Reading, PA -- Jazz isn't just a music genre. It's an art form steeped in rich tradition with a widely celebrated, inspirational past.
While many of jazz's great musicians are gone, their music lives on through music lovers and musicians alike.
Now, jazz lovers have an exciting opportunity to experience a treasure trove of audio-visual footage from six timeless legends of jazz, thanks to the Jazz Icons DVD series.
The VF Outlet Berks Jazz Fest has partnered with the producers of the Icons series -- four boxed sets, 30 individual DVDs -- to screen selections of these vintage, unseen concerts at this special "Countdown to the 20th" community event.
Reel Jazz Classics is slated for Sunday, March 7, at the Miller Center for the Arts on the campus of Reading Area Community College in Reading, beginning at 2 p.m. There is no cost.
The schedule is as follows:
2 p.m., Woody Herman
Live concert: England, 1964
Woody Herman features a blistering concert from 1964 showcasing one of the hottest lineups of the "Swinging Herd," including trumpeter Bill Chase, trombonist Phil Wilson and saxophonist Sal Nistico. Woody and band roar throughout the show which includes standards such as "After You've Gone," "Lonesome Old Town" and "Sister Sadie."
2:30 p.m. John Coltrane
Live concert: Germany, 1961
Saxophone legend John Coltrane was a true giant of 20th century music. This incredible video features Trane's classic quintet of Elvin Jones on drums, Reggie Workman on bass, Eric Dolphy on sax/flute and McCoy Tyner on piano performing three classic songs -- "My Favorite Things," "Ev'rytime We Say Goodbye" and "Impressions."
3 p.m. Wes Montgomery
Live in-studio: England, 1965
Wes Montgomery was one of the most unique and influential guitarists in music history. This beautifully filmed program features Wes, in an intimate studio setting, performing some of his best-known tunes, including "Four On Six," "Full House," "Here's That Rainy Day" and "Twisted Blues."
3:30 p.m. Duke Ellington
Live concert: Holland 1958
Filmed at Amsterdam's famed Concertgebouw, this film features the 16-piece Duke Ellington Orchestra that includes legendary musicians Clark Terry, Johnny Hodges, Harry Carney, Paul Gonsalves, Quentin Jackson and Ray Nance. Duke and the band are in top form performing an outstanding set that features "Sophisticated Lady" and "My Funny Valentine."
4 p.m. Art Blakey & The Jazz Messengers
Live concert: Belgium, 1958
This historic film features what many consider to be one of drummer Art Blakey's finest ensembles in jazz history -- Bobby Timmons, piano; Jymie Merriitt, bass; Benny Golson, sax; Lee Morgan, trumpet. Lost for nearly 50 years, this concert is the only known visual document of this influential band who were together for only six months.
4:30 p.m. Ella Fitzgerald
Live concert: Belgium, 1957
In one of the first Ella Fitzgerald concerts captured on film, "The First Lady of Song" joins jazz greats Ray Brown, Herb Ellis, Jo Jones and the legendary Oscar Peterson on classic songs such as "Lullaby of Birdland," "Angel Eyes," "Love for Sale," "Tenderly," "April in Paris" and "Just One Of Those Things."
These special screenings will be hosted by former WEEU 830AM Radio personality Lew Runkle.
The Jazz Icons DVDs feature full-length concerts and in-studio performances by the greatest legends of jazz, filmed all over the world from the 1950s through the 1970s.
"The release of Jazz Icons is like the unearthing of a musical time capsule ?" -- Quincy Jones
Come celebrate the past legends of jazz at this special Reel Jazz Classics event.
The 20th annual VF Outlet Berks Jazz Fest, presented by the Berks Arts Council, runs March 19-28, and features an expansive array of musical styles featuring contemporary and traditional jazz and blues artists. Over 130 events at major venues, clubs and restaurants throughout Greater Reading make this a truly unique music festival. For more information, including ticketing, artist bios and archived releases, visit www.berksjazzfest.com. For more information on the Berks Arts Council, a nonprofit arts organization dedicated to promoting the arts in Greater Reading, visit www.berksarts.org.
To order tickets for Berks Jazz Fest shows:
Visit the Sovereign Center box office, Seventh and Penn streets, Reading.
Call Ticketmaster at 1-800-745-3000 to charge by phone; or visit ticketmaster.com.
Order online at berksjazzfest.com.
For a complete schedule of concerts, visit www.berksjazzfest.com
Contact:
Dana L. Hoffman
Publicity Director
VF Outlet Berks Jazz Fest
dhoffman@readingeagle.com
Beth Renfro
Marketing/Public Relations Director
Berks Arts Council
www.berksarts.org
Hope you get to take advantage of one of these travels back in time!
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
MyGirlSunday22@aol.com
READING, PA -- The Berks Arts Council's Frank Scott Award is given annually during the VF Outlet Berks Jazz Fest to honor the late jazz legend Frank Scott's memory and his contribution to the jazz heritage in Berks County.
Honorees are selected for this award because of their significant contribution to jazz in Berks County, as well as their active involvement in giving back to the community.
This year's award will be presented to Wyomissing musician and music educator Chris Heslop prior to the USAF Satellite Jazz Ensemble, plus opening act Berks High School All-Star Jazz Band, Tuesday, March 23 at 7 p.m. in the Crowne Plaza Reading ballroom.
Heslop has been a tireless supporter of jazz education in Berks County. A graduate of Temple University with a degree in jazz studies with performance concentration, he has taught saxophone, clarinet, flute and more since 1991, and has participated in the Reading Musical Foundation's Jazz in the Schools program for seven years.
He's chaired the educational activities committee for the Berks Jazz Fest for the past five years, working closely with the Berks Arts Council and Berks Jazz Fest general manager John Ernesto to develop clinics, performances and workshops for young Berks County musicians.
He also was instrumental, along with fellow Frank Scott Award recipient Mike Eben, in bringing together the Reading Musical Foundation, Reading Eagle's Voices and Zeswitz Music to create the Berks Jazz Jam, a monthly free program for students which includes use of a free CD/DVD library.
"The most important part of jazz education to me is simply exposing the highest number of students to the most variety of music," Heslop said. "Although my expertise is in jazz, I want encourage the students to explore a variety of music and not just the narrow spectrum offered by pop culture."
While Heslop recognizes the accomplishments he has made, he also realizes his work is far from finished. "When I was first notified that I was the 2010 recipient, my initial reaction was that I don't deserve it," he said. "Then, when I was asked to list the educational activities I have either started or been a part of, I realized that we have a lot of progress in the last five years and felt both a sense of pride and a need to turn it up a notch for the future."
He's already well on his way, with a grant he obtained to start a Berks Summer Jazz Workshop, beginning in June. He and his wife, Jill M. Scheidt, created the Scheidt/Heslop Jazz Fund, a scholarship awarded annually to a student in kindergarten through 12th grade to attend a summer camp focusing primarily on jazz.
For him, receiving the Frank Scott Award brings things full circle. He recently recalled a concert from his high school days at the Sunnybrook Ballroom in Pottstown that left no doubt in his mind that he wanted to be a musician.
"A friend's neighbor invited us to hear his jazz band," Chris said. "I was a budding saxophonist and looked forward to the concert for weeks. Hearing the band, my expectations were exceeded and if I had any doubts that I was going to pursue a career in music, they were quickly laid to rest.
"The band was led by my friend's neighbor, Al Grey, the famous trombonist of Count Basie fame. I was thrilled when, on break, he introduced me to the tenor saxophonist who had me in absolute awe. That saxophonist was Frank Scott."
Frank Scott, for whom the award is dedicated, was born on June 24, 1923, in Reading. Throughout his musical career, Scott played with many notable musicians such as Bing Crosby, Ray Charles, and Bill Haley and the Comets. Scott opened two nightclubs in the Reading area which had a great influence on the community, opening people up to the sound of jazz, and played a vital role in much of Berks County's jazz programming. His album, "Never Too Old to Dream," captured the heart and soul of his generosity which translates through his music.
The 20th annual VF Outlet Berks Jazz Fest, presented by the Berks Arts Council, runs March 19-28, and features an expansive array of musical styles featuring contemporary and traditional jazz and blues artists. Over 130 events at major venues, clubs and restaurants throughout Greater Reading make this a truly unique music festival. For more information, including ticketing, artist bios and archived releases, visit www.berksjazzfest.com. For more information on the Berks Arts Council, a nonprofit arts organization dedicated to promoting the arts in Greater Reading, visit www.berksarts.org.
To order tickets for Berks Jazz Fest shows:
Visit the Sovereign Center box office, Seventh and Penn streets, Reading.
Call Ticketmaster at 1-800-745-3000 to charge by phone; or visit ticketmaster.com.
Order online at berksjazzfest.com.
For a complete schedule of concerts, visit www.berksjazzfest.com
Contact:
Dana L. Hoffman
Publicity Director
VF Outlet Berks Jazz Fest
dhoffman@readingeagle.com
Beth Renfro
Marketing/Public Relations Director
Berks Arts Council
www.berksarts.org
Congratulations, Chris!!
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
MyGirlSunday22@aol.com
READING, PA The VF Outlet Berks Jazz Fest is celebrating its 20th anniversary in a big way. Joining the celebration is longtime Berks Jazz Fest fan favorite Brian Culbertson, playing host for a special screening of his recently released CD/DVD "Brian Culbertson Live From the Inside."
This one-time-only screening is set for Friday, March 26, at 4 p.m. at the RC/Reading Movies 11 & IMAX theater at 30 N. Second St. in Reading. Following the screening, Brian and his father, Jim, will host a meet-and-greet with fans at the theater. Tickets are $10 and are on sale now at the theater and online at fandango.com. Seating is limited to 250 fans.
"Finally I'll get to see the film on the big screen!" Brian said. "I'm very excited about partnering with the Berks Arts Council and RC Theatres to make the special screening part of the 20th anniversary Berks Jazz Fest -- and most important, available to the fans. I'm looking forward to welcoming fans to the screening and spending time with them at the post-show event. It's going to be a fun time."
"Live From The Inside" is a deluxe 2-disc set consisting of a 98-minute DVD that features live performance, interviews and exclusive behind-the-scenes footage, plus over 90 minutes of additional bonus content. The CD contains 12 songs (10 of which were No. 1 hits) that gives Culbertson fans newly-rendered versions of some of his most popular numbers, including one brand-new song titled "Go" - a sequel to Culbertson?s recent chart-topping hit "Always Remember," which is also on "Live From The Inside."
"I was flying home from the Berks Jazz Festival back in March (2009) when the whole concept for this project really hit me," Brian shares. "I guess you could call the concept a high-energy blast of 'best of' and biography."
The film also features special all-star guests Ray Parker Jr., Dave Koz, Eric Marienthal, Michael Lington, Eric Darius and Brian's father.
As an added treat, Brian will join the always popular Berks All-Star Jazz Jam, Thursday, March 25 at 8 p.m. at the Crowne Plaza Reading. Brian will join stars Rick Braun, Chuck Loeb, Nick Colionne, Peter White, Chieli Minucci, Gerald Veasley, Brian Bromberg, Eric Darius, Mindi Abair, Richard Elliot, David Benoit, Joe McBride and more for a blowout jam.
The 20th annual VF Outlet Berks Jazz Fest, presented by the Berks Arts Council, runs March 19-28, and features an expansive array of musical styles featuring contemporary and traditional jazz and blues artists. Over 130 events at major venues, clubs and restaurants throughout Greater Reading make this a truly unique music festival. For more information, including ticketing, artist bios and archived releases, visit www.berksjazzfest.com. For more information on the Berks Arts Council, a nonprofit arts organization dedicated to promoting the arts in Greater Reading, visit www.berksarts.org.
To order tickets for the Berks Jazz Jam or other Berks Jazz Fest shows:
Visit the Sovereign Center box office, Seventh and Penn streets, Reading.
Call Ticketmaster at 1-800-745-3000 to charge by phone; or visit ticketmaster.com.
Order online at berksjazzfest.com.
For a complete schedule of concerts, visit www.berksjazzfest.com
Contact:
Dana L. Hoffman
Publicity Director
VF Outlet Berks Jazz Fest
dhoffman@readingeagle.com
Beth Renfro
Marketing/Public Relations Director
Berks Arts Council
www.berksarts.org
P: 610.898.1930
Hope to see you at Brian Culbertson's 'Live From The Inside'
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
MyGirlSunday22@aol.com
The following information has been recently released from the Berks Arts Council.
READING, PA -- A 20th anniversary is certainly something to celebrate, and the VF Outlet Berks Jazz Fest, presented by the Berks Arts Council, is starting the party early, with a full schedule of events counting down to the biggest, best festival yet. Concerts, educational programs, films and jazz jams are just some of the events slated to celebrate the 20th annual Berks Jazz Fest.
Saturday, February 20, 8 p.m.
The Manhattan Transfer is performing a pre-festival concert at the Sovereign Performing Arts Center. For more information and tickets, visit www.sovereigncenter.com.
Sunday, February 21, 4 p.m.
As part of their Downtown Performing Arts Series, the Miller Center for the Arts is presenting the Hot 8 Brass Band. The Miller Center is located on the Reading Area Community College campus in downtown Reading. Hot 8 is a New Orleans-based brass band that blends hip-hop, jazz and funk styles with traditional New Orleans brass sounds. For more on this concert, visit www.racc.edu/MillerCenter/events.html.
Sunday, February 28, 5 p.m.
Anyone seeking spiritual enlightenment can get his or her fill at the Gospel Jubilee at Glad Tidings Assembly of God Church in West Lawn. Featured are the mass choir, youth choir and local musicians. Good-will offering. For more information visit: www.gtaog.org/.
Saturday, March 6, 1 p.m.
Free community concert
VF Outlet is once again title sponsor of the festival, and is joining in the celebration with Berks Jazz Fest Day at the VF Outlet Complex. Shop the complex and enjoy the 20th Anniversary Preview Concert featuring Swing House with opening act GAMUT at 1 p.m. at Designers Place.
For more information visit: www.vfoutlet.net/.
Wednesday, March 10, 6 p.m.
Free community event.
Prepare to be inspired.
The Miller Center for the Arts is hosting a screening of the documentary "CHOPS," followed by a special Berks Jazz Jam with guest musicians Larry McKenna, Larry McKenna on tenor sax, Tony Miceli on vibes, Dave Brodie on bass and Dan Monaghan on drums. Hosted by Mike Eben, the jam is open to anyone. Bring your instruments and join in, or come to learn!
"CHOPS" tells the story of a group of kids with extraordinary musical ability who learn to make the most of their gifts in an acclaimed public school jazz program in Jacksonville, Fla. You follow their musical journey from Florida to New York City, where they compete against the top high school jazz bands in the nation at the prestigious Jazz at Lincoln Center’s Essentially Ellington Competition and Festival.
Friday, March 12, 8 p.m.
With the festival a week away, what better way to get in the mood for great music than a high-energy Tribute to Tower of Power?
Join Dance Hall Docs and special guest Brent Carter at the Inn at Reading as they bring down the house with TOP's legendary tunes. A former TOP lead singer of nearly 6 years, Brent Carter promises to touch the hearts and souls of all who attend. The Dance Hall Docs are a 10-piece band that performs in a style reminiscent of the horn bands of the 1970s, 1980s and 1990s. Get more info at www.berksjazzfest.com/docstowerofpower.htm.
Gerald Veasley's Jazz Base at the Crowne Plaza Reading will play host to several shows before the fest, all on Thursday nights at 7 p.m.:
February 11: West Chester University Faculty Group, featuring David Cullen, Terry Klinefelter, Chris Hanning, Greg Riley, John Swana and Peter Paulsen
February 18: Steve Smith's Vital Legacy, featuring Steve Smith, Vinny Valentino, Baron Browne, Andy Fusco and Mark Soskin
February 25: The Art of Strings, featuring John Blake, Jimmy Bruno and Gerald Veasley
March 4: WEEU Big Band Night with The Last Big Band, directed by Lee Southall, Roger Morgan and Jimmy Zoller
March 11: Dave Posmontier Quintet, featuring David Cullen, Bob Howell, Erick Johnson, Chico Huff and Dave Posmontier
March 18: Guitar Summit: Remembering Les Paul with Bucky Pizzarelli, Howard Alden and Frank DiBussolo
For more information on Jazz Base shows, visit: www.geraldveasleysjazzbase.com.
Saturday, March 13, 7:05 p.m.
Berks Jazz Fest Night at the Reading Royals
Watch as the Royals take on the Toledo Walleye at the Sovereign Center, and hang around for the post-game auction of player-worn jazz-themed jerseys. For more, visit: www.royalhockey.com.
For updates on 20th Anniversary countdown events, visit: Stay tuned! Information on a vintage film series is coming soon, and more events are in the works.
The VF Outlet Berks Jazz Fest is proud to bring fans 20 years of great music and lasting memories. Join in the celebration!
The 20th annual VF Outlet Berks Jazz Fest, presented by the Berks Arts Council, runs March 19-28, and features an expansive array of musical styles featuring contemporary and traditional jazz and blues artists. Over 130 events at major venues, clubs and restaurants throughout Greater Reading make this a truly unique music festival. For more information, including ticketing, artist bios and archived releases, visit www.berksjazzfest.com. For more information on the Berks Arts Council, a nonprofit arts organization dedicated to promoting the arts in Greater Reading, visit: www.berksarts.org.
To order tickets:
Visit the Sovereign Center box office, Seventh and Penn streets, Reading.
Call Ticketmaster at 1-800-745-3000 to charge by phone; or visit ticketmaster.com.
Order online at berksjazzfest.com.
For a complete schedule of concerts, visit: www.berksjazzfest.com.
Contact:
Dana L. Hoffman
Publicity Director
VF Outlet Berks Jazz Fest
610.236.4744 office
610.401.4914 mobile
dhoffman@readingeagle.com
Beth Renfro
Marketing/Public Relations Director
Berks Arts Council
201 Washington St. Suite 523
P.O. Box 854
Reading, PA 19603
Phone: 610.898.1930
Fax: 610.898.1932
Happy Jazzin' and hope to see you at many of the shows!!
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
MyGirlSunday22@aol.com
Following is a press release from On The Edge Productions, Chicago, Illinois, December 10:
Soul-Jazz Superstar Nick Colionne To Ring In The New Year in Philadelphia
Jazz guitarist and vocalist Nick Colionne brings his special brand of excitement this New Year's Eve to Philadelphia. Michael Tozzi of ijazzglobal.com (former WJJZ Program Director) presents Nick Colionne (along with an after party with Philadelphia Band ZOE) at the Embassy Suites Hotel, Philadelphia International Airport.
Colionne joined the ranks of today's premier jazz artists with his Top Ten 2003 Album "JUST COME ON IN" that included the #1 hit "High Flyin" and top-ten hit "It's Been Too Long". His 2006 release "KEEPIN' IT COOL" propelled him to the top of the charts once again with the Top Ten hit singles "Always Thinking of You" (which stayed on the R&R charts for an incredible 45 weeks), "Keepin' It Cool" and "If You Ask Me". "KEEPIN' IT COOL" was also named Top Ten CD of the Year for 2006 on numerous lists.
His latest CD "NO LIMITS" has already produced two Top Five Hits, the title track "No Limits" and "The Big Windy Cat".
Says Colionne of the project: "NO LIMITS" is my latest adventure. I wanted to explore doing some different things with my music and not limit myself to one genre or style of playing". Colionne teamed up with two Grammy-award winning writers for the CD: Jim Peterik who wrote "The Eye Of The Tiger", the theme from the film "Rocky", and Paul Richmond who wrote "Shining Star" for the Manhattans. From this collaboration came three great vocal tracks - the soulful and romantic "Melting Into You", the bluesy "Hard Line" and the R&B tinged "Anyway".
Colionne's live performances defy categorization. His shows incorporate all the music he loves best and the influences he's had throughout his career. You are as likely to hear Nick sing the blues or some heartfelt R&B as you are to hear his blazing jazz licks, or even the hint of metal, recalling the beginning of his career as a heavy metal guitarist. From that diverse musicality comes an incredible live performance that showcases the talent, vocal ability and yes, comedic timing, of this charismatic entertainer.
More About Colionne
Coming of age on Chicago's West Side, Colionne began playing professionally at age 15, and has performed with legendary R&B icons Natalie Cole, Al Green, The Impressions, Curtis Mayfield and The Staples Singers. The recipient of the Malcolm X College Alumnus of the Year Award, (he earned his degree there in music), Colionne has devoted much of his spare time over the past 12 years to mentoring children at a suburban Chicago K-8 school.
Nick Colionne is an endorsee for Epiphone Guitars and Gibson Strings & Accessories as well as prestigious clothier Stacy Adams and is featured in both of their national advertising campaigns.
According to Nick, "The most exciting part of all of this for me is that I am actually living my dream, getting a chance to perform for people around the world, The greatest moments come when I look at their faces in the audience when I play, and I realize that I'm making them feel what I'm feeling. That's a fascinating level of communication".
Nick is the host of the popular radio program "Keepin' It Cool with Nick Colionne" heard daily on SmoothJazzNow.com, and recently spearheaded a national fund raising campaign to benefit breast cancer research and awareness in conjunction with Wine and Jazz Magazine that raised significant donations for The Pair Tree Foundation, a partner with The 3 Day Walk which benefits the Susan G. Komen Foundation.
Colionne's busy tour schedule in 2009 year took him to multiple US cities, Canada, the Caribbean and Europe. Much to the delight of his many fans, he ends this year's multi-city holiday tour in Philadelphia with this special New Year's Eve performance.
New Year's Eve Event Information
Special "singles" and "couples" package pricing is available (dinner, the Nick Colionne concert, a special silent auction to benefit "The Little Rock Foundation" , an after party with Philadelphia's ZOE and optional hotel accommodations/New Year's Day Breakfast).
Reservations/Tickets: Call Embassy Suites Hotel, Philadelphia International Airport at 1-215 - 365-4500 & ask for the Nick Colionne New Year's Special.
Event is brought to you by: Michael Tozzi's ijazzglobal.com
Sponsored by: Allstate Insurance and Golden Nugget Jewelers. Sponsorship Opportunities: Contact: Michael Tozzi at 610 324-9314.
Visit Nick Colionne's Website, www.nickcolionne.com
Media & Press Inquiries for Nick Colionne
Christine Clark, 610-918-3252
Media Manager, On The Edge Productions
media@nickcolionne.com
Photography credits: Cary Gillaspie, Scenic Jazz Photography; Bettie Grace Miner, Miner Works of Art
Special note to www.smoothvibes.com visitors:
Having seen Nick Colionne numerous times since he first came to Reading, PA, I can say without a doubt his is always a stellar show with lots of fan connection, unbelievable guitar playing along with an excellent band, and most of all the chance to meet Nick, himself, who is as fun, friendly and kind as he is debonair. If you can attend this event, you will surely join the ranks of us who already know this will be a magical holiday happening.
Hope you can be there!
Happy Jazzin'
Beverly J. Packard
Reading, Pennsylvania
Home of the Berks Jazz Festival
MyGirlSunday22@aol.com
READING, PA -- November 29 -- The 20th Annual VF Outlet Berks Jazz Fest, presented by the Berks Arts Council, runs March 19-28, and promises a memorable experience for lovers of contemporary and traditional jazz, blues, one-of-a-kind ensemble shows and more.
