam took place in the ballroom of the Double Tree hotel, led by bassist Gerald Veasley and trumpet player Rick Braun, a tremendous number of artists joined the stage to have some fun. Featured players were Norman Brown, Paul Jackson Jr., David P Stevens, Brian Bromberg, Gerald Albright, Andrew Neu, Everette Harp, Vincent Ingala, Eric Marienthal, Phil Perry, Brian Simpson, Andy Snitzer, Marcus Finnie, Lionel Cordew, Keiko Matsui, Chris "Big Dog" Davis, Lindsey Webster and Selina Albright (hopefully I didn't forget anyone). They went through a bunch of familiar songs like "The World Is A Ghetto" featuring Phil Perry, "Use Me" featuring Rick Braun and a beautiful rendition of "Winelight" by Gerald Albright, my personal highlight was "Give Me The Night" featuring David P. Stevens, which was simply great with tons of cool solos by all players involved and some audience participation. The show ended with the grande finale joining all players one more time for a rousing version of "Pick Up The Pieces".
Wednesday night, the traditional Berks Bop Night took place at Building 24, led by guitarist Chuck Loeb, it featured saxophonists Gerald Albright, Everette Harp and Eric Marienthal, keyboardist Jeff Lorber, trumpet player Rick Braun, acoustic bassist Brian Bromberg and drummer Marcus Finnie. This show gave our favourite smooth jazz players the opportunity to show off their straight ahead chops and improvisational skills, and delve into some be bop classics like "Night In Tunisia", "Ornithology", "Giant Steps", "Donna Lee" and others, especially notable was their rendition of "Body & Soul" which was nicely sung by Rick Braun. The show was well received and provided a lot of fun by all involved.
Tuesday night, saxophonist Eric Marienthal was playing in the SOUTH Jazz Parlor at Berks, a room in the DoubleTree hotel that was set up like a club, the show featured Gil Parris on guitar, Gerald Veasley on bass, Jay Rowe on keyboards and Vic Stevens on drums. The band was in fine form and went through a string of Marienthal's songs from his various solo albums, especially nice was a duet with surprise guest Everette Harp and some great interplay between Marienthal and bass player supreme Gerald Veasley. Everybody was in a relaxed mood, providing an enjoyable concert.
In the evening, one of the most anticipated shows took place at the Santander Performing Arts Center with Snarky Puppy, the band led by bassist Michael League. The band draws from a large pool of players so you never know who will be performing and how many players will be on the stage, so this is one of the things that makes it interesting. Despite some of my favourite players were missing (like Bill Laurance, Cory Henry or Bob Reynolds), we got plenty of good music in their unique style that is definitely jazz based, but draws from numerous sources, at one point I heard a little Chick Corea, then RTF, the music doesn't follow strict rules or forms, the tracks are like musical journeys with climaxes and quieter passages, with many great solos and lots of improvisation in between, particularly great contributions came from Shaun Martin on keys, Bobby Sparks on organ and keys, Keita Ogawa on percussion, Jason "JT" Thomas on drums, Mark Lettieri on guitar, Mike Maher on trumpet, Justin Stanton on keys and trumpet, and Chris Bullock on sax and flute. They finished their show with "Lingus", leaving a satisfied audience, which was remarkably mixed with lots of younger people, crossing all borders like Snarky Puppy's music.