As vocalist and composer the flawless falsetto and keen musical sensibilities of Phil Perry have made him one of the greatest voices in the long and illustrious history of R&B. Once dubbed as "The Pavarotti of Jazz" by Down Beat Magazine, Perry remains one of the most in-demand singers on the scene with a list of enviable credits that include Josh Groban, Patti LaBelle, Dionne Warwick, Peabo Bryson, the late George Duke, Quincy Jones, Barbra Streisand, Dave Koz, Bobby Womack, and Rod Stewart. Now he is back with his 11th solo CD, A Better Man that was released January 20th on the Shanachie label.
D E N I S * P O O L E
'Lip Service' by Richard Elliot from the album of the same name. Some albums just fit with the mood of the moment and this is certainly the case with Elliot's latest release. Not only does it satisfy the thirst smooth jazz fans currently have for big horn driven extravaganzas but also revisits a couple of old school classics of the sort that have enjoyed something of a resurgence in the recent past.
'Split Decision' by Gerald Albright from the CD Slam Dunk. No one does lusciously smooth R & B like Gerald Albright yet in terms of personal favorites, the groove-drenched splendor of this wonderful tune is very hard to beat.
'Pocket Full Of Funk' by vocalist and powerhouse saxophonist Paula Atherton from her latest project, Ear Candy. Heavily influenced by classic funk and Philly soul, this fine collection finds Paula in the star-studded company of Nick Colionne, Cindy Bradley, and Gail Jhonson all of who add icing to what is a very tasty cake.
'A New Beginning' by composer and keyboard player Jonathan Fritzén from his brand new project, Fritzenized. This masterpiece of rhythm and melody finds Fritzén at his excellent best and seems all set to accelerate his already meteoric assent to the very top of the smooth jazz tree.in contemporary jazz.
"Among the most beautiful jazz albums ever made.. from one of the smooth jazz pioneers!"
Camarillo, CA - Jazz aficionados and high end audio enthusiasts alike are excited about the forthcoming release of jazz legend Grover Washington, Jr.'s Winelight album on 5.1 Hybrid SACD from Audio Fidelity in association with ETrain Records. With Winelight, Grover Washington, Jr. produced a magical collection of jazz and soul with a touch of pop. He set the standard for the smooth jazz genre - the band is tight, the solos terrific and the arrangements understated and tasteful. The 1980 double-Grammy award winning album was Washington's most successful album and remains one of the smooth jazz masterpieces.
Top to bottom Winelight is superb, masterfully recorded and perhaps best-known for the hit "Just the Two of Us" sung by Bill Withers, but it is the five instrumental tracks that find Grover Washington, Jr. (on soprano, alto, and tenor) really stretching out. He was joined by percussionist (and producer) Ralph MacDonald and also the incomparable Steve Gadd (drums) and Eric Gale (guitar).
Grover Washington, Jr., had long been one of the leaders in what could be called rhythm & jazz, essentially R&B-influenced jazz. The music world lost a great musician when the late Grover Washington Jr. passed away in 1999. Fortunately, he left so many classic albums to cherish and "Winelight" is one of those time-honored works that must be included in any worthy music collection.
Let It Flow (For "Dr. J")
In the Name of Love
Take Me There
Just the Two of Us
Make Me a Memory (Sad Samba)
Album and Surround Sound Remix Produced by Ralph MacDonald
Surround Sound Remix Engineered & Mixed by Elliot Scheiner
Stereo mix mastered for this release by Kevin Gray at Cohearent Audio
For more information: https://audiofidelity.net/product/grover-washington-jr-winelight
P E T E R * B O E H I
Reggie Codrington - Always In Motion (2014)
Saxophonist Reggie Codrington is one of the best kept secrets on the smooth jazz scene. I am following his career since his debut release Never Let You Go on TBA Records in 1990 and have been enjoying all the music he has put out over the years. This latest release features guest artists like Jeff Lorber, Nils and the late Ricky Lawson, which translates into a fine slice of smooth jazz by a truly underrated player. Thumbs up!