What began as a weekend festival of a few shows has grown to 10 days of great music and camaraderie, creating lasting friendships and memories.
The festival has always been unique in that it offers an array of venues and musical styles, with more than 130 events at major venues, clubs and restaurants throughout Reading and Berks County, Pa.
Several artists who played for the first fest in 1991 are returning this year, including Wynton Marsalis with the Jazz at Lincoln Center Orchestra; the Poncho Sanchez Latin Jazz Band; Turtle Island Quartet with special guest Cyrus Chestnut; and Denis DiBlasio with special guest Randy Brecker.
Other featured artists in this year's festival include jazz trumpet star Chris Botti; pianist Keiko Matsui; the legendary Blood Sweat & Tears; bassist and hometown favorite Gerald Veasley with his Electric Mingus Project; contemporary jazz star Boney James; trumpet great and local favorite Rick Braun & Friends, featuring David Benoit, Richard Elliot and Selena Albright, joined by the Berks Jazz Fest Horns; the always-entertaining duo of Peter White & Mindi Abair; Earl Klugh with opening act Tuck & Patti; Kim Waters & Kenny Lattimore plus opening act Gregg Karukas; Jane Monheit with the Reading Pops Orchestra; and Pat Martino Quartet featuring Eric Alexander, Tony Monaco and Jason Brown.
Fans also will enjoy vocalist Jackie Ryan featuring Larry McKenna, Lee Smith, Dan Monaghan and Tom Lawton; the free community concert by the U.S. Air Force Satellite Jazz Ensemble; Frank Vignola's Hot Club; Dean Brown Band; saxman Euge Groove; Joe McBride Trio; Nick Colionne & Eric Darius; the Yellowjackets; and Betty Carter's Jazz Ahead Concert.
Unique ensemble shows to look forward to this year are the Music of Grover Washington Jr. featuring Jason Miles, Gerald Albright, Walter Beasley, Chante Moore, Randy Brecker, Jeff Golub, Ada Rovatti, Buddy Williams, Ralph MacDonald and Neal Jason.
Hometown favorite Rick Braun is celebrating this milestone year with a 20th anniversary concert, Rick Braun & Friends featuring David Benoit, Richard Elliot, Selina Albright, and the Berks Jazz Fest Horns and Berks Jazz Fest Strings.
The 20th Anniversary Berks All-Star Jazz Jam features Chuck Loeb, Rick Braun, Peter White, David Benoit, Gerald Veasley, Joe McBride, Nick Colionne, Chieli Minucci, Brian Bromberg, Eric Darius, Mindi Abair and Richard Elliot.
There's also Brian Bromberg & Friends, with the veteran bassist being joined by Jeff Lorber, Chuck Loeb, Michael Lington, Marion Meadows, Cindy Bradley and Will Kennedy, Gary Meek, Alec Milstein and the Berks Jazz Fest Horns; and Guitarzzz featuring Chuck Loeb, Chieli Minucci and Paul Jackson Jr. plus opening act Jessy J, Oli Silk and Jackiem Joyner.
Blues are back in a big way, with rousing shows promised by the Grammy Award-winning Robert Cray Band; vocal powerhouse Shemekia Copeland plus opening act Eric Steckel with the Craig Thatcher Band; and guitarist and vocalist Coco Montoya plus opening act Deanna Bogart Band.
The VF Outlet Berks Jazz Fest is proud to bring fans 20 years of great music and lasting memories. Join in the celebration!
The 20th Annual VF Outlet Berks Jazz Fest, presented by the Berks Arts Council, runs March 19-28, and features an expansive array of musical styles featuring contemporary and traditional jazz and blues artists. Over 130 events at major venues, clubs and restaurants throughout Greater Reading make this a truly unique music festival. For more information, including ticketing, artist bios and archived releases, visit www.berksjazzfest.com. For more information on the Berks Arts Council, a nonprofit arts organization dedicated to promoting the arts in Greater Reading, visit www.berksarts.org.
Tickets go on sale Saturday, Dec. 5, at 10 a.m.
To order tickets:
Visit the Sovereign Center box office, Seventh and Penn streets, Reading.
Call Ticketmaster at 1-800-745-3000 to charge by phone; or visit ticketmaster.com.
Order online at berksjazzfest.com.
For a complete schedule of concerts, visit www.berksjazzfest.com
This press release from Beth Renfro, Marketing/Public Relations Director for the Berks Arts Council:
READING, PA -- October 21 – The Berks Arts Council announces a line-up change for the “Remembering Grover Washington Jr.” concert at 7:30 p.m. Friday, Dec. 11, in the Miller Center for the Arts on the campus of Reading Area Community College in downtown Reading. Special guest sax man Eric Darius will replace Walter Beasley in the original lineup, joining bassist Gerald Veasley, a member of Grover's band and a longtime friend. This special concert also features keyboardist Donald Robinson, who was musical director for Grover's band for years, and saxophonist Chris Farr, musical director for Veasley's band.
No stranger to Berks audiences, Darius took the contemporary jazz world by storm with his 2004 Narada Jazz debut, Night on the Town. He followed that success with Just Getting Started. His latest release is Goin' All Out, which peaked at No. 9 on Billboard’s Top Contemporary Jazz chart.
The show, a rousing kick-off event for the milestone 20th annual VF Outlet Berks Jazz Fest, March 19 to 28, will feature many of Grover's classic hits as well as music from Grover's holiday CD, Breath of Heaven. Tickets are on sale now, and are $40. All seats are reserved, and only 500 tickets are available for this special show.
Grover Washington Jr. was probably the most successful contemporary jazz artist of his generation. His blend of R&B, soul, pop and jazz earned him a glowing reputation with music lovers and DJs. His discography boasts three decades of creative and heartfelt albums. Breath of Heaven, a funky yet serene holiday release, was nominated in 1998 for a Grammy Award for Best Contemporary Jazz Performance.
Gerald Veasley is the founder of Gerald Veasley’s Jazz Base at the Crowne Plaza Reading.
For tickets contact CD Exchange, 360 E. Wyomissing Ave., Mohnton, PA, or call, 610-777-2310 to order by phone.
The 20th Anniversary VF Outlet Berks Jazz Fest will be presented by the Berks Arts Council March 19 to 28, 2010. For complete jazz fest information, visit www.berksjazzfest.com.
We hope to see you at what is sure to be a memorable show.
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
Reading, Pennsylvania
MyGirlSunday22@aol.com
Berks Arts Council has released the following on an upcoming holiday show to be held In Reading, Pennsylvania, home of the Berks Jazz Fest:
The late saxophonist and Philadelphia native Grover Washington Jr. touched the lives of so many -- music lovers and musicians alike. He was an inspiration, and his legacy lives on through many of today's top players.
"Remembering Grover Washington Jr.," a concert paying tribute to the legend and presented by the Berks Arts Council, is set for Friday, Dec. 11, 7:30 p.m., at the Miller Center for the Arts on the campus of Reading Area Community College in downtown Reading. Tickets go on sale Tuesday, Oct. 6 at 10 a.m. and are $40. All seats are reserved, and only 500 tickets are available for this show.
The 10th anniversary of Grover's passing is in December, so it's fitting to have a tribute concert hosted by a longtime friend and member of Grover's band, bassist Gerald Veasley. A Berks Jazz Fest favorite, Veasley will be joined by special guest Walter Beasley. Also joining them that night will be Veasley's band, featuring keyboardist Donald Robinson, who was musical director for Grover's band for years; and saxophonist Chris Farr, musical director for Veasley's band.
The show, a rousing kick-off event for the milestone 20th annual VF Outlet Berks Jazz Fest, will feature many of Grover's classic hits as well as music from Grover's holiday CD, Breath of Heaven.
Grover was probably the most successful contemporary jazz artist of his generation. His blend of R&B, soul, pop and jazz earned him a glowing reputation with music lovers and DJs. His discography boasts three decades of creative and heartfelt albums. Breath of Heaven, a funky yet serene holiday release, was nominated in 1998 for a Grammy Award for Best Contemporary Jazz Performance.
This heartfelt tribute to one of the most influential jazz musicians of our time is a must-see show.
For tickets:
CD Exchange
360 E. Wyomissing Ave.
Mohnton, PA
610-777-2310 to order by phone
CONTACT:
Dana L. Hoffman
Publicity Director
VF Outlet Berks Jazz Fest
dhoffman@readingeagle.com
or
Beth Renfro
Marketing/Public Relations Director
Berks Arts Council
brenfro@berksarts.org
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
Reading, Pennsylvania
MyGirlSunday22@aol.com
Sunday night, the festival finale laid in the hands of super-star group Jazz Attack featuring Rick Braun on trumpet, Richard Elliot on saxophone and Jonathan Butler on guitar and vocals. They relied on their tried and tested formula playing their hit songs like Rick Braun's "Notorious", while Richard Elliot delivered his beloved Stylistics song "People Make The World Go Round", where he took the opportunity to baffle the audience with some growling and purring sounds from his saxophone. Jonathan Butler sang a heartfelt version of "No Woman, No Cry", which was one of the highlights of the show. As for something new, Rick Braun played one song from his upcoming CD dedicated to the music of Herb Alpert, which is destined to become a radio hit, while Richard Elliot played "Move On Up" and "Rock Steady" from his brand new current release. They were backed by Nate Phillips on bass, Ricky Lawson on drums and Dwight Sills on guitar plus keyboards. The concert was finished with the Jonathan Butler hit "Lies", which also brought another great Berks Jazz Festival to an end.
Sunday afternoon, Smooth Jazz 92.7 gave us their second Listener Appreciation Day concerts with the double bill of David Benoit and Warren Hill which took place at the Crowne Plaza Reading Hotel Ballroom in front of a capacity crowd.
Pianist David Benoit played the grand piano and a little keyboards, he was accompanied by a stellar band featuring Jeff Kashiwa on sax, David Hughes on bass and Jamey Tate on drums. This concert was a breath of fresh air, David Benoit was in a relaxed mood, he played some songs from his Heroes CD, among them "Mountain Dance", "Human Nature" with a heartfelt solo by Jeff Kashiwa, and "Light My Fire". The band was grooving along, the tasteful playing of David Hughes and Jamey Tate never overpowering the piano of David Benoit, which yielded a really great musical experience allowing the music to breathe. It brought a dimension to the festival I had been missing so far. The nod to Dave Brubeck was "Blue Rondo A La Turk" with some great sax playing by Jeff Kashiwa, before they went through some of David Benoit's biggest hits like "Beat Street" and "Freedom At Midnight". This was a well rounded concert by a great artist, supported by a great band.
After that, Warren Hill and band were turning up the heat with their powerful performance. He opened the show with "Come Together", blowing us away with his great alto-sax playing. He was backed by a great band, among them Wayne Gerard on guitar. Another highlight was "Mambo 2000", a great latin track which was delivered with aplomb by all involved. He slowed down things in the middle of the concert, when he took the acoustic guitar and sang a gentle song dedicated to his daughter, showing a completely different musical side of his personality. After that, he played the beautiful "Still In Love", a song written for his wife. He also played a couple of songs on the soprano saxophone before it was time to give us his signature song, Wild Cherry's "Play That Funky Music" which had the crowd cheering along. As an encore, they played a great blues song that gave Wayne Gerard the opportunity to shine. This was a great concert by a consummate player.
Saturday, I attended the late-night show of Metro at the Jazz Base in the Crowne Plaza Reading Hotel, Gerald Veasley's Jazz Base club. Metro is the fusion project of guitarist Chuck Loeb featuring Mitch Forman on keyboards, Dave Weckl on drums and Gerald Veasley on bass. The band was extended for this festival with additional soloists Randy Brecker on trumpet and Bobby Francescini on sax. They went through their hard hitting songs which were not primarily about melody, but much more about straight playing, soloing, and technical complexity. Bobby Francescini is a very powerful player giving us some great solos while the band was grooving like hell with the great Dave Weckl on drums and Gerald Veasley on bass providing the rock-solid foundation to the proceedings. Mitch Forman, Randy Brecker and Chuck Loeb added their share of excellent soloing, and the whole band proved to be a cohesive unit yielding an impressive concert.
Saturday evening, superstar Boney James appeared in the Scottish Rite Cathedral delivering his ultra-smooth brand of saxophone led groovy instrumental music. He was accompanied by a youthful band, among them bassist Sam Sims. They brought us up to speed with "All Night Long", Boney was dancing and moving around across the stage while playing his horn, his way to express himself is totally unique and special. His current CD Send One Your Love is decidedly the ultimate make-out album, so the majority of the songs were rather laid-back and sensual, but this is the style Boney feels the most comfortable in. From this CD, he played Barry White's "I'm Gonna Love You Just A Little More Baby", the album's title track, Stevie Wonder's "Send One Your Love" and the great Stylistics classic "Stop, Look, Listen (To Your Heart)", the rest of the show featured some of his well known tracks and trademark playing. He did his stroll into the audience and had several women dancing along to his playing, he even stepped onto some seats right behind us to play standing in the middle of the cheering crowd. The concert was sold-out and the many "Boney" shouts from the audience proved the popularity of this artist.
Saturday evening we got the Golden Gate Double-Header, taking place at the Plaza Reading Hotel Ballroom with two concerts in a row.
First was Joyce Cooling who was promoting her brand new CD called Global Cooling, due in stores in one week. Hailing from San Francisco, she and musical partner Jay Wagner on keyboards brought us their brand of sunny, laid-back smooth jazz. She opened the show with some her familiar instrumental tunes, among them "Come And Get It", before featuring some new songs, among them "Cobra" and a nice song called "What Are We Waiting For", just stripped down to guitar and percussion. Another memorable moment of the concert was her performance of the track "Revolving Door", sitting on the edge of the stage. Apart from that, we got our little samba interlude with the whole band at percussion instruments featuring their great new percussionist, before finishing the show with some more familiar uptempo instrumental tracks.
Next were East Bay Soul, a band featuring former of Tower Power trumpet players Greg Adams and Lee Thornburg, plus Michael Paulo on sax and the inimitable Phil Perry on vocals. It was evident that the roots of this band were in funk and soul, the horn arrangements were very reminiscent of TOP. Greg Adams played some great trumpet and flugelhorn solos, bringing back a much welcomed jazz element. The opening track was smoking. Soon, singer Phil Perry was brought to the stage, singing two songs, among them his take on the War classic "The World is A Ghetto". Then, things slowed down a little with Sade's "Smooth Operator", Greg Adams playing beautifully on muted trumpet, paving the way for another great Phil Perry ballad and his rendition of "Walk On By". Then, Greg Adams played a great instrumental featuring him on flugelhorn, classic stuff with some great horns backing him up and a soulful sax solo by Michael Paulo. They wrapped up the show with some TOP classics, yielding one of the best shows of the whole festival.
Late Friday night, the Sax Pack, featuring saxophonists Kim Waters, Steve Cole and Jeff Kashiwa were performing at the Plaza Reading Hotel Ballroom delivering a truly entertaining show full of top-notch musicianship and comedy. The first song was a group effort, then the next song featured Kim Waters who really set the standard, and the whole evening revolved around the concept of competition between the players, who tried to outshine each other, pulling their legs and still showing a great sense of camaraderie. Their funny remarks between songs yielded many laughs, and each of these players has a great sense of humor. One of the highlights was Steve Cole playing "Curtis", his slow burning song dedicated to Curtis Mayfield, allowing him to pull out all the stops and have the crowd cheering withjoy. Jeff Kashiwa played "When It Feels Good" from his current release, then after a funny interlude about zodiac signs, they went into "You Are My Starship", which was well appreciated. Then as a group effort, they played their big radio hit from their Sax Pack album called "Fallin' For You", which stayed for 10 weeks at #1. The band was introduced: on guitar was Jerry Johnson, Mike Logan on keyboards, Andre Berry on bass and Clyde Davis on drums. They wrapped up the show nicely with some uptempo tracks, giving us one of the most entertaining and musically satisfying shows of the festival.
Friday evening, Jason Miles presented Soul Summit II, another star-studded event celebrating classic soul music by a great cast. Prior to the show, Jason Miles was given an award by Bob Davis of Soul-Patrol.com for his contributions to soul music and his various projects over the years, a sign of appreciation truly deserved. Then Jason Miles introduced the players for Soul Summit II. As last year, backbone of the band were living legends Bob Babbit on bass and Reggie Young on guitar who both played on an endless list of classic recordings ranging from Elvis to Herbie Mann; Steve Ferrone played the drums, while Jason Miles took care of the keyboards. Featured guest artists were saxophonists Eric Darius and Richard Elliot, guitarist Jeff Golub, singers Maysa, Simone and the male duo Soul Survivors from Philly. They recreated some old-school vibes with the first soul-drenched track featuring Jeff Golub on guitar, before Eric Darius entered the stage blowing us away with his youthful energy. Then the Soul Survivors threw us back to the 60's with their Sam & Dave like performance, before Maysa delivered, among others, "Let's Stay Together" the way only she can. Eric Darius played "Knock On Wood" and "Coming Home Baby" before Simone, daughter of Nina Simone, sang a beautiful version of Bill Withers' "Ain't No Sunshine" with a truly inspired guitar solo by Jeff Golub, and "Love And Happiness", which had people grooving along. Richard Elliot came to the stage and gave us his powerful rendition of Aretha Franklin's "Rock Steady", followed by Al Green's "A Change Is Gonna Come", putting all his heart and soul into the performance, giving me goosebumps! As a little surprise, Jason Miles sang one song, which led seamlessly into AWB's "Pick Up The Pieces", having all artists together on stage for the rousing finale. This was another truly great show and memorable musical experience as only Jason Miles can put together.
Text: Beverly Packard
Photo: Michael C. Packard
Gerald Veasley’s Jazz Base was the intimate venue for two life-long friends to come together and enjoy blending the music they both love. Bobby Lyle and Paul Jackson, Jr brought the house down with a rousing tribute to Jimmy Smith and Wes Montgomery. With them was the talented Mark Prince on drums.
At times soft and poignant, at times unbelievably intricate and boisterous, this dynamic duo easily held our attention for the night. In between the songs of Montgomery and Smith, Jackson and Lyle shared stories of the past, making the show interesting and educational as well as entertaining.
Early in the show Jackson credited Bobby Lyle with his decision to pursue becoming a musician. By the look on Bobby’s face, it was easy to see he couldn’t be more pleased that Jackson has been part of his circle and was there with him on stage. Often exchanging knowing looks and smiles in appreciation of each other’s playing, their special relationship in music was very evident.
One of Jackson’s stories involved his father, who, upon hearing that Jackson had played with the likes of Cher and later Whitney Houston and many other top stars, would give a proper nod of approval, but when Jackson told his father he was involved in a Jimmy Smith project, his dad’s eyes widened and he said, “REALLY??” Jackson’s father sat in the audience for this show and we found him to be a most charming man in talking with him after the show.
In addition to Montgomery and Smith classics, which included Caravan, Baby It’s Cold Outside, Round Might, Blues for Dexter, Bumpin' on Sunset and Road Song, they did an original tune, a real crowd pleaser entitled, Jump In. Walk on the Wild Side rounded out the set and although the crowd was ready for more, it was time to end, since another fortunate group of fans was scheduled to join them for the later show.
Text: Peter Böhi and Beverly Packard
Photo: Michael C. Packard
Late thursday night at the Plaza Crowne Hotel Ballroom, one of the greatest jazz-extravaganzas known in the scene took place in the form of the Berks All-Star Jazz Jam. Under the musical guidance of guitarist Chuck Loeb, an incredible number of artists gathered on the stage to jam. There was Dave Weckl on drums, two bass players (Brian Bromberg and Gerald Veasley), four guitar players (Chieli Minucci, Paul Jackson Jr., Chuck Loeb and Matt Marshak), six saxophonists (Jeff Kashiwa, Steve Cole, Kim Waters, Nelson Rangell, Richard Elliot and Eric Darius), two trumpet/flugelhorn players (Rick Braun and Leon Jordan Jr.) and two keyboard/organ players (Bobby Lyle and Mitch Foreman). For the first song, they all crammed the stage performing Charlie Parker's "Now's The Time" with alternating solos by several of the players, before the band split up into smaller group allowing the individual players to shine. Next was Freddie Hubbard's "Little Sunflower", featuring Jeff Kashiwa on soprano and the incredible Leon Jordan Jr. on the flugelhorn who delivered a extensive, quite capable solo, while Brian Bromberg played a fine acoustic bass solo. Next was a funked and sped-up version of Miles Davis' "So What" that gave Gerald Veasley, Richard Elliot, Matt Marshak and Leon Jordan Jr. ample solo space. This was followed by "On Broadway", and this version was turned into a guitar frenzy by Chuck Loeb, Paul Jackson Jr. and Chieli Minucci (who toured together as Guitarzzz in the past), cranking up their guitars and jamming like crazy. The show slowed down for a while with Nelson Rangell whistling and playing the piccolo, before the speed picked up with Herbie Hancock's "Canteloupe Island" extending the band again. They wrapped up the show with all involved with Stevie Wonder's "I Wish", which brought another great concert to an end. Once again, Chuck Loeb realized his vision of what so many talented players could bring to surely the most regularly-attended show of the entire festival.
Text: Peter Böhi and Beverly Packard
Photo: Michael C. Packard
Thursday evening, Chieli Minucci & Special EFX appeared at the Abraham Lincoln Hotel Ballroom, celebrating their 25th year of touring as a band. The lineup consisted of leader Chieli Minucci on guitar, Philip Hamilton on percussion and vocals, Lionel Cordew on drums, Jerry Brooks on bass, Jay Rowe on keyboards and Nelson Rangell on sax & flute. In addition, the Berks Jazz Fest Horns (Michael Anderson on sax, Rob Diener on trumpet and John Loos on trombone) supported the band. The concert was opened with "Daybreak" featuring the amazing vocals of percussion player Philip Hamilton who really added a new dimension to the whole sound with his jazzy phrasings. Saxophonist Nelson Rangell was the special guest of the band and delivered some great contributions on sax and flute, blending well with the band. Chieli Minucci delivered his well known brand of fusion and smooth jazz on electric and acoustic guitars, giving us his longer renditions of popular chart-topping songs "Kickin' It Hard" and "Cruise Control". Also featured was "Body Beat" and long time favorite "Uptown East". Some of the tunes were extremely layered, while others were more laid-back, leaving more room to breathe and allowing the players to more fully express themselves. A highlight for the crowd was the rendition of "Cause We've Ended As Lovers" which built nicely and left the crowd wanting more. Minucci has become a real favorite at the jazz festival; he is happy to be here and considers Berks to be part of his 'family,' he delivers simply amazing solos, and he has an enthusiastic band, as evidenced by the band's focused attention on giving him what he wants, and Jay Rowe's infectious smiles and dancing during his awesome keyboard playing. The show was very well received, with a number of standing ovations on the part of some or all of the crowd.
Wednesday I went to see the concert of the Brian Bromberg Quintet at the Jazz Base, the lineup consisted of Brian Bromberg on acoustic & electric bass, Mitch Foreman on keyboards & piano, Nelson Rangel on saxes, flute & whistling, Dave Weckl on drums and Chuck Loeb on guitar. The club setting was cool, and the band was ready to jam. They kicked off the show with Herbie Hancock's "Chameleon", followed by Eddie Harris' "Cold Duck Time", both tracks can be found on Brian Bromberg's latest CD Downright, Upright. Despite the fact that the musicians just gathered for this concert the band played very well together, Dave Weckl was never missing a beat, Nelson Rangell was blowing a mean horn and later whistled beautifully, while Chuck Loeb delivered a few burning solos on guitar. Another highlight was the keyboard playing of Mitch Foreman, who delivered some outstanding solos. But the man holding it all together was bassist Brian Bromberg, who alternated between acoustic and electric bass, a special highlight was his solo acoustic bass performance, before they closed the concert with a rousing version of Herbie Hancock's classic "Cantaloupe Island". This was a great concert by a world-class band.
Text and photo: Michael C. Packard
One unique aspect of Berks is the chance to participate in some really fun activities that occur during the week, between the world class shows. A Reading Eagle newspaper advertisement highlighted a two hour "meet the artists" event hosted by the Verizon store, with on-air coverage by Jo Painter of WEEU-AM radio.
A sunny and warm spring afternoon with two free tickets for Saturday's East Bay Soul show for the first twenty people beckoned. Bassists extraordinaire Brian Bromberg and Gerald Veasley, as well as Uptown Band members, Erich Cawalla and Jennifer Kinder were on hand to autograph promotional photos, free CD's which were given away.
We had a fun time mixing it up with the Berks Arts Council folks, the radio people, and chit-chatted with the artists, friends, and fans. Everyone who attended had a laugh, got some free stuff, and left a little bit happier.
PS: On the photo (from left to right): Brian Bromberg, Peter Böhi, Gerald Veasley.
World renowned Steve Smith and his band Vital Information put on an entertaining – and informative -- show Saturday evening at Gerald Veasley’s Jazz Base in the Reading Crowne Plaza Hotel. Before the show began, the chatter in the audience reflected how eager everyone was to see what magic Steve Smith was going to bring to his drumming on this, the second night of the Berks Jazz Festival.
Joining Smith was Baron Browne on bass guitar, Tom Koster (formerly of Santana) on keyboards, and Vinny Valentino, the latest addition to this band, on guitar. A guest appearance by Andy Fusco on saxophone rounded out the evening. These artists come out of rich musical background, having made their mark on the music industry even before joining Steve Smith. Fusco is part of a second band that Steve Smith leads, known as Jazz Legacy, a more straight-ahead jazz group dedicated to the legacy of drummer Buddy Rich and many other great drummers. The set list included Time Tunnel, Interwoven Rhythms – Synchronous, Get Serious, Seven and a Half, Interwoven Rhythms – Dialogue, JBen Jazz, Bottom Line, The Blackhawk or Looks Bad, Feels Good, The Closer, and for an Encore, The Trouble With/Jimmy Jive.
Vital Information has the corner on being a tight band; there is such precision in every piece they play, not a space or note is wasted. And the rhythm of the songs was nothing short of amazingly complex and perfectly executed. Twice during the show, the audience was given ‘vital information’ about music and rhythm that the artists gleaned on recent trips to India. Smith explained the time the band members learned to reframe in their minds the beat of a song in 15:8, simplified by musicians in India who taught them to use 7 ½ time, which is 1 & 2 & 3 & 4 & 5 & 6 & 7-and-a-half -1 & 2 and so forth in a repetitious pattern. He clapped this beat for us, and so it was easy to pick up…at first. But as they played and the song became more layered and complicated, it was nearly impossible for us to find the beginning of the phrasing of beats. Wow, and some of us really worked at it!
The audience was also educated in the use of voice percussion called konokol. Smith and Valentino demonstrated these vocalizations which articulate the complex rhythm in a song. There were patterns to the type of vocalization used for various phrasings in the song. It was quite fascinating to see how voice percussion is used and interesting that even perhaps one of the most famous drummers in the world can still add something new to his repertoire in the area of percussion.
When watching a great drummer like Steve Smith, somehow I begin to believe that if I could just sit in his seat for awhile, I feel certain I could produce some decent sounds and stay with the beat using syncopation and lots of other effects to make it interesting. Although I’m eager to try it, it doesn’t take long before I realize that this is probably pretty unlikely! While Smith makes it appear effortless, he has so many sticks and tricks and variations of the way he gets just the right effect that it would be impossible for almost anyone in the world to duplicate, and there are probably only a handful of drummers who can do it.
In a sense, Vital Information’s shows are about rhythm, about how challenging and complicated the music can become. Despite my love for a more recurring melody line and perhaps less complication at times, in a live show like this it’s easy to get lost in what each artist is bringing to it and in the joy they feel having accomplished what they set out to do by the end of the song. Speaking of the ending of the songs, they were superb in every case. Again, perfectly executed, all together, exactly on the same space in time for each final note.
It’s the second time I walked away from a Vital Information show simply mesmerized by the talent musicians can exhibit and the fun atmosphere that is created when a group of people sit and appreciate what a rare treat is before us.
Vital Information’s latest CD, entitled ‘Vitalization,’ was released in 2007. Please visit www.vitalinformation.com to learn more about Steve Smith and the band.
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
Reading, Pennsylvania
MyGirlSunday22@aol.com
Photo: Michael C. Packard
In the evening, we got the double bill of accapella vocal group Take 6, followed by bassist Wayman Tisdale & band, the concert took place at the Scottish Rite Cathedral and was tagged Smooth and Soulful.
The six male vocalists of Take 6 are masters of vocalese, the art form of just singing and using the voice to create sounds, that brought them 10 Grammies over the years. They did a very entertaining show, from gospel to rock to r&b, everything was covered in a convincing way. The audience was excited, especially the trip down memory lane where every member featured some of his favorite music of the past, yielded great renditions of songs by Michael Jackson, Boys To Men, The Doobie Brothers and Stevie Wonder. Apart of that, several originals by the group were performed that showed their unique vocal skills, leaving the audience in awe.
After a short intermission, it was time for bassist Wayman Tisdale to take the center stage. As you may know, Wayman Tisdale had been battling bone cancer for the past two years, he has completed therapy and is getting better now, but the disease has left its mark on him. He has visibly lost weight and needs a cane and an assistant to walk. He performed sitting, but all these handicaps didn't prevent him from delivering a great show backed by a top-notch band, among them bassist Andre Berry. He played many great covers of those "old school" songs like "Can't Hide Love", "Ain't No Stopping Us Now", "Get Down On It", a great funk-medley, among them "Fire", I also like the inclusion of a vocoder to his bass allowing him to communicate. Despite his physical problems, Wayman Tisdale proved that he is willing to play and continue to bring the music to his fans, providing another great show. I wish him all the best!
Sunday afternoon we got the double ticket of Pieces Of A Dream and Average White Band as part of Smooth Jazz 92.7FM Listener Appreciation Day, an afternoon of music in front of a sold-out house at the Plaza Reading Hotel Ballroom.
Pieces Of A Dream are veterans of the scene, they started their career with the help of mentor Grover Washington Jr. in the early 80's, and are still on the forefront of today's smooth jazz scene. The band is led by founding members Curtis Harmon on drums and James Lloyd on keyboards, plus members Eddie Baccus on sax, David Dyson on bass and - newest official member - Rohn Lawrence on guitar. They put on an energetic show, featuring material from their new CD, Soul Intent, like "Hindsight"; and, several classics, among them "Fo-Fi-Fo" and and a tribute to Grover Washington Jr., giving Eddie Baccus the opportunity to shine. They were joking around and had a good time, as did the capacity crowd. A Pieces Of A Dream concert is always an enjoyable experience, they deliver a powerful performance full of catchy melodies and superior playing, satisfying your smooth jazz expectations.
Next up were the Average White Band, originally hailing from Scotland with a career that started in the early 70's, yielding many classics. The band is fronted by original members Alan Gorrie on bass, guitar & lead vocals and Onnie McIntyre on guitar & vocals. The rest of the band underwent several changes over the years, the current lineup consists of Fred Vigdor on sax, Rocky Bryant on drums and the outstanding Klyde Jones on keyboards, guitar, bass & vocals. They quickly won over the crowd by starting the show with a short version of "Pick Up The Pieces", before exploring the large catalog of the band. Alan Gorrie really incorporates AWB for me with his voice and trademark bass playing, while the rhythm guitar of Onnie McIntyre anchored things. Freddie V really nails the sax parts down and delivered many great solos, but most notable player was Klyde Jones, who really added another dimension to the proceedings with his soulful singing, mean bass playing (during the parts of the show when Alan Gorrie picked up his guitar) and Benson-like guitar playing. The songs played ranged from "Cloudy" to "TLC", "Person To Person", "I'm The One" and - for the encore - the inevitable "Pick Up The Pieces" that added Eddie Baccus to the horn section, bringing the concert to a great end.
The late night show Saturday night took place at the Plaza Reading Hotel Ballroom, bassist Gerald Veasly and his band led an all-star cast through The Music Of Stevie Wonder, and they really stuck to the theme and exclusively played Stevie Wonder compositions, which yielded a very entertaining concert. They kicked off the show with "Do I Do" and "Don't You Worry Bout A Thing" featuring Chris Farr on sax, Gerald Veasley's regular sax player, who did a great job bringing the crowd up to speed. Then Joe McBride gave us a powerful rendition of "Higher Ground", followed by singer Nnenna Freelon, who sang three songs (among them "My Cherie Amour"), before Najee played "As" beautifully on flute -- he is such a great flautist. He also played the sax to a few more songs, before it was time for Gerald Veasley to shine, he showed his prowess on the instrument, pulling out all the stops, baffling the audience. I am always impressed with the impeccable technique of this great player. Together with Chris Farr and the band they brought the concert to its close, for the rousing encore they brought back Joe McBride and Najee to play "Superstition", which went down very well with the crowd. This song - among a few others - was ably supported by the four piece Berks Jazz Fest Horns.
Brian Culbertson appeared Saturday evening at the Scottish Rite Cathedral, still Bringing Back The Funk, the same show which was brand new last year, and showed a lot of maturation in the meantime. The lineup changed a little, as guitarist Sheldon Reynolds was no longer in the band, and as a welcome return, his father Jim Culbertson on trumpet was back. While last year, I felt like as if i were hit by a truck when the band started, this year everything still was very funky and powerful, but much tighter and less stressful, and therefore more enjoyable. Most of the material played was from Bringing Back The Funk, but Brian also gave us plenty of his older smooth jazz material to keep the crowd happy, slowing things down for a while. I also enjoyed the horn battles when Brian on trombone chases his horn player around the stage. As usual, it was an energetic and fun show on the highest level, and the house rocked!
Saturday early afternoon saxophonists Kirk Whalum and Gerald Albright celebrated the Sax For Stax, among other things on their show which took place in the Plaza Reading Hotel Ballroom (formerly the Sheraton). As they let us know during the show, they will spend the whole year touring the country and are prepared to bring their music to the fans. Some songs were performed in tandem, while on others they alternated as leaders. They were backed by a stellar band, among them bassist Melvin Davis and guitarist Gary Goin, providing the perfect background for them to shine. The gamut of songs was wide and reached from older classics out of their catalogs to more unexpected songs. Highlights were Gerald Albright's rendition of "Georgia On My Mind" and a lengthy tribute to the saxophonists who influenced them - from Cannonball Adderley to Maceo Parker - which not only was very entertaining, but also revealed the tremendous background of these artists. Both were in a great playing mood, the camaraderie was evident, and all involved - players and audience - had a great time.
The 19th annual Berks Jazz Festival started with a bang with the concert by guitarist Peter White and saxophonist Mindi Abair. It was held Friday evening at the Scottish Rite Cathedral in front of a capacity crowd. The two artists played a lot together in past, especially during their holiday tour called "A Peter White Christmas" featuring Mindi Abair and Rick Braun, so their camaraderie was no suprise. They were backed by Mindi Abair's band, among them players like Andre Berry on bass and Rodney Lee on keyboards, doing a great job, with the guitar player adding some burning solos on electric guitar. Peter White gave us a selection of his well known hit songs and covers of r&b classics like Grover Washington Jr.'s "Mr. Magic", "I'll Be Around", The Temptations' "Papa Was A Rolling Stone" or the Isley Brother's "Who's That Lady" and more; out of his own catalog, "Bueno Funk" was a sure hit with its alternating funk and slower parts, while Mindi Abair gave us "Lucy's" and the smashing "Flirt" which was the bomb! She also sang a couple of her pop songs, one just accompanied by Peter White's guitar. Mindi looked georgeous as always in a black mini dress, smoke black stockings and high leather boots playing her sax with conviction and enthusiasm, having the crowd in the palm of her hand. It was a great concert and a worthy opening of the Berks Jazz Festival with many greats concerts ahead of us!
Photo: Michael Packard
Not entirely true to the referenced Steely Dan song, the age of the VF Outlet Berks Jazz Festival doesn't resemble that of a young woman without knowledge of the queen of soul, Aretha Franklin, but rather symbolizes a mature and experienced voice in the quest to celebrate jazz in all its forms and from its beginnings to the present.
The maturity and experience of those putting together the Berks Jazz Festival attests to the wisdom they have gathered over the years. Everything from the line-up, including legendary and new artistic talent, to the location of shows, the local outreach that brings the participation and excitement of so many restaurants and businesses, the logo, right down to the lodging and special touches for visitors -- all this shows that Berks knows what you love and wants to make sure you, the listener, are the recipient of all things jazz during this festival. Worthy of note is that festival is coordinated and overseen by the Berks Arts Council and then is largely executed by a huge group of volunteers who give freely of their own time and talent before, during and after the festival.
Up-close-and-personal contact is a highlight of these ten days at Berks, both for artists and fans, and many are busily arranging breakfasts/brunches/lunches/dinners with those they've gotten to know personally over the years. Add to this group those representing recording companies and all forms of media, and you have quite a joyous reunion occurring throughout the festival.
The artist line-up has been posted here often, and you can also see it by going to www.berksjazzfest.com. There is an emphasis on traditional jazz, contemporary jazz and everything in between. Sometimes bluesy, sometimes funky, sometimes full of soul, but always that awe-inspiring improvisation that breaks out during any song and any show. Being in the audience at a festival like this is a great way to find out what the group of artists playing on your favorite CD will do when they're right in front of you! You won't believe it until you see it, as returning fans know, and it keeps them coming back.
There are other important highlights of the festival. For one, there is a worthwhile effort to engage young musicians who can benefit from the influence of artists who are traveling here as well as local artists during the festival. There are camps and workshops designed to promote accomplishment in music for the next generation. Another highlight is that in addition to the main ticketed events, there are countless free events to take advantage of in various venues, restaurants, churches, and anywhere people gather. All of this is listed on the www.berksjazzfest.com site, as well.
One of the keys to success at Berks is that the atmosphere reflects a spirit of generosity. Artists are generous with each other on stage, allowing each other full expression of their talents; fans are generous in getting to know each other, introducing artists to new fans and allowing all fans to enjoy the connection to the artists; media are not in competition with each other but enjoy and appreciate each others' work in taking pictures, sharing their magazines, doing on-site interviews and engaging in other promotional activities for the artists.
There is a fun atmosphere of shopping both at the local Vanity Fair Outlets and also inside some of the venues. You'll see some classy pieces of jewelry, some of which promote the jazz lifestyle and provide us with fun. You might choose a jazzy pin that lights up (it will be easy for your friends to find you in the dark!). Also available are lamps that have instruments built right into them -- talk about jazz providing a source of light in your life, that would do it! Then there is the table with Jazz Fest merchandise from years past, along with new items for this year. There are prints of jazz-themed colorful paintings to provide a pleasing reminder of a memorable time long after you arrive back home. Fans may be able to buy something or perhaps even be given an item promoting an artist, ie, my Nick Colionne earrings of which I'm very proud. Yes, they are in the shape of a guitar pick, have Nick's name on the his guitar logo. Some might think that's silly, but to me they're a fun reminder of the awesome playing and fun personality of this guitarist and of the times I've been at his shows.
What should you bring along to Berks? As always, your keen listening ears and your jazzitude (new word, there) -- you can be serious about your jazz, you can be silly with your jazz, you can be somewhere in between and travel back and forth between serious and silly for the entire ten days or however long you are here -- the music speaks to each of us in different ways at different times. One thing is certain, however, we all love the music and the music brings us together, not only at Berks, but perhaps especially at Berks.
So I'm looking forward to seeing all of you at some point during the festival! You'll find me with Peter Boehi from Switzerland, publisher of this site who is again our house guest for the ten days, or Jonathan Widran from California, established music journalist who writes all the bios for Berks and is also managing jazz editor of the new magazine, Wine and Jazz. You will see me with Mary Bentley and Bonnie Schendell of the online jazz magazine SmoothViews, or Melanie Maxwell of Smooth Jazz News, Steve Quirk from jazz radio in England, Dave Love from Heads Up, Jack Forschette of Koch Records, or the many artists I've come to know. I'll probably check in with John Ernesto, general manger of the festival or Connie Leinbach, who's the executive director of the festival, or, or...wow, it's not possible to list them all, there are so many to connect with!
If you've never been to Berks, please join us this year and you'll soon be connecting with many others like yourself, and your list might quickly become longer than mine!
Happy Jazzin' at the 19th Annual VF Outlet Berks Jazz Fest,
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
MyGirlSunday22@aol.com
Here I am with Diane Dayton, of the Cool Jazz Cafe radio show, who interviewed artists and media and fans at the Meet the Artists event, held each year on Thursday evening of the jazz festival.
Sometimes, in the aftermath of heartbreak and loss, comes triumph. So it is with legendary vocalist Phoebe Snow. You can call her what you want: a rock belter, a rhythm-and-blues shouter or a moody folk-jazz diva. She is all of the above and everything in between. Her powerful yet soulful performance is sure to stay with her audience long after the last song is sung. Snow will be performing during the 19th annual VF Outlet Berks Jazz Fest in the intimate Miller Center for the Arts, Friday, April 3, at 7:30 p.m. Tickets are $45.
A fully formed musical talent when she emerged in the mid-1970s with the hit “Poetry Man," Snow has remained one of the most distinctive voices in popular music. A single off her self-titled debut album, "Poetry Man" became a top 5 single, and won Snow a Grammy Award nomination for Best New Artist and established her as a formidable singer/songwriter. Platinum records, the cover of Rolling Stone magazine, and legions of fans followed.
In 1975, Snow gave birth to her daughter, Valerie, who was born severely brain-injured. At the expense of her career, Snow devoted her life to caring for Valerie.
When Valerie passed away at the age of 31 in March 2007, Snow said she wasn't sure she'd survive the heartbreak.
However, Snow not only survived; she made a comeback.
Her new CD, Phoebe Snow - Live, is her first in-concert album. It was recorded on July 30-31, 2008, at the historic Bearsville Theater in Woodstock, N.Y.
Other featured artists at this year's festival include veteran stars Peter White and Mindi Abair; the world premiere concert of Bela Fleck: The Africa Project; superstar saxman Boney James; festival favorite Brian Culbertson; the Sax for Stax duo of Gerald Albright and Kirk Whalum; urban pop/jazz ensembles Average White Band and Pieces of a Dream; world-renowned bassist Victor Wooten; the Sax Pack of Jeff Kashiwa, Steve Cole and Kim Waters; piano-based McCoy Tyner Quartet; festival veterans Joe McBride and Kenny Blake; guitarist extraordinaire Chieli Minucci & Special EFX.
Fans also can enjoy the soulful sounds of Take 6 plus Wayman Tisdale; pianist David Benoit and saxman Warren Hill; renowned saxophonist and clarinetist Anat Cohen; the Brian Bromberg Quartet; steel pan master Andy Narell and the Catonsville High Steel Drum Band; Tim Price, Rachel Z and the Department of Good and Evil; and Nelson Rangell with the Reading Pops Orchestra performing My American Songbook. The festival finale features Jazz Attack with the always-entertaining Rick Braun, Richard Elliot and Jonathan Butler.
Blues is back in abundance at the 2009 Berks Jazz Fest, with two Severn Soul & Blues Revues and guitar virtuoso Joe Bonamassa, The Billy Price Band featuring special guest Fred Chapellier; and The Derek Trucks Band.
Fusion fans will get their fill with all-stars Steve Smith & Vital Information; and veteran-led Metro, featuring festival favorite Chuck Loeb, Mitch Forman, Dave Weckl, Randy Brecker, Gerald Veasley and Bobby Franceschini.
Great ensemble and tribute shows offer unique musical experiences to all fans this year. Soul Summit II, presented by Jason Miles, features soul-drenched music and an all-star lineup. East Bay Soul brings the funk and R&B.
Artists paying tribute to some of music's greats include the Gerald Veasley Band celebrating the Music of Stevie Wonder in a fourth show televised live by WFMZ-TV Channel 69. There is also the return of the very popular Rick Braun's Tribute to Chet Baker; and Bobby Lyle & Paul Jackson Jr. will have a Tribute to Jimmy Smith & Wes Montgomery.
This year's festival has something for everyone, with smooth and straight-ahead jazz, smokin' blues, soulful singing, unique ensembles, rousing tributes and much, much more.
The 19th annual Berks Jazz Fest, presented by the Berks Arts Council, runs March 27 through April 5 and features an expansive array of musical styles, including contemporary and traditional jazz, blues, big band, gospel and bluegrass. Shows are held at major venues, clubs and restaurants throughout Reading and Berks County, making it a truly unique festival. For more information on the festival, including ticketing, artist bios and archived releases, visit www.berksjazzfest.com. For more information on the Berks Arts Council, a nonprofit organization that promotes all the arts in an effort to enrich the quality of life in Berks County, visit www.berksarts.org.
To order tickets:
Visit the Sovereign Center Box Office, Seventh and Penn streets, Reading
Call Ticketmaster at 1-800-745-3000 or visit www.ticketmaster.com
Order online at berksjazzfest.com
From Beth Renfro, Marketing/Public Relations DIrector of the Berks Arts Council in Reading, Pennsylvania, comes this press release regarding the addition of the Tierney Sutton Band to the 19th annual VF Outlet Berks Jazz Fest.
READING, PA -- JANUARY 19 -- One of the most acclaimed jazz vocalists of her time, Tierney Sutton will be celebrating her latest release, Desire, at the 19th annual VF Outlet Berks Jazz Fest.
The Tierney Sutton Band will perform two shows on Friday, March 27, at 7 p.m. and 10 p.m. in Gerald Veasley's Jazz Base at the Reading Crowne Hotel (formerly the Sheraton Reading Hotel).
Desire, on the Telarc label, is an album of mostly jazz standards, but with a very unusual twist: within the album, Sutton and her band of 15 years explore the obsession and desire for fame and fortune that seems to be a societal phenomenon.
"To me, this record is about stepping back and recognizing the difference between the voices we hear that are not our own and the ones that are truly within us, and discovering that the material things that we want or desire are not usually a path to happiness, and are not usually a path to ourselves," Sutton said.