Gregg Karukas - Soul Secrets (2014)
A new release by keyboardist Gregg Karukas is always an occasion to celebrate, especially when it is as star-studded like this one. Guesting on this album are Vincent Ingala, Rick Braun, Euge Groove, Ricardo Silveira, Charlie Bisharat and others, each one adding his own flavor to the catchy compositions of the leader. This CD is a true smooth jazz gem by one of the veterans of the scene. Very recommended!
Michael Lington - Soul Appeal (2014)
Saxophonist Michael Lington is still going strong with his latest album Soul Appeal featuring his gutsy saxophone playing over a funky, organic backdrop, this time paying tribute to the greats of the 70ies, with his cover of "Memphis Soul Stew" indicating where his heart lies. A very nice change of pace and a definitive winner in my book. Don't miss it!
Gabriel - Open Invitation (2014)
Trumpet player Gabriel Mark Hasselbach - currently calling himself just Gabriel - comes up with an awesome album full of memorable tracks and tons of first-rate guest players, like Bob Mintzer, Bob Baldwin, Greg Manning and many others. The music is groovy and offers a lot of variety, the musicianship is on a high level, and the smooth trumpet and flugelhorn playing of the leader holds it all together. Great stuff!
Kenny Pore - Inner City Dreams (1984) and You Don't Know Me (1985)
My nod to the past goes to these first two albums by Kenny Pore, featuring his compositions and a top cast of L.A. session players like Pat Coil, Vinnie Colaiuta, Brandon Fields, Robben Ford, John Patitucci, Paul Jackson Jr., Harvey Mason and more. Stylistically, those albums fall in part in the west coast genre, in part they are a precursor to smooth jazz with their melodic instrumentals. This music stood the test of time well and gained classic status. Bliss!
Retro Forward from soulful sax-man Eric Darius is his sixth studio project and the second on the Shanachie label. Yet Darius has always been a man in a hurry. In 2001, at age 17, he independently released his debut CD Cruisin, a venture for which he had been writing music over the previous four years and when in 2004 he secured a deal with Narada Jazz it enabled the follow up, Night On The Town to be unveiled on the Higher Octave label. Significantly, following an impromptu meeting in Los Angeles, he got the chance to join Brian Culbertson's touring band and has also collaborated with such diverse talents as Prince, George Benson, Mary J. Blige, Wynton Marsalis and Brian McKnight. He has even appeared on the US version of Simon Cowell's hit TV series, The X Factor but now, in 2014, Eric Darius is very much his own man and with his own unique sound.
P E T E R * B O E H I
Mariea Antoinette - Straight From The Harp (2014)
Harpist Mariea Antoinette - who also plays with the all female smooth jazz band Jazz In Pink - comes up with a really nice solo album featuring her harp playing and a bunch of great songs, my favorite is her cover of Curtis Mayfield's "Give Me Your Love" that really evokes the spirit of the original. The album is very well produced and destined to win her some new fans. Good stuff!
Caté Musiq Group - The Style Lounge, Vol. 1: The 80's (2014)
This cover album delivers some of the greatest songs from the 80's in a laid-back, jazzy and easy flowing manner, two outstanding singers (Nina Vidal and Fil Straughan) take the songs to the next level, the instrumentalists are top notch with lots of good solos. Very recommended!
Randy Singer - Harmonica Dreams (Deluxe Edition) (2014)
Harmonica player Randy Singer who has a long resumé as sideman for the industry's finest comes up with a very nice, Brazilian tinged solo album that boast lots of great smooth jazz harmonica tracks, plus a few pop songs. He reminds me a bit of Lee Oskar. This "Deluxe Edition" offers two additional bonus tracks. Joyful stuff!
Threestyle (feat. Magdalena Chovancova) - Get It (2014)
This funky smooth jazz band from the Czech Republic features Magdalena Chovancova on sax and twin sister Gabriela on drums, plus Robert Fertl on guitar, this album was produced by Paul Brown and recorded in the US, and the result is pure smooth jazz bliss. Thumbs up!