Sutton will be joined by pianist Christian Jacob, bassist Kevin Axt and drummer Ray Brinker, who collectively have worked with such artists as Natalie Cole, Diana Krall, Ray Charles and Randy Brecker.
Wisconsin-born Sutton has enjoyed success and critical acclaim since her first solo CD, Introducing Tierney Sutton, debuted in 1999. Since signing with Telarc Jazz, The Tierney Sutton Band has released popular and critically acclaimed recordings: Unsung Heroes (2000), Blue in Green (2001), Something Cool (2002), Dancing in the Dark (2004), I’m with the Band (2005) and On the Other Side (2007). I’m with the Band was nominated for a Grammy Award for Best Jazz Vocal Album and earned her JazzWeek’s Vocalist of the Year Award.
An active educator, Sutton has served in the Jazz Studies Department at the University of Southern California, and has led workshops and clinics throughout the world.
The 19th annual Berks Jazz Fest, presented by the Berks Arts Council, runs March 27 through April 5 and features an expansive array of musical styles, including contemporary and traditional jazz, blues, big band, gospel and bluegrass. Shows are held at major venues, clubs and restaurants throughout Reading and Berks County, making it a truly unique festival. For more information on the festival, including ticketing, artist bios and archived releases, visit www.berksjazzfest.com. For more information on the Berks Arts Council, a nonprofit organization that promotes all the arts in an effort to enrich the quality of life in Berks County, visit www.berksarts.org.
Thanks to Beth for keeping us up to date on all the latest Berks Jazz Fest information.
We hope to see you throughout the week during the festival.
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
MyGirlSunday22@aol.com
Here is the latest news release from the Berks Arts Council regarding the Berks Jazz Fest. VF Outlet Berks Jazz Fest will feature performances by a few artists who have received Grammy nominations. The 19th edition of the festival, which runs March 27 through April 5, 2009, features more than 130 events at major venues, clubs and restaurants throughout Reading and Berks County, Pa.
READING, PA -- December 4 -- Several artists scheduled to perform at the 2009 VF Outlet Berks Jazz fest received Grammy Award nominations on December 3, 2008.
Gerald Albright, Randy Brecker, Bela Fleck and Take 6 are among the nominees for the 51st Annual Grammy Awards, being telecast live Feb. 8, 2009 from the Staples Center in Los Angeles.
Gerald Albright is nominated in the Best Pop Instrumental Album category for his June 2008 Peak Records release Sax for Stax.
He will be performing his Sax for Stax show at the festival with Kirk Whalum on Saturday, March 28, 2009 at 2 p.m. in the Reading Crowne Hotel Ballroom (formerly known as the Sheraton Reading Hotel).
In 2008, Albright celebrated two key anniversaries a year late with the release of his on-fire, classic funk and soul-kissed second Peak Records disc Sax For Stax. 2007 marked 20 years since he burst onto the contemporary urban jazz scene with his debut Just Between Us. It was also the year that Stax Records, now part of the Concord Records family, celebrated its 50th anniversary.
Randy Brecker scored a nomination for Best Contemporary Jazz Album with Randy in Brasil, his September release with Mama Records.
Brecker will be performing with Metro, featuring Chuck Loeb, Mitch Forman, Dave Weckl, Gerald Veasley and Bobby Franceschini on Saturday, April 4, 2009 at 7 p.m. and 10 p.m. in Gerald Veasley’s Jazz Base at the Reading Crowne Hotel.
Perhaps best known for his influential and groundbreaking work with his saxophonist brother Michael — collectively known as The Brecker Brothers — Brecker has been shaping the sound of jazz, R&B and rock for more than three decades, gracing hundreds of albums by everyone from James Taylor, Bruce Springsteen and Chaka Khan to George Benson, Frank Zappa and Steely Dan.
Legendary banjo virtuoso Bela Fleck, who is bringing the world premiere of Bela Fleck: The Africa Project to the festival on Monday, March 30, 2009 at 7:30 p.m. at the Miller Center for the Arts, has been nominated as part of Bela Fleck & The Flecktones for two categories: Best Pop Instrumental Album for their latest release Jingle All the Way on the Rounder label; and Best Country Instrumental Performance for "Sleigh Ride," a track from Jingle All the Way.
Often considered the premier banjo player in the world, Fleck is the winner of eight Grammy Awards and has been nominated 20 times in more categories than anyone in history: country, pop, jazz, bluegrass, classical, folk, spoken word, composition and arranging. Over the years, Fleck has shared Grammy wins with Asleep at the Wheel, Alison Brown and Edgar Meyer.
Take 6 has been nominated for Best Gospel Performance for "Shall We Gather At the River," a track from their recent Heads Up International release, The Standard. With its roots in gospel, doo wop and the sophisticated jazz-influenced singing groups of mid-century America like the Hi-Los, the eight-time Grammy-winning a cappella vocal group Take 6 is both a throwback to an earlier, more genteel era of American music and a precursor for a number of male pop groups of the ’90s and 2000s. Its members currently include David Thomas, Alvin Chea, Cedric Dent, Mark Kibble, Claude V. McKnight III and Joey Kibble (who replaced Mervyn Warren).
Take 6 will be joined by Wayman Tisdale for a smooth and soulful show Sunday, March 29, 2009 at 7:30 p.m. at the Scottish Rite Cathedral.
To order tickets**:
Visit the Sovereign Center Box Office, Seventh and Penn streets, Reading
Visit the Sovereign Performing Arts Center Box Office, 136 N. Sixth St., Reading
Call Ticketmaster at 1-800-745-3000 or visit www.ticketmaster.com
Order online at berksjazzfest.com
For more information on the festival, including artist bios and archived releases, click on www.berksjazzfest.com
For more information on the Berks Arts Council, a nonprofit organization that promotes all the arts in an effort to enrich the quality of life in Berks County, click on www.berksarts.org.
**Please note that tickets for events at the Reading Crowne Hotel (formerly the Sheraton Hotel Reading) will show the Plaza Reading Hotel as the venue. The correct venue title for these events will be the Reading Crowne Hotel effective January 1st, 2009.
Beth Renfro
Berks Arts Council
Reading, PA 19603
www.berksarts.org
Here's hoping you get to see every one of the Grammy nominees during the Berks Jazz Fest!
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
MyGirlSunday22@aol.com
Berks Arts Council has announced the artists lineup for the VF Outlet Berks Jazz Fest, to be held March 27th through April 5th, 2009. The 19th edition of the festival features more than 130 events at major venues, clubs and restaurants throughout Reading and Berks County, Pa.
The 19th annual VF Outlet Berks Jazz Fest, presented by the Berks Arts Council, runs March 27 through April 5 and will bring to fans a wide array of musical styles, including contemporary and traditional jazz, soul, blues, big band and one-of-a-kind ensemble shows. Shows are held at major venues as well as intimate club and restaurant settings, making it a rather unique 10-day festival.
Featured artists at this year's festival include veteran stars Peter White and Mindi Abair; the world premiere concert of Bela Fleck: The Africa Project; superstar saxman Boney James; festival favorite Brian Culbertson; the Sax for Stax duo of Gerald Albright and Kirk Whalum; urban pop/jazz ensembles Average White Band and Pieces of a Dream; world-renowned bassist Victor Wooten; powerful and moving vocalist Phoebe Snow; the Sax Pack of Jeff Kashiwa, Steve Cole and Kim Waters; piano-based McCoy Tyner Quartet; festival veterans Joe McBride and Kenny Blake; guitarist extraordinaire Chieli Minucci & Special EFX.
Fans also can enjoy the soulful sounds of Take 6 plus Wayman Tisdale; pianist David Benoit and saxman Warren Hill; renowned saxophonist and clarinetist Anat Cohen; the acclaimed Tierney Sutton Band; the Brian Bromberg Quartet; steel pan master Andy Narell and the Cantonsville High Steel Drum Band; Tim Price, Rachel Z and the Department of Good and Evil; and Nelson Rangell with the Reading Pops Orchestra performing My American Songbook. The festival finale features Jazz Attack with the always-entertaining Rick Braun, Richard Elliot and Jonathan Butler.
Blues is back in abundance at the 2009 Berks Jazz Fest, with two Severn Soul & Blues Revues, featuring Steve Guyger, Big Joe Maher, Tad Robinson, Roy Tyler and New Directions, and the Severn Records All-Star Band in the first show; and Clarence Spady, Darrell Nulisch, Lou Pride and the Severn Records All-Star Band rounding out the second show. Blues fans can also enjoy guitar virtuoso Joe Bonamassa, The Billy Price Band featuring special guest Fred Chapellier; and The Derek Trucks Band.
Fusion fans will get their fill with all-stars Steve Smith & Vital Information; and veteran-led Metro, featuring festival favorite Chuck Loeb, Mitch Forman, Dave Weckl, Randy Brecker, Gerald Veasley and Bobby Franceschini.
Great ensemble and tribute shows offer unique musical experiences to all fans this year.
Soul Summit II, presented by Jason Miles, features soul-drenched music and an all-star lineup with Maysa, Simone, Richard Elliot, Jeff Golub, Bob Babbitt, Reggie Young, and Steve Ferrone plus the Soul Survivors.
East Bay Soul brings the funk and R&B with Greg Adams, Phil Perry, Michael Paulo, Lee Thornburg plus the Joyce Cooling Band.
Artists paying tribute to some of music's greats include the Gerald Veasley Band celebrating the Music of Stevie Wonder, with Najee, Nnenna Freelon, Joe McBride and the Berks Jazz Fest Horns in a fourth show televised live by WFMZ-TV Channel 69.
There is also the return of the very popular Rick Braun's Tribute to Chet Baker; and Bobby Lyle & Paul Jackson Jr. will have a tribute to Jimmy Smith & Wes Montgomery.
This year's festival has something for everyone, with smooth and straight-ahead jazz, smokin' blues, soulful singing, unique ensembles, rousing tributes and much, much more.
Tickets go on sale Saturday, Dec. 6, at 10 a.m.
To order tickets:
Visit the Sovereign Center Box Office, Seventh and Penn streets, Reading
Visit the Sovereign Performing Arts Center Box Office, 136 N. Sixth St., Reading
Call Ticketmaster at 215-336-2000 or visit www.ticketmaster.com
Order online at berksjazzfest.com
For more information on the festival, including artist bios and archived releases, click on www.berksjazzfest.com
For more information on the Berks Arts Council, a nonprofit organization that promotes all the arts in an effort to enrich the quality of life in Berks County, click on www.berksarts.org.
Major Ticketed Events
Friday, March 27 -- The Tierney Sutton Band, Gerald Veasley’s Jazz Base at the Plaza Reading Hotel, 7 p.m. and 10 p.m., $30
Friday, March 27 -- Peter White and Mindi Abair, Scottish Rite Cathedral, 7:30 p.m., $49
Friday, March 27 -- Severn Records Presents: Severn Soul & Blues Revue featuring Steve Guyger, Big Joe Maher, Tad Robinson, Roy Tyler and New Directions, and the Severn Records All-Star Band, Inn at Reading, 7:30 p.m., $38
Friday, March 27 -- Joe McBride & Kenny Blake, The Abraham Lincoln Hotel Jazz Cabaret, 10 p.m., $20
Friday, March 27 -- Victor Wooten, Plaza Reading Hotel Ballroom, 10:30 p.m., $39
Saturday, March 28 -- Gerald Albright and Kirk Whalum, Plaza Reading Hotel Ballroom, 2 p.m., $39
Saturday, March 28 -- The Music of Gershwin & Porter presented by Doc Mulligan and Friends, Miller Center for the Arts, 3 p.m., $18
Saturday, March 28 -- Steve Smith & Vital Information, Gerald Veasley’s Jazz Base at the Plaza Reading Hotel, 7 p.m. and 10 p.m., $30
Saturday, March 28 -- Brian Culbertson, Scottish Rite Cathedral, 7:30 p.m., $49
Saturday, March 28 -- Severn Records Presents: Severn Soul & Blues Revue featuring Clarence Spady, Darrell Nulisch, Lou Pride and the Severn Records All-Star Band, Inn at Reading, 7:30 p.m., $38
Saturday, March 28 -- Uptown JAZZUP featuring Erich Cawalla & Jen Kinder, The Abraham Lincoln Hotel Jazz Cabaret, 10 p.m., $15
Saturday, March 28 -- The Music of Stevie Wonder with Gerald Veasley Band with Najee, Nnenna Freelon, Joe McBride and the Berks Jazz Fest Horns, Plaza Reading Hotel Ballroom, 10:30 p.m., $39
Sunday, March 29 -- Average White Band plus Pieces of a Dream, Plaza Reading Hotel Ballroom, 2 p.m., $39
Sunday, March 29 -- Anat Cohen, Miller Center for the Arts, 3 p.m., $28
Sunday, March 29, Take 6 plus Wayman Tisdale, Scottish Rite Cathedral, 7:30 p.m., $49
Monday , March 30 -- Bela Fleck: The Africa Project, Miller Center for the Arts, 7:30 p.m., $45
Tuesday, March 31 -- Andy Narell and the Cantonsville High Steel Drum Band, Miller Center for the Arts, 7:30 p.m., $20
Wednesday, April 1 -- Brian Bromberg Quartet, Gerald Veasley’s Jazz Base at the Plaza Reading Hotel, 7 p.m., $20
Wednesday, April 1 -- Joe Bonamassa, Plaza Reading Hotel Ballroom, 7:30 p.m., $39
Thursday, April 2 -- Chieli Minucci & Special EFX with the Berks Jazz Fest Horns, The Abraham Lincoln Hotel Ballroom, 7:30 p.m., $35
Thursday, April 2 -- Berks All-Star Jazz Jam featuring Rick Braun, Chuck Loeb, Gerald Veasley, Brian Bromberg, Chieli Minucci, Paul Jackson Jr., Dave Weckl, Bobby Lyle, Mitch Foreman, Kim Waters, Steve Cole, Jeff Kashiwa, Nelson Rangell and more, Plaza Reading Hotel Ballroom, 10 p.m., $39
Friday, April 3 -- Bobby Lyle & Paul Jackson Jr., Gerald Veasley’s Jazz Base at the Plaza Reading Hotel, 7 p.m. and 10 p.m., $35
Friday, April 3 -- Jason Miles presents Soul Summit II featuring Maysa, Simone, Richard Elliot, Jeff Golub, Bob Babbit, Reggie Young, Steve Ferrone plus The Soul Survivors, Scottish Rite Cathedral, 7:30 p.m., $49
Friday, April 3 -- Phoebe Snow, Miller Center for the Arts, 7:30 p.m., $45
Friday, April 3 -- The Billy Price Band featuring special guest Fred Chapellier, The Abraham Lincoln Hotel Ballroom, 10 p.m., $25
Friday, April 3 -- Tim Price & Rachel Z and the Department of Good and Evil, The Abraham Lincoln Hotel Jazz Cabaret, 10 p.m., $15
Friday, April 3 -- The Sax Pack featuring Jeff Kashiwa, Steve Cole and Kim Waters, Plaza Reading Hotel Ballroom, 10:30 p.m., $39
Saturday, April 4 -- East Bay Soul featuring Greg Adams, Phil Perry, Michael Paulo, Lee Thornburg plus Joyce Cooling Band, Plaza Reading Hotel Ballroom, 2 p.m., $39
Saturday, April 4 -- Metro featuring Chuck Loeb, Mitch Forman, Dave Weckl, Randy Brecker, Gerald Veasley, Bob Franceschini, Gerald Veasley’s Jazz Base at the Plaza Reading Hotel, 7 p.m. and 10 p.m., $35
Saturday, April 4 -- Boney James, Scottish Rite Cathedral, 7:30 p.m., $49
Saturday, April 4 -- McCoy Tyner Quartet, Miller Center for the Arts, 7:30 p.m., $45
Saturday, April 4 -- Rick Braun’s Tribute to Chet Baker, The Abraham Lincoln Hotel Ballroom, 10 p.m., $35
Saturday, April 4 -- Tim Price & Rachel Z and the Department of Good and Evil, The Abraham Lincoln Hotel Jazz Cabaret, 10 p.m., $15
Saturday, April 4 -- The Derek Trucks Band, Plaza Reading Hotel Ballroom, 10:30 p.m., $39
Sunday, April 5 -- David Benoit plus Warren Hill, Plaza Reading Hotel Ballroom, 2 p.m., $39
Sunday, April 5 -- Nelson Rangell and the Reading Pops Orchestra, Miller Center for the Arts, 2 p.m., $40
Sunday, April 5 -- Jazz Attack featuring Rick Braun, Richard Elliot and Jonathan Butler, Scottish Rite Cathedral, 7 p.m., $49
Please note: The Sheraton Reading Hotel will become the Plaza Reading Hotel on Jan. 1. In this release, it is listed as the Plaza Reading Hotel.
I'm sure you'll agree the lineup is magnificent for this year's festival. Get your tickets and I hope to see you there!
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
Reading, PA.
MyGirlSunday22@aol.com
Keyboardist Brian Culbertson had an all-new band and a complete new show promoting his current CD Bringing Back The Funk, which was produced by former EWF front man Maurice White and features many funk legends like Larry Dunn, Larry Graham and more. Brian always had a love for old-school funk and now dedicates a whole album to it. He appeared at the Scottish Rite Cathedral and I guess that this was one of their very first shows, Brian has assembled a veritable funk machine, the stage was crowded by a four-piece horn section, drums, bass, an extra keyboardist with a hammond B3, two guitar players (one of them being Sheldon Reynolds who played with EWF for 15 years), plus a saxophone player who took care of all the solos. They were delivering some hammering funk which at times was almost a little overwhelming, they were rushing through funk history with nods to Kool & the Gang, some P-Funk, Parliament/Funkadelic etc., especially nice was their rendition of Donny Hathaway's "Everything Is Everything" (showing that Brian knows his stuff). Those who love the back catalog of this artist got their share too, he played some beautiful slower tracks showing his considerable skills on the piano, additionally he played the trombone (funking up things) and the bass, where he was slapping along. At the end we got the expected funk finale which blew the audience virtually away. This wrapped up this year's Berks Jazz Festival up nicely, having me say to myself: I will be back next year!
Sunday afternoon there was another special concert, tagged as WJJZ Smooth Jazz 97.5 Appreciation Concert featuring Chuck Loeb with special guests, we got Eric Marienthal and Tom Scott on saxes, Will Lee on bass, Carmen Cuesta on vocals, Matt King on keyboards, Cafe on percussion and Cliff Almond on drums. The show was centered around a laid-back brazil vibe and started out with a few gentle bossa nova tracks with Chuck Loeb playing beautifully on acoustic guitar and his wife Carmen Cuesta on vocals, the gave us their renditions of classics like "Manha De Carnaval", "How Insensitive" and more from composers like Tom Jobin, Luiz Bonfa and others. Additionally they played some of Carmen Cuesta own material, before she left the stage to make room for some groovier playing.
Eric Marienthal was playing sax and flute during the first part of the show before he had to leave (he was also scheduled this afternoon to appear with the Gordon Goodwin's Big Phat Band), so his part was taken over by the legendary Tom Scott who joined the stage to give a nice sax battle with Eric before he went off. Tom Scott played a self-composed, yet unrecorded tribute song to Grover and then "Jive Samba", a track from his current CD Cannon Re-Loaded, a tribute album to his hero Cannonball Adderley. His warm sound and flawless, soulful playing was just great, his music is like an old friend to me that has accompanied me through my life.
Another nice song was Chuck Loeb's "The Music Inside", one of my all-time favorites from Chuck's vast catalog of music. The guitarist was in a good mood and delivered some great solos. The band was top-notch, especially pianist Matt King delivered some beautiful solos, while Will Lee on bass and Cliff Almond on drums laid the solid foundation. This was an excellent concert, I really liked the gentle bossa tunes, they provided a nice change of pace and highlighted another field of music worth listening to, also kudos to Carmen Cuesta who was a special addition to the show.
As an added goodie we got an unofficial - but extremely well attended - late night jam session which started at midnight at the Jazz Base, it featured Philippe Saisse on piano, Eric Valentine on drums, Gerald Veasley on bass, plus Jeff Golub on guitar, Rick Braun on trumpet, Jessy J and Tom Scott on saxes. Unfortunately I just caught the last song they played, it was "Pick Up The Pieces" giving each one in the band some solo space. That's what jazz is all about, getting together and jamming just for fun!
At 10:30pm a new, very interesting project named Global Noize by keyboardist Jason Miles and DJ Logic was scheduled at the Sheraton. Not only the music, but also the lineup showed a lot of diversity. Next to the two leaders who were at each end in front of the stage, they had soloists Christian Scott on trumpet, Jeff Cofin on saxophone and flute, Tom Scott on saxophone, Brian Dunne on drums, Jerry Brooks and special guest Me'Shell Ndegeocello on basses, Cafe on percussion and funk master Bernie Worrell on organ. Additionally they had World Fusion Dancers Azhia and Dellaneira dancing in the middle of the stage plus Indian singer Falu bringing a great world element to the table. I was pleasantly surprised by this show, the grooves were cool and provided a suitable backdrop for these great players to show their chops, especially Jeff Cofin and Christian Scott delivered several great solos. I was a bit afraid that the world element would dominate, but in the end it was jazz with a world flavor that did not distract, instead complemented the whole thing nicely. I thoroughly enjoyed this concert and considered this project to be another winner from Jason Miles, the Global Noize CD should be in stores soon.
In the evening "Guitars & Saxes" were due at the Scottish Rite Cathedral. This year, they appeared with a new lineup and new program. Main players were Peter White on acoustic guitar, Jeff Golub on guitar, Gerald Albright on saxophone and Jeff Lorber on keyboards. They had newcomer Jessy J in a supporting role on sax, flute, keyboards and percussion, additionally she provided some welcome eye-candy. On drums was Eric Valentine and on bass Smitty Smith, laying the solid foundation for the artists out front. All artists were drawing material from their vast catalogs, it was very interesting to see that they tried to break free from their smooth jazz routine incorporating new things, most notably were the two tracks from Jeff Lorber, one hard-hitting fusion track from his period as the Jeff Lorber Fusion and a straight-ahead track from his last CD He Had A Had. Great also was Jeff Golub's "Naked City", where he pulled all the stops creating a great live-feeling. Peter White still is the darling of the crowd, his "Bueno Funk" always brings the house down, and his rendition of "Papa Was A Rolling Stone" shows where he is coming from. Gerald Albright displayed his clean and slick playing with songs like "My, My, My" and "Georgia On My Mind", always being a favorite of the show. The lovely Jessy J, who just released her debut CD Tequila Moon, played a few sax parts, but never really was featured, but nevertheless proved to be a nice addition to the show. They played almost for two and half hours, ending with the AWB classic "Cut The Cake" - yes, they still can cut it!
Saturday afternoon the double bill of keyboardist Alex Bugnon, followed by sax player Euge Groove, was scheduled at the Sheraton. I was glad to see Alex Bugnon getting the opportunity for a full length show and the artist really seemed to appreciate this, as did his fans in the crowd. Alex hails from the French speaking part of Switzerland and moved to the US to follow his music career which yielded many successful albums over the years. His band consisted of Victor Bailey on bass, Vincent Henry on reeds and guitar plus a drummer. He played a wide selection of songs ranging from "This Time Around" to his hit, the cover of Brenda Russel's "Piano In The Dark" to "107° In The Shade", the Ohio Players' "Sweet Sticky Thing" and others. His band was top-notch, especially Victor Bailey - who was a member of Weather Report - stood out and Vincent Henry with his sax and flute playing, he blew me especially away with his harmonica playing, an unusual element that worked very well. Alex played his keys in his own soulful style, often breaking it down to build it up again. The only thing that prevented me from enjoying this concert fully was the distorted sound of his keyboards, causing them to drown in the mix, I considered this to be very unprofessional and distracting. Anyway, the crowd did seem to like the performance of Alex Bugnon nevertheless.
After a short intermission saxophonist Euge Groove was on, he was backed by a super tight band of younger players that grooved like hell, as did the leader on his instrument. He soon had the crowd grooving along, additionally cheering them up with his shouts and antics on stage. He played several tracks from his latest CD Born To Groove. To keep things going he gave a away a free t-shirt to the sexiest dancer and had a crowd of women dancing in front of the stage, later he did a stroll through the audience raising the heat. He also slowed it down nicely with a couple of romantic instrumentals, showing his chops on the sax. I really enjoyed this professional show full of great tracks, and especially the band that played on the highest level, most notably the drummer who just was a monster player. Yeah, we all could feel the funk!
Friday night trumpet player Rick Braun and saxophonist Richard Elliot appeared at the Scottish Rite Cathedral delivering their tried and tested formula of groovy smooth jazz, they have honed an excellent show over the years and those two veteran artists play together like a well-oiled machine. They were promoting their latest album RnR and were backed by the same band they had on the record, they were Ricky Lawson on drums, Nate Phillips on bass, Ron Reinhardt on keyboards and Dwight Sills on guitar. Rick Braun and Richard Elliot delivered their unique brand of music feeding off of each other creating quite some heat, both are tremendous players and seemed to have a lot of fun. Among the material played was Luther's "Your Secret Love", the Stylistics' "People Make The World Go Round" and "Gazing In The Grass", plus a batch of their own compositions like "Notorious" and tracks from RnR. Both Rick Braun and Richard Elliot did their strolls into the audience to the delight of the capacity crowd. They left the audience in a happy party mood and witnessing these guys play is always very entertaining.
At the Sheraton hotel Candy Dulfer was scheduled for a late night show. She looked georgeous in her mini skirt and long blond hair, and boy, that lady can blow! She started her show slowly with some heartfelt smooth jazz playing, among the songs was "Everytime", one of my favorite tracks off her current Candy Store CD, which she brought to a great climax. Most notably was an extended guitar solo by her guitar player and musical partner Ulco Bed that built and built and didn't let go putting me into a state of bliss. Her band was super tight, another notable player was keyboardist and singer Chance Howard, who was a great part of the proceedings on stage, his playing and singing complemented the saxophone of Candy very well, escpecially cool was their rendition of D'Angelo's "Brown Sugar". The pace of the show picked up continuously and soon we were in a party mood with tracks like the Prince penned "Life Of The Party" and others that had a decidedly club feel. Over parts of the show, the band was really jamming with extended solos, bringing back elements that often were lacking in other shows. At the end of the show the crowd was on its feet to funky tracks like "Pick Up The Pieces" and others. I was deeply impressed by this very entertaining, very professional show and the level of musicianship by all involved. This one was definitely one of the very best shows of the whole festival.
Thursday evening we were in for another treat by the double bill of keyboardist Brian Simpson and guitarist extraordinaire Nick Colionne at the ballroom of the Abraham Lincoln hotel. The show was opened by Brian Simpson who had his portable keyboards strung around his neck and moved into the audience more than once during his performance. He was supported by Dwight Sills on guitar plus the bassist and drummer from Nick Colionne's band. During his 30 minutes warming-up set he performed several of his signature tunes, among them his biggest hit "It's All Good" that went down very well with the crowd, proving his superior artistry. Too bad he had to leave so early, but this was the contract as he said, people certainly would have enjoyed to hear him playing longer.
After a short intermission it was Nick Colionne's turn who wore a light grey suit with hat, looking as gorgeous as usual, backed by two keyboards, drums and bass (Dave Hilterbrand), displaying his tremendous skills on guitar. He is such a powerful performer and had the crowd soon in the palm of his hand. With a new CD entitled No Limits on Koch Records soon coming up, he delivered a few songs from this album, most notably the song "Melting Into You" that simply was mesmerizing and surely is destined to become a hit, the song evoked some strong and enthusiastic responses from the audience. Additionally he sang "Rainy Night In Georgia", a song that fits perfectly to his deep voice and gave me goose-bumps. His guitar playing was great and I am impressed each time I hear him by his level of artistry, Nick really is a bad dude! His joking remarks in between songs created quite a few laughs in the audience and he didn't mind to directly react to comments from the audience, Nick is just the consummate entertainer. He too did a lengthy stroll in the audience to the delight of his many fans, bringing his trademark guitar playing right to them. This was another outstanding performance by Nick, his concerts are always a memorable experience.
Wednesday evening the pace of the festival started to pick up again with the performance of saxophone great Bill Evans and his Soulgrass project trying to fuse jazz and bluegrass. The concert was held at the ballroom of the Abraham Lincoln hotel. His band consisted of Joel Rosenblatt on drums, Christian Howes on violin, Sam Bush on mandolin, Ryan Cavanaugh on banjo and a bass player whose name I didn't catch. Bill Evans seems to have a lot of fun with this music which leaned heavily on the bluegrass side, the jazz elements were just scattered across the music but unfortunately were not too prevalent. For the most part, I felt like being at a country & western concert, desperately seeking the jazz element. At least we got a few nice solos by all involved and the level of artistry nevertheless had to be recognized, I enjoyed in particular Sam Bush's distorted solos on the electric mandolin and Christian Howes plucking his amplified electric violin like a rock guitar. But the artist I came to see in the first place, Bill Evans, was just in a happy hillbilly mood which couldn't quench my thirst for jazz.
Sunday evening we were in for a treat - the hard working Jason Miles brought one of his star-studded projects to us, it was the Celebrating the Music & Life of Grover Washington Jr.: "To Grover With Love" event which was held at the sold-out Sovereign Performing Arts Centre. The band consisted of players who were part of Grover's career, most notably Buddy Williams on drums, Ralph MacDonald on percussion (who wrote and produced many classic Grover tracks), Will Lee on bass, Chuck Loeb on guitar plus leader Jason Miles on keyboards. They started the show with "East River Drive" featuring Chuck Loeb on guitar, soon it was time for the first guest, saxophonist Walter Beasley, followed by Kim Waters and Everette Harp on saxophones, among the songs played was "Let It Flow" and Oliver Nelson's "Stolen Moments" (which was a straight jazz track that Grover covered as well at one point in his career).
Then Bobby Lyle joined the band on grand piano, delivering one of the highlights of the show together with singer Phil Perry who sang a truly heartfelt version of "Love Me Still" in his inimitable style. World-class artistry in the true sense of the word. But the bar was raised one notch when living legend Patti LaBelle came to the stage, looking stunningly great for a woman in her 60ies. She shared some of her memories about Grover before delivering "The Best Is Yet To Come" and "You Are My Prayer", supported by her musical director John Stanley on piano. Despite some slight vocal problems (unfortunatley she caught a cold that day), she gave her all and touched the hearts of the audience, kicking off her shoes and falling on her knees at the end of her performance, proving to be a consummate artist delivering under any circumstances. Singer Maysa is another Berks favorite - she was part of the Soul Summit event last year - delivering a beautiful rendition of "The Look Of Love" culminating in some heavy scat improvising at the end, supported by Chuck Loeb's guitar plus a mellow vocal version of "Mr. Magic". Another highlight for me was Everette Harp's rendition of "Black Frost", a track from Grover's CTI days. Present in the audience was Grover's family giving this whole event a personal Philly touch.
I cannot stress enough how much I appreciate the work of Jason Miles making these events possible, not only by bringing together this incredible bunch of artists, but also to recognize the legacy of an artist like Grover Washington Jr, who is one of the artists having ignited my life-long love for jazz.
PS: Good news - this summer Vol. 2 of "To Grover With Love" will be released.
Sunday afternoon the Smooth Jazz 92.7 Fan Appreciation Concert was due. The first 90 minutes belonged to saxophonist Eric Darius who started the concert with a bang, accompanied by a young band of players, he appeared playing from the audience, looking super cool with his sunglasses and hip outfit, emanating energy and fun. He belongs to the new generation of smooth jazz instrumentalists and delivered a high-engergy set full of great sax playing and cool grooves. Songs played were mostly from his last CD Just Getting Started from 2006, among them was his radio hit "Steppin' Up", plus covers like "Love TKO" and "Let's Stay Together". He also broke it down nicely with some heartfelt slow songs showing his considerable skills on his instrument. He and his band gave their all leaving us in a blissful state.
PS: A new Eric Darius CD is scheduled for release in June 2008.
After an intermission the groove and mood changed completely, the next concert centered around the three guitar players Kenny Rankin, Paul Brown and Marc Antoine, they were supported by a stellar band consisting of Philippe Saisse on keyboards, Ricky Lawson on drums and Roberto Valli on bass. The concert was very laid-back and easy on the ear, like a breath of fresh air, and definitely one of the positive surprises of the festival. They started with "Mas Que Nada", then Kenny Rankin - who is mainly a singer/songwriter - did one of his songs, then it was back to Paul Brown and Marc Antoine for some great guitar playing, among the songs played was "Spooky", a favorite of mine, and Grover's "Winelight", which funked things up. Paul Brown sang "The City" (a classic by Mark Almond) and "Listen To The Music" (another great one from the Doobie Brothers), some intelligent cover choices that complemented the style of these artists very well. Kenny Ranking sang "Blackbird" and evoked some Brazilian vibes with "Berimbau". This concert was an unexpected highlight and a joy from beginning to end.
by Beverly J. Packard
Richard Smith on guitar. Greg Adams on trumpet. Brian Bromberg on bass. Michael Paulo on saxophone. Gregg Karukas on keyboard. Joel Taylor on drums. Berks Jazz Fest Horns on trombone, sax and trumpet. Put them all together and what do you have? A new band, never before to have played at the Berks Jazz Festival. Yes, the players are all familiar names. And the sound of the band's music is enhanced by each member’s earlier performances and CD’s. But this band proved, as the saying goes, that the sum is greater than its parts.
What an awesome afternoon of music Berks fans were treated to on Saturday, Day 2 of the Berks Jazz Festival. My first impression when seeing their name on the list of shows back in November was that it was a great combination of players for a one-time show. Now I’ve learned that LA Chillharmonic is more than that – it’s a concept for a brand new band, Richard Smith’s brainchild, and it’s sure to leave its mark on the jazz scene. So Berks now has the distinction of being the site of the very first performance of LA Chillharmonic.
Jazz fans love jazz jams, be they totally impromptu or planned out ahead of time or somewhere in between. This show reminded me of a great all-star jam session and that’s why it was so exciting. It was a party and I’m sure many of us wanted to just stand on our chairs and dance the afternoon away along with the band. Even the word ‘chillharmonic’ is quite appropriate for these artists, all of whom are relaxed and fun players. Of course we know they practice diligently, especially Brian Bromberg, who has practiced ‘all his life’ (inside joke you will understand only if you were in attendance) -- still, these players seem to effortlessly communicate to us their own ability to 'chill.' The result is an audience who can also manage to tune out the cares of the day and escape into the music, a place where jazz fans love to be.
The songs were a wonderful mix of original numbers, numbers that featured each artist and came from some of their former CD’s, and covers of people like Herbie Hancock, Sade, Earth, Wind and Fire, etc. The title track from the CD coming out in August, entitled LA Chillharmonic, should move up the charts with no trouble. The music was upbeat, funky, with great intros, transitions from one player to another, and memorable endings. The arrangements, credited to Greg Adams, were superbly crafted.
Greg Adams played a great rendition of Sade’s 'Smooth Operator' from his earlier CD. Also included was Herbie Hancock's Canteloupe Island. Earth, Wind, and Fire songs which had been previously recorded were played, to the crowd’s delight. ('Sing a Song', Richard Smith’s Soulidify), ('That's the Way of the World,' from Michael Paulo’s CD My Heart and Soul) and ('September', Brian Bromberg's You Know That Feeling ) The Crusaders 'Put It Where You Want It' was played during the encore after a rousing petition by the audience for the band to return to center stage after their last song.
So who are these players, really? Richard Smith, professor of guitar at University of Southern California who travels to Europe regularly to teach and play, mainly in Sicily, Crete, Korfu and Southern Italy. Ask him if he's Italian; he has a lot of great experiences to relate! Greg Adams, former 25 year member of Tower of Power, a veteran player who brings a lot of wisdom and has done a number of his own CD's. Brian Bromberg, who is fast becoming a Berks Jazz Fest 'staple' and is just an amazing, amazing bass player (both guitar and upright). Brian would drive for 12 hours in a snowstorm to get to Berks, just ask him. Gregg Karukas, who has quite a spunky and fun personality to complement his awesome talent. Joel Taylor was the drummer extraordinaire.
As for the Berks Jazz Fest Horns, Michael Anderson on saxophone, Rob Diener on trumpet, and John Loos on trombone, these three are becoming more and more in demand during the festival. They've been doing a great job of adding even more depth to the performances of a number of bands.
LA Chillharmonic will debut with their first CD in August on Artistry Records. Everything is just beginning for this awesome group of players who are sure to find success in offering something a little different for the jazz audience. It will be exciting to see in what directions this new concept takes them. I would encourage you to catch up with them when you have the opportunity!
Happy Jazzin',
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
Reading, PA
MyGirlSunday22@aol.com
Bassist Gerald Veasley and the WJJZ All-Stars provided the late night show which was broadcasted live by WFMZ TV, the amiable bass player had his band with him (among them saxophonist Chris Farr) plus a string of friends to follow later. They opened the show with several tracks from their brand new CD Your Move which went down very well with the audience. Soon he added his first guest, guitar player Chuck Loeb, to the stage who was instrumental in this album, Chuck displayed his usual spirited playing and was a crowd pleaser, especially with his own composition "The Music Inside", the title track from this album from 1996, that evoked a few shouts of appreciation.
Then Bobby Lyle came to the stage to give us some great piano playing, he contributed his version of "Minute By Minute" and some mind-boggling soloing on the keys. Then it was time for crowd-pleaser Rick Braun and his jazzy trumpet playing, during his own "Cadillac Slim" he did a stroll through the audience, followed by Chris Farr on sax, raising the bar one notch. Overall the vibe was relaxed and the band took their time, later Gerald Veasley played "Forever", a hommage to his wife, just accompanied by drums and keys, a signature song of his which is always a highlight of his concerts, plus a rousing rendition of Stevie Wonder's "Do I Do". The show lasted well past midnight, the two hours flew by and left a very satisfied audience.
Trumpet player Chris Botti played at the Sovereign Performing Arts Centre Saturday evening, the concert was sold-out and expectations were running high. The leader was accompanied by a stellar group of players, he had Mark Whitfield on guitar, the outstanding Billy Kilson on drums, Robert Hurst on acoustic and electric bass and Peter Martin on piano and keyboards with him. He opened his show with "Ave Maria" which soon changed into a twisted funky groove with mind-boggling interplay between the guitar of Mark Whitfield and the complex drumming of Billy Kilson. The material on display ranged from opera ("Caruso") to Leonard Cohen compositions but no matter what source the music came from, it always kept a tremendous tension, oszillating between the introspective and the expressive, yielding a music experience that just was out of this world. The band provided some serious jazz, the interplay between these world-class players was a joy to hear and watch. The icing on the cake was singer Sy Smith with her crystal clear voice and great jazz phrasing who delivered a few songs. This show was a true highlight and the best concert at the festival so far. Chris Botti is in a class of his own and witnessing him and his band live is always great.
The Berks Jazz Fest 2008 started Friday evening with a concert by bassist Brian Bromberg which was held in the intimate Jazz Base, the jazz club at the Sheraton in Reading. I attended the first of two sets. Brian was in a great mood and ready to play, he had his array of basses with him and delivered a broad range of songs, among them Herbie Hancock's "Cantaloupe Island" which appeared on his latest album Downright Upright, followed by smooth jazz tracks from his release Desire featuring saxophonist Gary Meek, another highlight was a tune from his Japan-only release In Spirit Of Jobim, an album done with a full orchestra that still awaits its release in the US. The other band members were Tom Zinc on keyboards, Joel Taylor on drums, Larry Antonino on bass (which made sense because Brian Bromberg focussed on soloing with higher tuned bass instruments). Speaking of instruments, Brian Bromberg played his 300 year old acoustic bass, a semi-acoustic piccolo bass guitar, and several electric basses, displaying stunning artistry with his double-tapping technique and spirited soloing. The band was in fine form yielding a top-notch concert and a worthy opener of the festival.
I headed over to the Abraham Lincoln Hotel where the Kenny Blake Quartet was scheduled to appear in the L'Arte della Vita Jazz Cabaret. Despite the fact the Kenny Blake hasn't released an album for a while his name is still held in high esteem and his music is warmly appreciated. He played two sets with his band, he had piano, bass and drums plus a singer who delivered a few songs, some leaning towards pop, but he quickly made up for it with some great instrumentals which made me wonder why he is not more at the forefront of today's music scene. At the end of the concerts the band created quite some heat with their renditions of Herbie's "Cantaloupe Island" and Marvin Gaye's "What's Going On", even Sade's "Smooth Operator" - which has been played to death by various smooth jazz radio stations - created a highlight of the concert. Let's hope that we hear more of this great saxophone player in the future.
World premiere of Miles' Global Noize promises to get crowd moving at the VF
Outlet Berks Jazz Fest
READING, PA -- March 24 -- Over the past few years, keyboardist/producer
Jason Miles has produced and performed in numerous star-studded shows at the
VF Outlet Berks Jazz Fest that pay homage to great icons in the jazz and R&B
worlds, including Marvin Gaye, Luther Vandross and this year, Grover
Washington Jr. In 2007, he also tapped into the era of the greatest soul
songs of all time with the powerful collective Soul Summit.
For the world premiere of his latest project and CD, Global Noize, he joined
up with the versatile hip-hop and jazz turntablist DJ Logic.
The mission of Global Noize is about more than bringing great music to the
audience.
The show is Saturday, April 5 at 10:30 p.m. at the Sheraton Reading Hotel.
Tickets are $39 and $34.
The 18th annual VF Outlet Berks Jazz Fest, presented by the Berks Arts
Council, runs March 28 through April 6 and offers fans a wide array of
musical styles, including contemporary and traditional jazz, blues, big band
and gospel. Shows are held at major venues, clubs and restaurants throughout
Reading and Berks County, making it a truly unique festival.
"We know how the world is these days," Miles said. "People don't hate each
other; governments hate each other. We are trying to bring everyone
together."
Global Noize is a melding of sounds from all corners of the globe -- artists
from India, Brazil, France and other parts of the world have come together
for the project.
It's truly a global effort," Miles said. "We want to make some noise, but a
hip kind of noise."
Joining Miles and DJ Logic for the show will be Christian Scott, Jeff
Coffin, Bernie Worrell, Cafe, Brian Dunne, Carl Burnett, Jerry Brooks and
Falu, plus World Fusion Dancers Azhia and Dellaneira.
Miles added even more star power with very special guest Me'Shell
Ndegeocello, a singer and bassist who performed with John Mellencamp on his
hit single "Wild Night." Hailed by some as a redeemer of soul music,
Ndegeocello has had some cult hits of her own, including "If That's Your
Boyfriend (He Wasn't Last Night)," from her 1993 debut release Plantation
Lullabies, an album that earned her three Grammy nominations.
Her eighth and latest album,The World Has Made Me the Man of My Dreams, was released last year.
Bernie Worrell is a master keyboardist known for his work with Parliament
Funkadelic and Talking Heads. Most recently, Brian Dunne has been touring
with the Average White Band (and just finished their most recent recording),
Chuck Loeb's Band and Sara Devine.
Cafe is a Brazilian percussion master. Jeff Coffin is the sax player for
Bela Fleck and the Flecktones. Christian Scott is a hot up and coming
trumpet star from New Orleans who has earned two Grammy nominations and
released his second Concord Records disc Anthem in 2007. Carl Burnett is the
guitarist from Branford Marsalis' old group Buckshot LeFonque and Down To
The Bone. Falu is an amazing, emerging singer from India.
The project came about in a very unusual way. While in Morocco for his Marvin Gaye tribute, he, along with his wife,Cathy, and DJ Logic went on to Marrakesh. Out of this unique, transforming experience came the real inspiration for the project, and the Global Noize CD, which will be released April 29.
Featured on the album are Meshell Ndegeocello, Billy Martin, Vernon Reid,
John Popper, Cyro Baptista, Bernie Worrell, Karl Denson and more.
"Even though this is a late show, we guarantee nobody will be falling
asleep," Miles said. "This is music to move to. If people want to dance, we
welcome that."
Other featured artists and shows at this year's festival include the return
of the ever-popular Guitars & Saxes featuring Gerald Albright, Peter White,
Jeff Golub and Jeff Lorber; jazz guitar great Pat Martino; blues legend
Buddy Guy; master guitarist Chuck Loeb; saxophonist Eric Marienthal; alto
saxophonist Candy Dulfer; the gifted and charismatic trumpeter Chris Botti;
guitarist Paul Brown, vocalist Kenny Rankin, fellow guitarist Marc Antoine
and saxman Eric Darius; Berks favorite and keyboardist Brian Culbertson;
trumpet great Rick Braun and saxman Richard Elliot; and guitarist Nick
Colionne with keyboardist Brian Simpson.
Additional marquee artists include popular keyboardist and vocalist Joe
McBride; the Caribbean Jazz Project featuring Dave Samuels with special
guest, reed player Paquito D'Rivera; saxman Euge Groove and keyboardist Alex
Bugnon; violinist Regina Carter in a quintet; the Jump Rhythm Jazz Project,
high-energy jazz dance performers; New York's Finest Jazz Band, an 18-member
group performing jazz and pop standards; Sherrie Maricle and the all-female
DIVA Jazz Orchestra; Simone, daughter of legendary singer Nina Simone, the
Rob Stoneback Big Band; the return of Gordon Goodwin's Big Phat Band; and
the considerable blues talents of Maria Muldaur, Bonerama, the Clarence
Spady Band, Campbell Brothers and Eric Bibb.
Jason Miles is bringing another special ensemble show to the Berks Jazz
Fest. Miles and an all-star roster will be Celebrating the Life & Music of
Grover Washington Jr., the late legendary saxman. The show, To Grover with
Love, brings together some of the top names in the business, including Patti
LaBelle, Walter Beasley, Everette Harp, Kim Waters, Maysa, Phil Perry, Chuck
Loeb, Will Lee, Buddy Williams and Ralph MacDonald.
To order tickets:
Visit the Sovereign Center Box Office, Seventh and Penn streets, Reading
Visit the Sovereign Performing Arts Center Box Office, 136 N. Sixth St.,
Reading
Call Ticketmaster at 215-336-2000 or visit
www.ticketmaster.com.