Dianne Reeves - For Every Heart (1984)
My nod to the past goes to this early release of singer Dianne Reeves on TBA Records, it features some top players like Tom Scott on sax and Noel Pointer on violin, it shows already what outstanding singer she is, the music stood the test of time well. A star in the making!
By Ricky Richardson
Los Angeles - We are already into the first weekend of Fall. That could only mean one thing; the Watts Towers Arts Center is in full swing (musically speaking, that is).
The Department of Cultural Affairs of the City of Los Angeles and the Friends of Watts Towers Arts Center presented the 38th Annual Simon Rodia Watts Towers Jazz Festival, on Sunday, September 28, 2014. On Saturday, the annual Day of the Drum Festival was held at the same venue.
Thousands of jazz aficionados and an equal number of art patrons were in attendance for this celebration of all things jazz, blues and a tinge of Latin jazz.
The program got under way with a Yoruba ground blessing ceremony performed by Alaadun. This spiritual ceremony unites all cultures through a thread of common themes and principles.
The Italian Consulate General of Los Angeles and Instituto Italiano de Cultura, Los Angeles sponsored the set showcased by Marco Cappelli's Italian Surf Academy. The tight trio consisted of Marco Cappelli on guitar, Luca Lo Bianco on bass and Francesco Cusa on drums. They were brilliant during their time in the spotlight as they played an entertaining set of music from the soundtrack of vintage Italian cinema.
The festival took a delightful turn for a while as they shifted into high gear. New Orleans Traditional Jazz Band got the second line to snake around the grounds with some New Orleans Trad Jazz music from back in the day. The vibrant and colorful BackaTown Second Line Dancers added another layer of joy to the occasion.
The Phil Gates Blues Band delivered a dose of blues, we could use. Phil Gates guitar riffs penetrated our veins to uplift our spirits with his up-tempo set of Chicago blues. Their set list featured the tunes "My Baby," "I'm Addicted to the Blues," "Loving to the End of Time," "Used Me Up," "Mo Better Blues," and concluded with "Ain't No Midnight Train."
Dee Dee McNeil is a well established jazz singer/songwriter, published poet and activist. She exudes pure joy while performing on stage, which was evident by the smiles expressed by the audience. She was in the company of some top-rated jazz musicians, Sam Hirsh on piano, John B. William on bass, Ricky Woodard, saxophones and Quentin Dennard on drums. Dee Dee sang and dance to the tunes "Hard Knocks," "Eccentricity of Love," "That's My Dream," "Reaching"-a motivational song, and "Peek-a-Boo."
Munyungo's Jungle Jazz laid down some tight Latin rhythms on a couple of jazz standards "No More Blues," and "Oleo." He closed his set with a cup full of pure Azucar! On the tune "Sweet Chanqui."
Musical sparks flew throughout the set presented by the JMP All-Stars to close out the 38th Annual Simon Rodia Watts Towers Jazz Festival. You knew that you would be highly entertained with some heavy straight ahead jazz with a roster that featured Nedra Wheeler on bass, Dr. Bobby Rodriquez on trumpet, Munyungo Jackson on percussions, Jamael Dean on piano, Kamasi Washington on saxophones and Tony Austin on drums. Need I say more?
J E F F * D A N I E L S
Elan Trotman Group, #Liveanduncut (Island Muzik) (2014)
Kool & Klean, Volume V (Kvk Music) (2014)
John Tropea, Gotcha Ryhthm Right Here! (Stp Records) (2014)
Welcome to the latest issue of Denis Poole's Secret Garden, the page that offers a personal perspective on the very best from the world of smooth jazz and classic soul.
Move over Phil Spector, a new wall of sound is in town and it comes from that excellent French born guitarist U-Nam who, with his latest CD C'est Le Funk, has delivered the most explosive contemporary jazz project of recent years. Make no mistake this one is special and if you were to think of your favorite party album of all time, then multiply its intensity by ten, you would still be some distance from conjuring up the power of this supercharged recording.