Order online at berksjazzfest.com
For more information on the festival, including artist bios and archived
releases, click on
For more information on the Berks Arts Council, a nonprofit organization
that promotes all the arts in an effort to enrich the quality of life in
Berks County, click on
Major Ticketed Events
Thursday, March 27 -- Berks Jazz Fest Kickoff Concert: Andrew Neu Group
featuring the Bright & Tight Horns, Gerald Veasley's Jazz Base, Sheraton
Reading Hotel, 7 p.m., $10.
Friday, March 28 -- Brian Bromberg Band, Gerald Veasley's Jazz Base,
Sheraton Reading Hotel, 7 p.m. and 10 p.m., $25
Friday, March 28 -- An Evening with Nancy Wilson, Sovereign Performing Arts
Center, 7:30 p.m., $47 and $41
Friday, March 28 -- Buddy Guy, Sheraton Reading Hotel ballroom, 10 p.m., $40
and $35
Friday, March 28 -- Kenny Blake Quartet, L'Arte della Vita Jazz Cabaret,
Abraham Lincoln Hotel, 10 p.m., $15
Saturday, March 29 -- LA Chillharmonic featuring Brian Bromberg, Richard
Smith, Michael Paulo, Gregg Karukas, Greg Adams plus the Berks Jazz Fest
Horns, Sheraton Reading Hotel ballroom, 2 p.m., $39 and $34
Saturday, March 29 -- Simone and the Rob Stoneback Big Band, Gerald
Veasley's Jazz Base, Sheraton Reading Hotel, 7 p.m. and 10 p.m., $25
Saturday, March 29 -- Chris Botti, Sovereign Performing Arts Center, 7:30
p.m., $47 and $41
Saturday, March 29 -- Jump Rhythm Dance Project, Miller Center for the Arts,
8 p.m., $20
Saturday, March 29 -- Kenny Blake Quartet, L'Arte della Vita Jazz Cabaret,
Abraham Lincoln Hotel, 10 p.m., $15
Saturday, March 29 -- Gerald Veasley and the WJJZ All-Stars Rick Braun,
Bobby Lyle, Chuck Loeb, Chris Farr and the Berks Jazz Fest Horns, Sheraton
Reading Hotel, 10:30 p.m., $39 and $34
Sunday, March 30 -- Betty Carter's Jazz Ahead, Miller Center, 1:30 p.m., no
charge
Sunday, March 30 -- Paul Brown's Guitar Night featuring Kenny Rankin and
Marc Antoine plus saxophonist Eric Darius, Sheraton Reading Hotel Ballroom,
2 p.m., $39 and $34
Sunday, March 30 -- Sweet Honey in the Rock, Scottish Rite Cathedral, 3
p.m., $45, $35, $25
Sunday, March 30 -- Celebrating the Life & Music of Grover Washington Jr. --
To Grover with Love: Patti LaBelle, Walter Beasley, Everette Harp, Kim
Waters, Maysa, Phil Perry, Chuck Loeb, Will Lee, Buddy Williams, Ralph
MacDonald, and musical director Jason Miles, Sovereign Performing Arts
Center, 7 p.m., $49 and $43
Monday, March 31 -- Michael Manring & David Cullen, Gerald Veasley's Jazz
Base, Sheraton Reading Hotel, 7 p.m., $12
Tuesday, April 1 -- New York's Finest Jazz Band, Sheraton Reading Hotel,
7:30 p.m., $15
Wednesday, April 2 -- Bill Evans' Soulgrass with special guest Sam Bush,
Abraham Lincoln Hotel ballroom, 7:30 p.m., $32
Thursday, April 3 -- MusicReport with special guests Lynn Riley and Aaron
Graves, Gerald Veasley's Jazz Base, Sheraton Reading Hotel, 7 p.m., $12
Thursday, April 3 -- Nick Colionne with special guest Brian Simpson, Abraham
Lincoln Hotel ballroom, 7:30 p.m., $32
Thursday, April 3 -- Berks All-Star Jazz Jam featuring Rick Braun, Chuck
Loeb, Gerald Veasley, Richard Elliot, Nick Colionne, Brian Bromberg, Pat
Martino, Joe McBride, Brian Simpson, Ricky Lawson, Andrew Neu and more,
Sheraton Reading Hotel ballroom, 10 p.m., $35
Friday, April 4 -- Pat Martino Quartet, Gerald Veasley's Jazz Base, Sheraton
Reading Hotel, 7 p.m. and 10 p.m., $30
Friday, April 4 -- The Caribbean Jazz Project featuring Dave Samuels with
special guest Paquito D'Rivera, Abraham Lincoln Hotel ballroom, 7:30 p.m.,
$32
Friday, April 4 -- Rick Braun & Richard Elliot, Scottish Rite Cathedral,
7:30 p.m., $47 and $41
Friday, April 4 -- New Orleans Funky Friday: Maria Muldaur and Bonerama, Inn
at Reading, 7:30 p.m., $32
Friday, April 4 -- Joe McBride Trio, L'Arte della Vita Jazz Cabaret, Abraham
Lincoln Hotel, 10 p.m., $15
Friday, April 4 -- Candy Dulfer, Sheraton Reading Hotel ballroom, 10:30
p.m., $39 and $34
Saturday, April 5 -- Euge Groove plus Alex Bugnon, Sheraton Reading Hotel
ballroom, 2 p.m., $39 and $34
Saturday, April 5 -- Sherrie Maricle & The DIVA Jazz Orchestra, Abraham
Lincoln Hotel ballroom, 2 p.m., $28
Saturday, April 5 -- Tribute to Chet Baker: Rick Braun, Gerald Veasley's
Jazz Base, Sheraton Reading Hotel, 7 p.m. and 10 p.m., $30
Saturday, April 5 -- Guitars & Saxes featuring Peter White, Gerald Albright,
Jeff Golub and Jeff Lorber, Scottish Rite Cathedral, 7 p.m., $47 and $41
Saturday, April 5 -- Clarence Spady Band plus Campbell Brothers plus Eric
Bibb, Inn at Reading, 7 p.m., $37
Saturday, April 5 -- Regina Carter Quintet, Miller Center for the Arts, 7:30
p.m., $38
Saturday, April 5 -- Joe McBride Trio, L'Arte della Vita Jazz Cabaret,
Abraham Lincoln Hotel, 10 p.m., $15
Saturday, April 5 -- World Premiere: Jason Miles/DJ Logic Global Noize
featuring Me'Shell Ndegeocello, Christian Scott, Jeff Coffin, Bernie
Worrell, Café, Brian Dunne, Carl Burnett, Jerry Brooks and Falu, plus World
Fusion Dancers Azhia and Dellaneira, Sheraton Reading Hotel ballroom, 10:30
p.m., $39 and $34
Sunday, April 6 -- Chuck Loeb with special guests Eric Marienthal, Tom
Scott, Will Lee, Carmen Cuesta, Lizzy Loeb, Rob Mounsey, Cafe, Cliff Almond
and more, Sheraton Reading Hotel ballroom, 2 p.m., $39 and $34
Sunday, April 6 -- Brian Culbertson, Scottish Rite Cathedral, 7 p.m., $47
and $41
CONTACT:
Dana Hoffman
Co-Publicity Director
VF Outlet Berks Jazz Fest
610-236-4744
610-371-5146 fax
dhoffman@readingeagle.com
or
Catherine Catanach, APR
Director of Development and Marketing
Berks Arts Council
5th fl., GoggleWorks Center for the Arts
Reading, PA
ph. 610-898-1930
www.berksarts.org
www.berksjazzfest.com
Latest release regarding the Berks Jazz Fest!
READING, PA -- January 29 -- The VF Outlet Berks Jazz fest is notable for its diversity of music and its innovative concepts.
That twin tradition will be emphatically upheld on Wednesday, April 2, when Jazz Meets Bluegrass: Bill Evans' Soulgrass with special guest Sam Bush at the Abraham Lincoln Hotel ballroom at 7:30 p.m.
Jazz saxophonist Bill Evans has had a distinguished career as a solo artist, one whose first full-time gig was a berth with the Miles Davis Band. But over the years he has explored a variety of such musical settings as hip-hop, fusion, reggae, Brazilian and slamming funk. He stepped into more adventurous territory with his 2006 release Soulgrass, collaborating on the project with numerous jazz fusion all-stars as well as famed bluegrass vocalist and mandolin master Sam Bush.
Now Evans and Bush are teaming up at the Berks Jazz Fest.
The 18th annual VF Outlet Berks Jazz Fest, presented by the Berks Arts Council, runs March 28 through April 6 and offers fans a wide array of musical styles, including contemporary and traditional jazz, blues, big band and gospel. Shows are held at major venues, clubs and restaurants throughout Reading and Berks County, making it a truly unique festival.
Getting back to Evans and Bush, the question is what happens musically when
hipster marries hayseed?
"You get a marriage that really works," Evans says. "Jazz may be more intellectual, but the lines and rhythms can be exactly the same as bluegrass, and both are about improvisation."
Rounding the Soulgrass bluegrass-jazz fusion band at the festival will be banjo phenom Ryan Cavanaugh, fiddler/violinist Christian Howes, bassist Mark Egan and drummer Joel Rosenblatt.
It's a nervy merging of genres. While progressive bluegrassers have been experimenting with swing jazz elements for years, Evans is the first overtly modern jazz bandleader to move in a bluegrass direction. In 2006, Evans' Soulgrass album received a Grammy nomination in the contemporary jazz category.
"I can't afford to rest on my laurels with this band," said Evans, who has played with Herbie Hancock, Lee Ritenour, Dave Grusin, Mick Jagger and Willie Nelson when not touring extensively with his own band. "Nobody knows me on the grassroots scene. We have the best players, and a fresh musical vision. We cover all the bases, which I have to do to gain a new audience."
Everybody knows Sam Bush on the grassroots scene. Besides vocals and mandolin, he is a capable guitar and fiddle player. He was a founding member of the New Grass Revival and has been called a modern-day Bill Monroe. He is known as one of the liveliest performers at bluegrass festivals and released his first live concert DVD On The Road in 2007.
"The real definition of jazz is about growth, innovation and moving forward," Evans said. "So a hybrid like this is the essence of jazz."
And it's happening on April 2nd at the Berks Jazz Fest. Don't miss it!
Other featured artists at this year's festival include the return of the ever-popular Guitars & Saxes featuring Gerald Albright, Peter White, Jeff Golub and Jeff Lorber; jazz guitar great Pat Martino; blues legend Buddy Guy; master guitarist Chuck Loeb; saxophonist Eric Marienthal; alto saxophonist Candy Dulfer; the gifted and charismatic trumpeter Chris Botti; guitarist Paul Brown, vocalist Kenny Rankin, fellow guitarist Marc Antoine
and saxman Eric Darius; Berks favorite and keyboardist Brian Culbertson; trumpet great Rick Braun and saxman Richard Elliot; guitarist Nick Colionne with keyboardist Brian Simpson; and versatile bassist Brian Bromberg.
Additional marquee artists include popular keyboardist and vocalist Joe McBride; the Caribbean Jazz Project featuring Dave Samuels with special guest, reed player Paquito D'Rivera; saxman Euge Groove and keyboardist Alex Bugnon; violinist Regina Carter in a quintet; the Jump Rhythm Jazz Project, high-energy jazz dance performers; New York's Finest Jazz Band, an 18-member group performing jazz and pop standards; Kennedy Center presents Betty Carter's Jazz Ahead, featuring young emerging artists; Sherrie Maricle and the all-female DIVA Jazz Orchestra; Simone, daughter of legendary singer
Nina Simone, the Rob Stoneback Big Band; the return of Gordon Goodwin's Big Phat Band; and the considerable blues talents of Maria Muldaur, Bonerama, the Clarence Spady Band, Campbell Brothers and Eric Bibb.
Music director and keyboardist Jason Miles once again is bringing special ensemble shows to the Berks Jazz Fest. Miles and an all-star roster will be Celebrating the Life & Music of Grover Washington Jr., the late legendary saxman. The show, To Grover with Love, brings together some of the top names in the business, including Patti LaBelle, Walter Beasley, Everette Harp, Kim Waters, Maysa, Phil Perry, Chuck Loeb, Will Lee, Buddy Williams and Ralph MacDonald. The world premiere of Jason Miles/DJ Logic Global Noize features Christian Scott, Karl Denson, Bernie Worrell, Café, Brian Dunne, Carl Burnett and Tim LeFebvre.
###
To order tickets:
Visit the Sovereign Center Box Office, Seventh and Penn streets, Reading
Visit the Sovereign Performing Arts Center Box Office, 136 N. Sixth St.,
Reading
Call Ticketmaster at 215-336-2000 or visit www.ticketmaster.com
Order online at berksjazzfest.com
For more information on the festival, including artist bios and archived
releases, click on www.berksjazzfest.com
For more information on the Berks Arts Council, a nonprofit organization
that promotes all the arts in an effort to enrich the quality of life in
Berks County, click on www.berksarts.org.
Major Ticketed Events
Thursday, March 27 -- Berks Jazz Fest Kickoff Concert: Andrew Neu Group
featuring the Bright & Tight Horns, Gerald Veasley's Jazz Base, Sheraton
Reading Hotel, 7 p.m., $10.
Friday, March 28 -- Brian Bromberg Band, Gerald Veasley's Jazz Base,
Sheraton Reading Hotel, 7 p.m. and 10 p.m., $25
Friday, March 28 -- An Evening with Nancy Wilson, Sovereign Performing Arts
Center, 7:30 p.m., $47 and $41
Friday, March 28 -- Buddy Guy, Sheraton Reading Hotel ballroom, 10 p.m., $40
and $35
Friday, March 28 -- Kenny Blake Quartet, L'Arte della Vita Jazz Cabaret,
Abraham Lincoln Hotel, 10 p.m., $15
Saturday, March 29 -- LA Chillharmonic featuring Brian Bromberg, Richard
Smith, Michael Paulo, Gregg Karukas, Greg Adams plus the Berks Jazz Fest
Horns, Sheraton Reading Hotel ballroom, 2 p.m., $39 and $34
Saturday, March 29 -- Simone and the Rob Stoneback Big Band, Gerald
Veasley's Jazz Base, Sheraton Reading Hotel, 7 p.m. and 10 p.m., $25
Saturday, March 29 -- Chris Botti, Sovereign Performing Arts Center, 7:30
p.m., $47 and $41
Saturday, March 29 -- Jump Rhythm Dance Project, Miller Center for the Arts,
8 p.m., $20
Saturday, March 29 -- Kenny Blake Quartet, L'Arte della Vita Jazz Cabaret,
Abraham Lincoln Hotel, 10 p.m., $15
Saturday, March 29 -- Gerald Veasley and the WJJZ All-Stars Rick Braun,
Bobby Lyle, Chuck Loeb, Chris Farr and the Berks Jazz Fest Horns, Sheraton
Reading Hotel, 10:30 p.m., $39 and $34
Sunday, March 30 -- Betty Carter's Jazz Ahead, Miller Center, 1:30 p.m., no
charge
Sunday, March 30 -- Paul Brown's Guitar Night featuring Kenny Rankin and
Marc Antoine plus saxophonist Eric Darius, Sheraton Reading Hotel Ballroom,
2 p.m., $39 and $34
Sunday, March 30 -- Sweet Honey in the Rock, Scottish Rite Cathedral, 3
p.m., $45, $35, $25
Sunday, March 30 -- Celebrating the Life & Music of Grover Washington Jr. --
To Grover with Love: Patti LaBelle, Walter Beasley, Everette Harp, Kim
Waters, Maysa, Phil Perry, Chuck Loeb, Will Lee, Buddy Williams, Ralph
MacDonald, and musical director Jason Miles, Sovereign Performing Arts
Center, 7 p.m., $49 and $43
Monday, March 31 -- Michael Manring & David Cullen, Gerald Veasley's Jazz
Base, Sheraton Reading Hotel, 7 p.m., $12
Tuesday, April 1 -- New York's Finest Jazz Band, Sheraton Reading Hotel,
7:30 p.m., $15
Wednesday, April 2 -- Bill Evans' Soulgrass with special guest Sam Bush,
Abraham Lincoln Hotel ballroom, 7:30 p.m., $32
Thursday, April 3 -- MusicReport with special guests Lynn Riley and Aaron
Graves, Gerald Veasley's Jazz Base, Sheraton Reading Hotel, 7 p.m., $12
Thursday, April 3 -- Nick Colionne with special guest Brian Simpson, Abraham
Lincoln Hotel ballroom, 7:30 p.m., $32
Thursday, April 3 -- Berks All-Star Jazz Jam featuring Rick Braun, Chuck
Loeb, Gerald Veasley, Richard Elliot, Nick Colionne, Brian Bromberg, Pat
Martino, Joe McBride, Brian Simpson, Ricky Lawson, Andrew Neu and more,
Sheraton Reading Hotel ballroom, 10 p.m., $35
Friday, April 4 -- Pat Martino Quartet, Gerald Veasley's Jazz Base, Sheraton
Reading Hotel, 7 p.m. and 10 p.m., $30
Friday, April 4 -- The Caribbean Jazz Project featuring Dave Samuels with
special guest Paquito D'Rivera, Abraham Lincoln Hotel ballroom, 7:30 p.m.,
$32
Friday, April 4 -- Rick Braun & Richard Elliot, Scottish Rite Cathedral,
7:30 p.m., $47 and $41
Friday, April 4 -- New Orleans Funky Friday: Maria Muldaur and Bonerama, Inn
at Reading, 7:30 p.m., $32
Friday, April 4 -- Joe McBride Trio, L'Arte della Vita Jazz Cabaret, Abraham
Lincoln Hotel, 10 p.m., $15
Friday, April 4 -- Candy Dulfer, Sheraton Reading Hotel ballroom, 10:30
p.m., $39 and $34
Saturday, April 5 -- Euge Groove plus Alex Bugnon, Sheraton Reading Hotel
ballroom, 2 p.m., $39 and $34
Saturday, April 5 -- Sherrie Maricle & The DIVA Jazz Orchestra, Abraham
Lincoln Hotel ballroom, 2 p.m., $28
Saturday, April 5 -- Tribute to Chet Baker: Rick Braun, Gerald Veasley's
Jazz Base, Sheraton Reading Hotel, 7 p.m. and 10 p.m., $30
Saturday, April 5 -- Guitars & Saxes featuring Peter White, Gerald Albright,
Jeff Golub and Jeff Lorber, Scottish Rite Cathedral, 7 p.m., $47 and $41
Saturday, April 5 -- Clarence Spady Band plus Campbell Brothers plus Eric
Bibb, Inn at Reading, 7 p.m., $37
Saturday, April 5 -- Regina Carter Quintet, Miller Center for the Arts, 7:30
p.m., $38
Saturday, April 5 -- Joe McBride Trio, L'Arte della Vita Jazz Cabaret,
Abraham Lincoln Hotel, 10 p.m., $15
Saturday, April 5 -- World Premiere: Jason Miles/DJ Logic Global Noize
featuring Christian Scott, Karl Denson, Bernie Worrell, Café, Brian Dunne,
Carl Burnett and Tim LeFebvre, Sheraton Reading Hotel ballroom, 10:30 p.m.,
$39 and $34
Sunday, April 6 -- Chuck Loeb with special guests Eric Marienthal, Tom
Scott, Will Lee, Carmen Cuesta, Lizzy Loeb, Rob Mounsey, Cafe, Cliff Almond
and more, Sheraton Reading Hotel ballroom, 2 p.m., $39 and $34
Sunday, April 6 -- Brian Culbertson, Scottish Rite Cathedral, 7 p.m., $47
and $41
CONTACT:
Mike Zielinski
Co-Publicity Director
VF Outlet Berks Jazz Fest
610-236-4747
610-371-5146 fax
mzielinski@readingeagle.com
Catherine Catanach
Director of Development and Marketing
Berks Arts Council
610-898-1930
ccatanach@berksjazzfest.com
www.berksjazzfest.com
Happy Jazzin' at the Berks Jazz Festival!!
Beverly J. Packard
MyGirlSunday22@aol.com
Jazz Circle Member of the Berks Arts Council
Reading, Pennsylvania
The VF Outlet Berks Jazz fest is, primarily, a celebration of jazz. However, the festival is also known for its diverse lineup, with a healthy dose of blues.
This year, Hall of Fame inductee Buddy Guy will rock the house at the Sheraton Reading Hotel on Friday, March 28, at 10 p.m.
The 18th annual Berks Jazz Fest, presented by the Berks Arts Council, runs March 28 through April 6 and will offer fans a wide array of musical styles, including contemporary and traditional jazz, blues and big band, with some gospel and even bluegrass thrown in. Shows are held at major venues, clubs and restaurants throughout Reading and Berks County, making it a truly unique festival.
High-energy guitar histrionics and boundless on-stage energy have always been Guy trademarks, along with a tortured vocal style that's nearly as distinctive as his incendiary rapid-fire fretwork. The Louisiana native is a Rock and Roll Hall of Fame inductee, a chief guitar influence to later legends Jimi Hendrix, Eric Clapton, Jeff Beck and Stevie Ray Vaughan, a pioneer of Chicago's West Side Sound and a living link to that city's halcyon days of electric blues.
Truly coming into his own and experiencing a great career Renaissance in his mid-50s, Guy's first three recordings for Silvertone in the early '90s earned Grammy Awards for Best Contemporary Blues Album. 2003's Blues Singer won for Best Traditional Blues Album.
There is no shortage of the blues at this year's fest. In addition to Buddy Guy, there are two big shows on the closing weekend -- a New Orleans Funky Friday with Maria Muldaur and Bonerama; and blues night with the Clarence Spady Band, Campbell Brothers and Eric Bibb.
Berks Jazz Fest celebrates the enduring spirit of the Crescent City with New Orleans Funky Friday, a special show featuring famed roots-folk and blues singer Maria Muldaur and New Orleans brass band Bonerama, on Friday April 4 at 7:30 p.m. at the Inn at Reading.
In 1974 Muldaur scored her most famous hit with the iconic, sultry "Midnight at the Oasis," which reached No. 6 on the Billboard Hot 100. Later in the decade, she joined the Jerry Garcia Band as a backing vocalist.
Well known in the blues genre, she has continued to perform, tour and record since her success in the mid-1970s, including a turn at the Teatro ZinZanni in 2001.
When Bonerama struts onstage with its four-trombone frontline, the audience is immediately aware it's not quite like any rock band you've seen. When they tear into some vintage New Orleans funk, there's no questioning where they're from. And when those 'bones start ripping into Hendrix and Led Zeppelin licks, all stylistic bets are off.
Clarence Spady Band, Campbell Brothers and Eric Bibb promise a night of burning blues from three incredible performers on Saturday, April 5, at 7 p.m. at the Inn at Reading.
Clarence Spady has been an underground marvel since his initial and only worldwide release Nature of the Beast in 1996. He has a strong worldwide fan base and recently released his highly anticipated new album Just Between Us on Maryland-based Severn Records.
The Campbell Brothers present Sacred Steel: African-American gospel music with electric steel guitar and vocals that is both devoted and rocking.
Acoustic blues singer/songwriter Eric Bibb joined Robert Cray on two U.S. tours in 2001 and 2002 and opened for Bonnie Raitt and also Ray Charles in the summer of 2002. His 2005 release A Ship Called Love was nominated for Acoustic Album of the Year in the 2006 Blues Music Awards.
*****
Other featured artists at this year's festival include the return of the ever-popular Guitars & Saxes featuring Gerald Albright, Peter White, Jeff Golub and Jeff Lorber; jazz guitar great Pat Martino; master guitarist Chuck Loeb; saxophonist Eric Marienthal; alto saxophonist Candy Dulfer; the gifted and charismatic trumpeter Chris Botti; guitarist Paul Brown, vocalist Kenny Rankin, fellow guitarist Marc Antoine and saxman Eric Darius; Berks favorite, keyboardist Brian Culbertson; trumpet great Rick Braun and saxman Richard Elliot; guitarist Nick Colionne with keyboardist Brian Simpson; and versatile bassist Brian Bromberg.
Additional marquee artists include Bill Evans' Soulgrass with bluegrass vocalist and instrumentalist Sam Bush; popular keyboardist and vocalist Joe McBride; the Caribbean Jazz Project featuring Dave Samuels with special guest, reed player Paquito D'Rivera; saxman Euge Groove and keyboardist Alex Bugnon; violinist Regina Carter in a quintet; the Jump Rhythm Jazz Project, high-energy jazz dance performers; New York's Finest Jazz Band, an 18-member group performing jazz and pop standards; Kennedy Center presents Betty Carter's Jazz Ahead, featuring young emerging artists; Sherrie Maricle and the all-female DIVA Jazz Orchestra; Simone, daughter of legendary singer Nina Simone, and the Rob Stoneback Big Band; and the return of Gordon Goodwin's Big Phat Band.
Music director and keyboardist Jason Miles once again is bringing special ensemble shows to the Berks Jazz Fest. Miles and an all-star roster will be Celebrating the Life & Music of Grover Washington Jr., the late legendary saxman. The show, To Grover with Love, brings together some of the top names in the business, including Patti LaBelle, Walter Beasley, Everette Harp, Kim Waters, Maysa, Phil Perry, Chuck Loeb, Will Lee, Buddy Williams and Ralph MacDonald. The world premiere of Jason Miles/DJ Logic Global Noize features Christian Scott, Karl Denson, Bernie Worrell, Café, Brian Dunne, Carl Burnett and Tim LeFebvre.
###
To order tickets:
Visit the Sovereign Center Box Office, Seventh and Penn streets, Reading
Visit the Sovereign Performing Arts Center Box Office, 136 N. Sixth St., Reading
Call Ticketmaster at 215-336-2000 or visit www.ticketmaster.com
Order online at berksjazzfest.com
For more information on the festival, including artist bios and archived releases, click on berksjazzfest.com
For more information on the Berks Arts Council, a nonprofit organization that promotes all the arts in an effort to enrich the quality of life in Berks County, click on www.berksarts.org.
*****
Major Ticketed Events
Thursday, March 27 -- Berks Jazz Fest Kickoff Concert: Andrew Neu Group featuring the Bright & Tight Horns, Gerald Veasley's Jazz Base, Sheraton Reading Hotel, 7.pm., $10.
Friday, March 28 -- Brian Bromberg Band, Gerald Veasley's Jazz Base, Sheraton Reading Hotel, 7 p.m. and 10 p.m., $25
Friday, March 28 -- An Evening with Nancy Wilson, Sovereign Performing Arts Center, 7:30 p.m., $47 and $41
Friday, March 28 -- Buddy Guy, Sheraton Reading Hotel ballroom, 10 p.m., $40 and $35
Friday, March 28 -- Kenny Blake Quartet, L'Arte della Vita Jazz Cabaret, Abraham Lincoln Hotel, 10 p.m., $15
Saturday, March 29 -- LA Chillharmonic featuring Brian Bromberg, Richard Smith, Michael Paulo, Gregg Karukas, Greg Adams plus the Berks Jazz Fest Horns, Sheraton Reading Hotel ballroom, 2 p.m., $39 and $34
Saturday, March 29 -- Simone and the Rob Stoneback Big Band, Gerald Veasley's Jazz Base, Sheraton Reading Hotel, 7 p.m. and 10 p.m., $25
Saturday, March 29 -- Chris Botti, Sovereign Performing Arts Center, 7:30 p.m., $47 and $41
Saturday, March 29 -- Jump Rhythm Dance Project, Miller Center for the Arts, 8 p.m., $20
Saturday, March 29 -- Kenny Blake Quartet, L'Arte della Vita Jazz Cabaret, Abraham Lincoln Hotel, 10 p.m., $15
Saturday, March 29 -- Gerald Veasley and the WJJZ All-Stars Rick Braun, Bobby Lyle, Chuck Loeb, Chris Farr and the Berks Jazz Fest Horns, Sheraton Reading Hotel, 10:30 p.m., $39 and $34
Sunday, March 30 -- Betty Carter's Jazz Ahead, Miller Center, 1:30 p.m., no charge
Sunday, March 30 -- Paul Brown's Guitar Night featuring Kenny Rankin and Marc Antoine plus saxophonist Eric Darius, Sheraton Reading Hotel Ballroom, 2 p.m., $39 and $34
Sunday, March 30 -- Sweet Honey in the Rock, Scottish Rite Cathedral, 3 p.m., $45, $35, $25
Sunday, March 30 -- Celebrating the Life & Music of Grover Washington Jr. -- To Grover with Love: Patti LaBelle, Walter Beasley, Everette Harp, Kim Waters, Maysa, Phil Perry, Chuck Loeb, Will Lee, Buddy Williams, Ralph MacDonald, and musical director Jason Miles, Sovereign Performing Arts Center, 7 p.m., $49 and $43
Monday, March 31 -- Michael Manring & David Cullen, Gerald Veasley's Jazz Base, Sheraton Reading Hotel, 7 p.m., $12
Tuesday, April 1 -- New York's Finest Jazz Band, Sheraton Reading Hotel, 7:30 p.m., $15
Wednesday, April 2 -- Bill Evans' Soulgrass with special guest Sam Bush, Abraham Lincoln Hotel ballroom, 7:30 p.m., $32
Thursday, April 3 -- MusicReport with special guests Lynn Riley and Aaron Graves, Gerald Veasley's Jazz Base, Sheraton Reading Hotel, 7 p.m., $12
Thursday, April 3 -- Nick Colionne with special guest Brian Simpson, Abraham Lincoln Hotel ballroom, 7:30 p.m., $32
Thursday, April 3 -- Berks All-Star Jazz Jam featuring Rick Braun, Chuck Loeb, Gerald Veasley, Richard Elliot, Nick Colionne, Brian Bromberg, Pat Martino, Joe McBride, Brian Simpson, Ricky Lawson, Andrew Neu and more, Sheraton Reading Hotel ballroom, 10 p.m., $35
Friday, April 4 -- Pat Martino Quartet, Gerald Veasley's Jazz Base, Sheraton Reading Hotel, 7 p.m. and 10 p.m., $30
Friday, April 4 -- The Caribbean Jazz Project featuring Dave Samuels with special guest Paquito D'Rivera, Abraham Lincoln Hotel ballroom, 7:30 p.m., $32
Friday, April 4 -- Rick Braun & Richard Elliot, Scottish Rite Cathedral, 7:30 p.m., $47 and $41
Friday, April 4 -- New Orleans Funky Friday: Maria Muldaur and Bonerama, Inn at Reading, 7:30 p.m., $32
Friday, April 4 -- Joe McBride Trio, L'Arte della Vita Jazz Cabaret, Abraham Lincoln Hotel, 10 p.m., $15
Friday, April 4 -- Candy Dulfer, Sheraton Reading Hotel ballroom, 10:30 p.m., $39 and $34
Saturday, April 5 -- Euge Groove plus Alex Bugnon, Sheraton Reading Hotel ballroom, 2 p.m., $39 and $34
Saturday, April 5 -- Sherrie Maricle & The DIVA Jazz Orchestra, Abraham Lincoln Hotel ballroom, 2 p.m., $28
Saturday, April 5 -- Tribute to Chet Baker: Rick Braun, Gerald Veasley's Jazz Base, Sheraton Reading Hotel, 7 p.m. and 10 p.m., $30
Saturday, April 5 -- Guitars & Saxes featuring Peter White, Gerald Albright, Jeff Golub and Jeff Lorber, Scottish Rite Cathedral, 7 p.m., $47 and $41
Saturday, April 5 -- Clarence Spady Band plus Campbell Brothers plus Eric Bibb, Inn at Reading, 7 p.m., $37
Saturday, April 5 -- Regina Carter Quintet, Miller Center for the Arts, 7:30 p.m., $38
Saturday, April 5 -- Joe McBride Trio, L'Arte della Vita Jazz Cabaret, Abraham Lincoln Hotel, 10 p.m., $15
Saturday, April 5 -- World Premiere: Jason Miles/DJ Logic Global Noize featuring Christian Scott, Karl Denson, Bernie Worrell, Café, Brian Dunne, Carl Burnett and Tim LeFebvre, Sheraton Reading Hotel ballroom, 10:30 p.m., $39 and $34
Sunday, April 6 -- Chuck Loeb with special guests Eric Marienthal, Tom Scott, Will Lee, Carmen Cuesta, Lizzy Loeb, Rob Mounsey, Cafe, Cliff Almond and more, Sheraton Reading Hotel ballroom, 2 p.m., $39 and $34
Sunday, April 6 -- Brian Culbertson, Scottish Rite Cathedral, 7 p.m., $47 and $41
Following is the initial press release regarding the VF Outlet Berks Jazz Fest 2008. Plan to come and enjoy all the musical talent. Please note that other artists will be added in the coming days and months before the festival, so keep checking the line-up! Tickets can be obtained by the public on December 8th.
READING, PA -- November 26 -- The 18th annual Berks Jazz Fest, presented by the Berks Arts Council, runs March 28 through April 6 and will offer fans a wide array of musical styles, including contemporary and traditional jazz, blues and big band, with some gospel and even bluegrass thrown in. Shows are held at major venues, clubs and restaurants throughout Reading and Berks County, making it a truly unique festival.
The Berks Arts Council is proud to announce that VF Outlet is the title sponsor of the Berks Jazz Fest from 2008 through 2010. This announcement has particular meaning because VFOutlet helped launch the festival as title sponsor of the first three-day Berks Jazz Fest in 1991, and remained title sponsor through the 1995 festival. Thirteen years and countless shows later, the now 10-day festival has come full circle with its title sponsorship.
Featured artists at this year's festival include legendary song stylist Nancy Wilson; always-rocking blues guitarist and Rock and Roll Hall of Fame nductee Buddy Guy; the return of the ever-popular Guitars & Saxes featuring Gerald Albright, Peter White, Jeff Golub and Jeff Lorber; jazz guitar great Pat Martino; alto saxophonist Candy Dulfer; the gifted and charismatic trumpeter Chris Botti; guitarist Paul Brown, vocalist Kenny Rankin, fellow guitarist Marc Antoine and saxman Eric Darius; Berks favorite, keyboardist Brian Culbertson; trumpet great Rick Braun and saxman Richard Elliot; guitarist Nick Colionne with keyboardist Brian Simpson; versatile bassist Brian Bromberg; Bill Evans' Soulgrass with bluegrass vocalist and instrumentalist Sam Bush; popular keyboardist and vocalist Joe McBride; the Caribbean Jazz Project featuring Dave Samuels with special guest, reed player Paquito D'Rivera; saxman Euge Groove and keyboardist Alex Bugnon; and violinist Regina Carter in a quintet.
There is no shortage of the blues at this year's fest. In addition to Buddy Guy, there are two big shows on the closing weekend -- a New Orleans Funky Friday with Maria Muldaur and Bonerama; and blues night with the Clarence Spady Band, Campbell Brothers and Eric Bibb.
Among the more unconventional shows this year are the Jump Rhythm Jazz Project, high-energy jazz dance performers; the NYPD Big Band, an 18-member group performing jazz and pop standards; Kennedy Center presents Betty Carter's Jazz Ahead, featuring young emerging artists; Sherrie Maricle and the all-female DIVA Jazz Orchestra; Simone, daughter of legendary singer Nina Simone, and the Rob Stoneback Big Band; and the return of Gordon Goodwin's Big Phat Band.
Music director and keyboardist Jason Miles is once again bringing very special ensemble shows to Berks.
Miles will bring together an all-star roster to join him in Celebrating the Life & Music of Grover Washington Jr., the late legendary saxman. The show, To Grover with Love, brings together some of the top names in the business, including Patti LaBelle, Walter Beasley, Everette Harp, Kim Waters, Maysa, Phil Perry, Chuck Loeb, Will Lee, Buddy Williams and Ralph MacDonald.
For the world premiere of his show Global Noize, Jason Miles will be joined by Christian Scott, DJ Logic, Karl Denson, Cafe, Billy Martin, Sherrod Barnes, Bernie Worrell and Tim LeFebvre. Miles has dubbed the group a "global groove band."
Must-see special group shows are one of the big draws at the Berks Jazz Fest, and this year is no exception. There is the LA Chillharmonic, a cool all-star ensemble spearheaded by smooth jazz guitarist Richard Smith and bassist Brian Bromberg. They will be joined by Michael Paulo, Gregg Karukas, Greg Adams and the Berks Jazz Fest Horns.
Gerald Veasley and the WJJZ All-Stars will be the third live television event for the Berks Jazz Fest, broadcast live by WFMZ-TV Channel 69, and will feature Bobby Lyle, Rick Braun, Chuck Loeb, Chris Farr and the Berks Jazz Fest Horns.
A perennial late-night favorite, guaranteed to wake up any sleepy fans, is the Berks All-Star Jazz Jam. This year's jam artists include Rick Braun, Chuck Loeb, Gerald Veasley, Richard Elliot, Nick Colionne, Brian Bromberg, Pat Martino, Joe McBride, Brian Simpson, Ricky Lawson, Andrew Neu and more.
Chuck Loeb, well known to any Berks Jazz Fest fan, will be joined by special guests Eric Marienthal, Tom Scott, Will Lee, wife Carmen Cuesta, daughter Lizzy Loeb and more for a special show.
This year's festival is packed with must-see artists and unforgettable ensembles, offering cool smooth jazz, hot rockin' blues, soulful singing, rousing tributes and so much more.
Tickets go on sale Saturday, Dec. 8, at 10 a.m.
To order tickets:
~~Visit the Sovereign Center Box Office, Seventh and Penn streets, Reading
~~Visit the Sovereign Performing Arts Center Box Office, 136 N. Sixth St.,
Reading
~~Call Ticketmaster at 215-336-2000 or visit www.ticketmaster.com
~~Order online at berksjazzfest.com
For more information on the festival, including artist bios and archived releases, click on www.berksjazzfest.com
For more information on the Berks Arts Council, a nonprofit organization that promotes all the arts in an effort to enrich the quality of life in Berks County, click on www.berksarts.org.
Major Ticketed Events
Friday, March 28 -- Brian Bromberg Band, Gerald Veasley's Jazz Base,
Sheraton Reading Hotel, 7 p.m. and 10 p.m., $25
Friday, March 28 -- An Evening with Nancy Wilson, Sovereign Performing Arts Center, 7:30 p.m., $47 and $41
Friday, March 28 -- Buddy Guy, Sheraton Reading Hotel ballroom, 10 p.m., $40 and $35
Friday, March 28 -- Kenny Blake Quartet, L'Arte della Vita Jazz Cabaret, Abraham Lincoln Hotel, 10 p.m., $15
Saturday, March 29 -- LA Chillharmonic featuring Brian Bromberg, Richard Smith, Michael Paulo, Gregg Karukas, Greg Adams plus the Berks Jazz Fest Horns, Sheraton Reading Hotel ballroom, 2 p.m., $39 and $34
Saturday, March 29 -- Simone and the Rob Stoneback Big Band, Gerald Veasley's Jazz Base, Sheraton Reading Hotel, 7 p.m. and 10 p.m., $25
Saturday, March 29 -- Chris Botti, Sovereign Performing Arts Center, 7:30p.m., $47 and $41
Saturday, March 29 -- Jump Rhythm Dance Project, Miller Center for the Arts, 8 p.m., $20
Saturday, March 29 -- Kenny Blake Quartet, L'Arte della Vita Jazz Cabaret, Abraham Lincoln Hotel, 10 p.m., $15
Saturday, March 29 -- Gerald Veasley and the WJJZ All-Stars Bobby Lyle, Rick Braun, Chuck Loeb, Chris Farr and the Berks Jazz Fest Horns, Sheraton Reading Hotel, 10:30 p.m., $39 and $34
Sunday, March 30 -- Betty Carter's Jazz Ahead, Miller Center, 1:30 p.m., no charge
Sunday, March 30 -- Paul Brown, Kenny Rankin and Marc Antoine plus Eric Darius, Sheraton Reading Hotel Ballroom, 2 p.m., $39 and $34
Sunday, March 30 -- Celebrating the Life & Music of Grover Washington Jr. -- To Grover with Love: Patti LaBelle, Walter Beasley, Everette Harp, Kim Waters, Maysa, Phil Perry, Chuck Loeb, Will Lee, Buddy Williams, Ralph MacDonald, and musical director Jason Miles, Sovereign Performing Arts Center, 7 p.m., $49 and $43
Tuesday, April 1 -- NYPD Big Band, Sheraton Reading Hotel, 7:30 p.m., $15
Wednesday, April 2 -- Bill Evans' Soulgrass with special guest Sam Bush, Abraham Lincoln Hotel ballroom, 7:30 p.m., $32
Thursday, April 3 -- MusicReport with special guests Lynn Riley and Aaron Graves, Gerald Veasley's Jazz Base, Sheraton Reading Hotel, 7 p.m., $12
Thursday, April 3 -- Nick Colionne with special guest Brian Simpson, Abraham Lincoln Hotel ballroom, 7:30 p.m., $32
Thursday, April 3 -- Berks All-Star Jazz Jam featuring Rick Braun, Chuck Loeb, Gerald Veasley, Richard Elliot, Nick Colionne, Brian Bromberg, Pat Martino, Joe McBride, Brian Simpson, Ricky Lawson, Andrew Neu and more, Sheraton Reading Hotel ballroom, 10 p.m., $35
Friday, April 4 -- Pat Martino Quartet, Gerald Veasley's Jazz Base, Sheraton Reading Hotel, 7 p.m. and 10 p.m., $30
Friday, April 4 -- The Caribbean Jazz Project featuring Dave Samuels with special guest Paquito D'Rivera, Abraham Lincoln Hotel ballroom, 7:30 p.m., $32
Friday, April 4 -- Rick Braun & Richard Elliot, Scottish Rite Cathedral, 7:30 p.m., $47 and $41
Friday, April 4 -- New Orleans Funky Friday: Maria Muldaur and Bonerama, Inn at Reading, 7:30 p.m., $32
Friday, April 4 -- Joe McBride Trio, L'Arte della Vita Jazz Cabaret, Abraham Lincoln Hotel, 10 p.m., $15
Friday, April 4 -- Candy Dulfer, Sheraton Reading Hotel ballroom, 10:30 p.m., $39 and $34
Saturday, April 5 -- Euge Groove plus Alex Bugnon, Sheraton Reading Hotel ballroom, 2 p.m., $39 and $34
Saturday, April 5 -- Sherrie Maricle & The DIVA Jazz Orchestra, Abraham Lincoln Hotel ballroom, 2 p.m., $28
Saturday, April 5 -- Tribute to Chet Baker: Rick Braun, Gerald Veasley's Jazz Base, Sheraton Reading Hotel, 7 p.m. and 10 p.m., $30
Saturday, April 5 -- Guitars & Saxes featuring Peter White, Gerald Albright, Jeff Golub and Jeff Lorber, Scottish Rite Cathedral, 7 p.m., $47 and $41
Saturday, April 5 -- Clarence Spady Band plus Campbell Brothers plus Eric Bibb, Inn at Reading, 7 p.m., $37
Saturday, April 5 -- Regina Carter Quintet, Miller Center for the Arts, 7:30 p.m., $38
Saturday, April 5 -- Joe McBride Trio, L'Arte della Vita Jazz Cabaret, Abraham Lincoln Hotel, 10 p.m., $15
Saturday, April 5 -- World Premiere: Global Noize featuring Jason Miles, Christian Scott, DJ Logic, Karl Denson, Cafe, Billy Martin, Sherrod Barnes, Bernie Worrell and Tim LeFebvre, Sheraton Reading Hotel ballroom, 10:30 p.m., $39 and $34
Sunday, April 6 -- Chuck Loeb with special guests Eric Marienthal, Tom Scott, Will Lee, Carmen Cuesta, Lizzy Loeb, and more, Sheraton Reading Hotel ballroom, 2 p.m., $39 and $34
Sunday, April 6 -- Brian Culbertson, Scottish Rite Cathedral, 7 p.m., $47 and $41
Press release provided by:
Catherine Catanach, APR
Director of Development and Marketing
Berks Arts Council
Happy Jazzin' and I hope to see you at the festival!
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
Reading, Pennsylvania
MyGirlSunday22@aol.com
Following is a press release given August 23rd in Reading, Pennsylvania regarding new sponsorship of the Berks Jazz Festival. With members of the Berks Arts Council present, Berks Jazz Fest manager John Ernesto, various media people (including radio), as well as jazz artists Gerald Veasley, Chieli Minucci and Nelson Rangell, Connie Leinbach, Berks Arts Council President, made the announcment.
READING, Pa. - VF Outlet, Inc. has become the title sponsor for the Berks Jazz Fest for 2008 through 2010, presented by the Berks Arts Council.
"The Berks Jazz Fest is an important musical, cultural and economic event that has become a vital part of Greater Reading," says Steve Fritz, President of VF Outlet, Inc., about the collaboration. "VF Outlet is thrilled to be a part of this long standing tradition."
In fact VF has come full circle since it helped launch the festival in 1991, as the title sponsor.
The Berks Arts Council has presented the Berks Jazz Fest since 1991, when it began as a weekend event with about two dozen events. It has been a 10-day event since 2000, and has burgeoned into a world-class event featuring more than 130 events and attracting an audience of more than 45,000.
"During Jazz Fest, the streets, shops, hotels and restaurants are filled with jazz patrons, all of whom spend an estimated $6 million in Berks County in just 10 days," says Connie Leinbach, Executive Director of the Berks Arts
Council. "With VF's partnership, both of our organizations will reach new fans and customers."
GPU and its successor company FirstEnergy had been the title sponsor since 1999.
"We are grateful for FirstEnergy's support of this event since 2003 and are pleased that they will continue to be a major sponsor of the festival," Leinbach adds.
The 18th edition of the festival runs from Friday, March 28, through Sunday, April 6, 2008. Major ticketed acts will be announced December 2. Current information is located on the web at www.berksjazzfest.com.
Berks Arts Council's mission is to encourage and promote all of the arts, to develop an appreciation of the arts and to enrich and enhance the quality through education, collaborations and presentation with other arts
organizations. The Arts Council presents the VF Outlet Berks Jazz Fest, Berks Movie Madness Film Festival, Bandshell Concert Series, the Pagoda Awards, the Pennsylvania Partners in the Arts re-granting program, the Music Composition Program, and provides art exhibition opportunities for member artists. For more information about Berks Arts Council call (610) 898-1930, or visit www.berksarts.org
Dave Koz and Friends are At the Movies for this year's Smooth Jazz Christmas tour! Here's the latest press release from the Berks Arts Council.
READING, PA -- The Berks Jazz Fest promises to jazz up Christmas with the return of Dave Koz and pals, making a stop in Reading during their Dave Koz and Friends, A Smooth Jazz Christmas At The Movies, With Special Guests Jonathan Butler, Wayman Tisdale and Kimberley Locke, of American Idol fame. This year marks the 10th anniversary of the Dave Koz and Friends Smooth Jazz Christmas, and the show's third appearance in Reading.
Join the holiday fun on Wednesday, Nov. 28, at 7:30 p.m. at the Scottish Rite Cathedral in West Reading. Reserved tickets are $55 and $49.
Multi-Grammy nominee and pop instrumentalist/saxophonist extraordinaire Koz always is treated like music royalty during his Berks Jazz Fest appearances. Concertgoers on Nov. 28th will be treated to the artists' hits, as well as Christmas and holiday standards. Koz also will be covering a selection of music from his new release, At The Movies. Koz and friends will be joined by musical director Brian Simpson, a Rendezvous Recording Artist.
Koz's latest work, At The Movies, showcases the timeless melodies from American and foreign cinema, including "Over The Rainbow," "Moon River," "The Pink Panther," "The Way We Were," "It Might Be You," and more.
Rendezvous artist Jonathan Butler, a gifted singer, two-time Grammy-nominated songwriter, guitarist and producer, released Brand New Day in June. As a teenager, the South African native broke racial barriers in his native country with his first single on the Jive Records label. Over the years, Butler solidified his presence in the 1990s with a body of music that crossed color and age lines.
Wayman Tisdale is a former NBA star, Olympic gold medalist and popular jazz bassist whose latest CD, Way Up, is one of this year's best-selling jazz releases, debuting at No. 1, and spending 30 weeks in the Top 10 on
Billboard's Contemporary Jazz Chart. His current radio single, the title track "Way Up," on its way to the top, is currently at No. 2 on R&R's Smooth Jazz chart.
Tisdale suffered a leg injury after a fall in February; it was then discovered that the injury was due to a cancerous cyst in his leg. Tisdale is on the road to recovery and is working on a new album, titled Rebound.
Kimberley Locke's name may ring a few bells. The second runner-up on the second season of "American Idol" in 2003, this singer later released her Curb Records debut album, One Love, and has had five consecutive top 10 Adult Contemporary hits, including two No. 1 songs, "8th World Wonder," and a holiday recording of "Up On The Housetop." She's also a model and has been involved in several television projects and Disney recordings. Locke's sophomore album, Based on a True Story, the follow-up to One Love, came out last fall on Curb Records.
This year's Dave Koz and Friends Christmas show promises to get the audience in the holiday spirit, so we hope you join in the fun!
To order tickets:
Visit the Sovereign Center Box Office, 7th & Penn streets, Reading
Visit the Sovereign Performing Arts Center Box Office, 136 N. 6th St.,
Reading
Call Ticketmaster at 215-336-2000 or visit www.ticketmaster.com
For more information on the Berks Arts Council, a nonprofit organization
that promotes all the arts in an effort to enrich the quality of life in
Berks County, click on www.berksarts.org
Plan now for a Happy Jazzin' Christmas!
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
MyGirlSunday22@aol.om
The final show of the festival took place at the Scottish Rite Cathedral Sunday evening with Guitars & Saxes, combining the talents of sax players Gerald Albright and Kirk Whalum and guitarists Jeff Golub and Tim Bowman. They had a stellar band featuring Ricky Lawson on drums, Nate Phillips on bass and Marlon McClain on guitar plus keyboards. This band came here to play and you could feel the energy and fun they created. The show was kicked off with each of the main artists stepping to the stage playing a short sample of one of their hits segueing into the next song, instantly creating a good vibe. Kirk Whalum played several songs from the Babyface songbook and his current #1 song "Give Me The Reason", while Jeff Golub performed some songs from his brand new release Grand Central which was released only a few weeks ago, delving deeply into Blues territory. Gerald Albright played his favorites "So Amazing" and "My, My, My" to the delight of the crowd, one woman even brought him a bouquet of flowers to the stage which touched him visibly. Tim Bowman for me was a most welcome addition to the band, his Wes-styled playing is outstanding and his hit song "Summer Groove" - being a favorite of mine - was a great musical moment to hear live. Then they slowed down things a little with an unplugged segment of the show where they sat on stools next to each other playing their instruments imaging they were sitting in someone's living room just having a good time, among the songs played was a great version of "Sitting On The Dock Of The Bay" and the great "Mojito" from Jeff Golub's new CD. Towards the end of the show hit was following hit, but they relied exclusively on cover versions completely ignoring their own catalog of music, virtually turning into a "Greatest-Hits-Music-Review" which was okay with the crowd who were all up, clapping, dancing and singing, bringing a truly great festival to an end.
Sunday afternoon it was WJJZ 97.5's turn to host a Fan Appreciation Concert featuring Chuck Loeb plus Gerald Veasley and Jeff Kashiwa, Kim Waters and Steve Cole (who appeared the previous night as the Sax Pack), once more supported by the great Berks Jazz Fest Horns. The concert was well attended and Chuck Loeb opened the concert just with his band featuring drummer Josh Dion, keyboardist Matt King and bass. Chuck settled comfortably into some of his compositions, among them "E-Bop" and "Presence" from the current CD, displaying his great skills on guitar. He kept things soft and low with his great rendition of James Taylor's "Don't Let Me Lonely Tonight", on this song drummer Josh Dion played in the most subtle and sensitive fashion I have seen, later adding some of his soulful singing bringing the song to a rousing end. During the first half of the show special guest and local hero Gerald Veasley came to the stage to play a truly heartfelt rendition of his own "Forever", a song dedicated to his wife having special meaning for him, a fact you could feel! His bass playing was just great and his appearance a welcome addition to this concert. After a short intermission some considerable sax power was added to the show with Kim Waters, then Jeff Kashiwa and lastly Steve Cole stepping on the stage to perform one of their songs, raising the level of energy considerably. All of them are outstanding players and stage personalities, again they couldn't help but making jokes and pulling each others legs, creating a good vibe. During one song the Berks Jazz Fest Horns got their round of solos, especially Mike Anderson on sax stood out proving that he is an artist in his own right. While these artists delivered a high energy show as the Sax Pack the previous night, during this afternoon they showed their softer sides, which yielded some great solos, especially Jeff Kashiwa played a tremendously smooth and heartfelt solo during one of Chuck Loeb's tunes. The last track "Bounce" (from Steve Cole's True album) reunited all artists for a great finale, ending another great show of first rate artists.
(Sorry for the bad picture, but I sat in the back and this was the best I could achieve)
After the Sax Pack show at 1am the Brian Culbertson All-Star Smooth Jazz Cruise Jam II hosted by Nick Colionne at the Sheraton was due, a promotional event to tease people into joining the All-Star Cruise. All you had to do to get in was to buy a raffle ticket (giving you the chance to win a cabin on that cruise), giving you access to this show, which is always a lot of fun and full of surprises. Host Nick Colionne was dressed in a red suit and hat and ready to lead many artists through a loose jam night. On stage were parts of his band (Dave Hiltebrand on bass, his keyboarad player and drummer), with the additional help of several fellow artists, some of them exclusively appearing at this show. First guest was Alvin Fisher on flute, then on came Jackiem Joyner on sax delivering some great solos, then bass player Gerald Veasley stepped on the stage giving us some serious bass playing. Then sax player Andrew Neu showed up again, helped out by a local guy claiming to be the best mandolin player of Berks County, they played Grover Washington Jr.'s "Winelight" for us with the mandolin player - obviously not exactly playing the style of music he is used to - delivering a totally spaced-out solo on the mandolin, while Andrew Neu turned out to be a true top-shelf player. Then the lovely Althea Rene on flute appeared displaying some serious chops, then bass player Michael Manson stepped on the stage soloing fiercly, then Maysa appeared having come of the Soul Summit show settling into a beautiful version of "Summertime" with lots of scatting and vocal improvisations (having her performance at the Soul Summit pale in comparison), then bass players Gerald Veasley and Scott Ambush (from Spyro Gyra, having sneaked in too) gave us a veritable battle on their basses, before returning the song gently to Maysa to end it. Steve Oliver was there too adding his flashy guitar playing contributing further highlights to this concert. Alan Hewitt played some keyboards and vibes, while another local sax player (who was a little overwhelmed by all the star power around him) got his solo spots too. Nick Colionne directed the proceedings by calling artists to the stage and selecting songs, additionally he played some great guitar solos. The night was concluded with Herbie Hancock's "Chameleon" reuniting all artists on stage for the rousing finale. This was the best concert of the festival, not only because of the tremendous star power but most of all because of the truly impromptu setting and the loose way these artists could play and express themselves. At 2am who cares, just let's have some fun!
Here is a short sample of the action on stage:
Late Saturday evening the great The Sax Pack, featuring Jeff Kashiwa, Kim Waters and Steve Cole, were scheduled to appear at the Sheraton. These three artists belong to the absolute best smooth jazz sax players on the scene and their energetic shows are always a treat, besides their styles merge well. They were joking, pulling each others legs and having just fun on stage. Each of these artists played songs from his catalog, some songs were done together, some individually. Kim Waters played his hit song "Waterfall" in his smooth and sexy style, while Steve Cole delivered several songs from his latest release True, among them "Just A Natural Thang" and - as I had hoped - the gorgeous "Curtis" which gave him the opportunity to express himself on the tenor sax. Jeff Kashiwa announced a new release to come out in June, he played two songs from that making us look forward to hear it soon. All off the artists made their strolls into the audience, sometimes together, which stirred quite some heart. The band was grooving hard, among them were bass player Dave Hiltebrand, keyboard player Mike Richiutti and guitar player Jerry Johnson. This great concert was concluded with Jeff Kashiwa's radio hit "Hyde Park (the "Ah, Oooh" song)" giving the audience a change to contribute the vocal part. This was another top notch concert full of fun and energy by three really outstanding sax players.
Saturday evening another one of those concerts you can only experience at Berks was due with Soul Summit, a star-studded event dedicated to Soul music celebrating an important part of American heritage. Jason Miles assembled some musical legends and some outstanding current players. Among the legends were bass player Bob Babbit and guitar player Reggie Young, who both have played on many unforgettable classics. Both must be in their 70ies, so Bob Babbit preferred to do the performance sitting. The world class band was completed by Steve Ferrone on drums, Sherrod Barnes on guitar, Jason Miles on keyboards and a horn section consisting of David Mann on sax, Karl Denson on flute and saxes and Barry Danielian on trumpet. They kicked off the show with an instrumental featuring David Mann on sax, before playing "Memphis 2000" from Jason Miles, followed by Herbie Mann's "Memphis Underground" featuring Karl Denson on flute, a track which featured Reggie Young back in the day. Later vocalists Mike Mattison (from the Derek Trucks Band) and Susan Tedeschi came to the stage to sing a few songs, among them "Song Of A Preacher Man", which was done justice by Susan Tedeschi who admittedly was a bit reluctant to tackle this giant classic song. The great songstress Maysa gave us "What A Man", then surprise artist Richard Elliot came to the stage infusing lots of energy into the show playing "Chicken & Waffles" (from the Jason Miles CD Mr. X which featured the late Grover Washington Jr. on the album) and a great version of Junior Walker's "Shotgun". Another outstanding artist was the great Karl Denson who contributed several powerful solos on the saxophone and helped to raise the bar a notch. At the end of the show a tribute to James Brown was due in the form a medley covering songs like "I Feel Good" and "Sex Machine" with Karl Denson taking the JB part bringing a memorable performance to its end. This was another special evening and Jason Miles has to be applauded for pulling such events off. I look forward to what he has in store for us at next year's festival.
Saturday early afternoon people gathered for The Groove Boutique's Rafe Gomez Hosts Warren Hill and Nick Colionne, a double bill of two full length concerts by two very popular artists. The afternoon was hosted by radio DJ Rafe Gomez who played some well selected music before and in between concerts.
Saxophone player Warren Hill had to fight some obstacles to bring his music to us, three of his band members were stuck in LA because their flight was overbooked, so he had to recruit the guitar player from the Sax Pack and the drummer from the Nick Colionne band filling in on short notice to complete his band, which otherwise consisted of Andre Berry on bass (who was touring with Mindi Abair concurrently) and keyboard player Ron Reinhardt. They had to improvise a little but this even added to the fun of the afternoon, Warren Hill was in a relaxed mood and entertained the crowd with witty comments and stories in between songs, yielding some good laughs. He kicked off his show with the Beatles classic "Come Together", then he continued with a great rendition of Grover Washington Jr.'s "Mr. Magic", which he segued into "Winelight", breaking it down nicely giving me goose-bumps! Then he played "Light My Fire" showing tremendous sensibility and a knack for soft and smooth grooves. The crowd just loved it! The whole band did a great job, and Warren Hill had the audience in the palm of his hand. One of the highlights was his version of "Play This Funky Music" having him to walk in the audience and playing his sax standing on chairs amidst the clapping crowd. This was a musically satisfying, very entertaining concert by one of the greatest smooth jazz artists out there.
Then it was time for the unique Nick Colionne, who was dressed all in white and was ready to give us a good time. Nick knows how to work the crowd, he is a consummate artist, and his witty comments and great rapport with the audience resulted in another very entertaining concert. He played some of his hit songs, among them "High Flyin'" and "Arrival", showing tremendous skills on the guitar, backed by a competent and seriously grooving band. I had forgotten how good this guy actually is and was completely blown away by his flashy runs on the guitar and his Wes-inclined playing, he definitely is up to par with George Benson! Often he broke it down and played it softly and smooth, just to build it up again, he also made more than one strolls into the audience addressing several (mostly female) fans personally. One highlight was his heartfelt rendition of the song "A Rainy Night In Georgia", his low voice gave me a fuzzy feeling and his sensuous playing on the guitar topped it all. Nick Colionne has risen to the absolute top within the smooth jazz genre and I look forward to hear more from this gifted and very likable artist.
While David Sanborn and Pat Martino were having their performances at the Sheraton the inimitable Steve Oliver was scheduled to appear at the Wyndham in a non-ticketed event which took place in the club-like setting of L'Arte della Vita Jazz Cabaret. Steve Oliver appeared just with the great percussion player Humberto Vela, who added many grooves and colors to the proceedings, while Steve relied on his guitar (which triggered a multitude of synths) and vocals. The duo created a surprisingly full sound and Steve Oliver was just happy to play and perform songs from his vast catalog of music. Outstanding moments of the concert were the uptempo "Chips & Salsa" with some first-rate guitar playing and a vocal where he added sounds in the spirit of Bobby McFerrin, accompanied by his guitar synth, which left the audience in awe. Other highlights were his hit songs "High Noon" featuring some flashy guitar playing and vocal ad-libs, the great song "Cool" and the yet unrecorded vocal "Fearless", which will be part of an upcoming all-vocals album. His show was much appreciated, Steve Oliver is one of the greatest talents on the scene and I always look forward to hear more music of this truly original and constantly developing artist.
Here is a snippet of the action (sorry for the low light conditions):
Saturday evening we were in for a treat by Rick Braun & Friends giving a special concert to celebrate the 17th anniversary of the festival. The friends Rick brought with him were Ron Reinhardt on keyboards, Stanley Sargeant on bass, Rayford Griffin on drums, Dwight Sills on guitar and a horn section consisting of his brother Ross Braun and Nick Lane on trombones, Jimmy Roberts on sax and an additional trumpet player. Rick opened the concert with his proven habit to wander to the stage from the back of the audience playing his instrument this way creating an instant rapport with the crowd, the first song featured a great solo by saxophonist Jimmy Roberts. Then saxophone player Richard Elliot entered the stage raising the bar a notch with his muscular playing, before the great Jonathan Butler gave us a beautiful rendition of his song "Sarah, Sarah" which created enthusiastic responses from the audience. Rick Braun was the party man cheering the crowd, his cover of Bill Withers' classic "Use Me" with some audience participation was a highlight of the concert. Another cool part was the battle of the trombones having Ross Braun and Nick Lane duelling on their horns, after all fun and entertainment was the order of the evening! This was also true for Richard Elliot's version of "People Make The World Go Round" having the saxophonist cowering just emitting growling sounds from his instrument, which was fun to watch. Saxophonist Jackiem Joyner is the latest addition to the roster of Artizen Records, the label run by Rick Braun and Richard Elliot, and therefore got an opportunity during the concert to be introduced to the fans. Jackiem Joyner played a great song from his upcoming release Babysoul and won the hearts of the crowd with his soulful and smooth playing. At the end of the concert Richard Elliot gave us a heartfelt version of his signature song "When A Man Loves A Women" which brought him again to his knees, then Jonathan Butler came to the rescue, helped him up and finished the song with a rousing vocal, which was truly mesmerizing. The crowd cheered for more so Jonathan Butler performed his hit song "Lies" which brought a very entertaining evening to its end.
Brubeck concert reset for April 27
The Dave Brubeck Quartet had been scheduled to open the 17th annual FirstEnergy Berks Jazz Fest.
Now the acclaimed group will be performing in Reading a month after the festival has concluded its 10-day run.
The Berks Arts Council announced today that the 86-year-old Brubeck suffered a setback over the weekend in his recovery from surgery for a blood clot and infection that were triggered by a recent ankle injury.
Consequently, he and his quartet now will perform on Friday, April 27 at 7:30 p.m. at the Sovereign Performing Arts Center. Tickets are $46 and $39.
All tickets will be honored on that date for the show, which first was scheduled for Friday, March 16, and then first rescheduled for Wednesday, March 21.
Brubeck's setback over the weekend forced his doctors to be even further protective of his infection situation.
Hence, the switch of the concert to its own special BJF date on April 27.
Dave Brubeck Quartet
Friday, April 27
Sovereign Performing Arts Center
7:30 p.m.
Tickets: $46 and $39
The traditional Berks All-Star Jazz Jam was held at the Sheraton late Friday evening and was a star-studded event of the highest order. Sometimes the stage was almost a little overcrowded making one wonder if less might be more. But anyway, the pairing of these artists in this impromptu setting made way for some great moments of music. The evening was put together by guitar player Chuck Loeb who led this bunch of artists through a selection of mainly standards. On stage were at times 6 sax players, 4 guitarists, 2 bassists, 1 violinist, 1 trumpet player, 1 keyboardist and 1 drummer, giving some of the artists a hard time to be heard, the sound man at the mixing console seemed not always being able to keep up with the proceedings on stage. This quibbles aside those involved put all their hearts into their performances, we had sax players Jackiem Joyner, Warren Hill, Richard Elliot, Keith McKelley, Andrew Neu and Mindi Abair, guitar players Pat Martino, Nick Colionne, Chuck Loeb and Steve Oliver, bass players Brian Bromberg and Gerald Veasley, violinist John Blake, trumpet player Rick Braun, keyboardist Joe McBride and drummer Rayford Griffin. With the exception of the first and last songs the artists played together in various smaller combinations, the songs played ranged from "Caravan" giving Rick Braun a chance to show his tremendous improvisational skills and chops on trumpet, the slower "All Blues" featuring a great Mindi Abair (backed by the legendary Pat Martino) to "Summertime", which marked the highlight of the concert for me. This song featured Mindi Abair on sax and Steve Oliver on vocals and guitar giving both artists ample room to play this great tune, Steve Oliver's vocal artistry was outstanding, reminding me of Bobby McFerrin and Al Jarreau, complemented by his first rate guitar playing. This guy is a huge talent who gets better and better each time I see him. Newcomers like the great Jackiem Joyner, Andrew Neu or Keith McKelley (member of Joe McBride's band) were welcome additions to the roster of seasoned stars having one to look forward to the future of the format. The show was concluded with the Crusaders classic "Put It Where You Want It" reuniting all artists of the evening giving Richard Elliot one more opportunity to dazzle the crowd with his gutsy saxophone playing. I always like the All-Star Jam, because it is full of surprises with artists willing to take a few risks, yielding some magical moments, and this Jam was no exception.
Thursday evening the pace of the festival started to pick up again with several major acts to come. The beautiful Mindi Abair appeared at the Wyndham Hotel ballroom with her youthful and seriously grooving band. Despite her georgeous looks the lady definitely can blow and knows how to throw a party, she and her band mates seemed to have a good time on stage with lots of joking and laughing. She gave us some great renditions of her hit songs like "Flirt", "Remember" and the smoking "It Just Happens That Way" which offered the bass player Andre Berry an opportunity to play a funky bass solo which left the audience in awe. Her music was oscillating between rock, pop, funk and jazz resulting in a delicious mix, to loosen up things she performed a few pop vocals, spiced up with her hot soprano playing. Being known as an artist mainly performing self-written material, the exception to this rule was her cover of Cannonball Adderley's "Walk Tall". She ended the show with her signature song "Lucy's" which went down very well with the crowd which was in happy partying mood. This was another entertaining evening by a consummate artist.
Wednesday night the great Joe McBride & The Texas Rhythm Club gave a concert at the Peanut Bar in Reading, this was a non-ticketed event in a restaurant, providing an intimate setting to the music. All the tables were booked and we were staying at the bar enjoying the show. The current lineup of The Texas Rhythm Club consists of Keith McKelley on sax, Walter Barns on bass and additional keys, and Rob Hubbard on drums. The band was crowded together on the small stage delivering a strong vibe, they kicked their show off with the Ronnie Laws classic "Always There", then continued with songs from Joe's various albums and a share of well selected covers, among them a groovy version of Herbie Hancock's "Chameleon" which promted several members of the audience to dance in front of the stage. Joe McBride was great as always playing keys, singing and joking in between songs providing his unmistakable brand of music, while sax player Keith McKelley turned out to be a huge talent with his expressive playing, getting a lot of shouts of appreciation from the audience. Drummer Ron Hubbard delivered a steady beat, while bassist Walter Barns stepped out more than once to give us some funky slapping on the bass. This was a great and very entertaining evening, heads bopping, folks dancing, everybody having a good time.
Here is a small sample of what you have missed:
Sunday evening it was time for one of the true highlights of the festival: the star-studded Celebrating the Life & Music of Luther Vandross, put together by Jason Miles realizing another "once in history" event summoning artists who have played and worked for years with the late Luther Vandross, resulting in an evening which really deserved naming himself to be a Luther tribute. Present in the audience was Luther's mother, a fact which made it even more special and personal. The band consisted of long-time members of Luther's band, among them the long time musical director and keyboard player Nat Adderley, Jr, drummer Buddy Williams, bass player Tinker Barfield, percussionist Steve Kroon, guitarist Doc Powell and last but not least Jason Miles on keyboards, who worked with Luther for many years as well. The band played two instrumentals, one featuring the smooth guitar playing of Doc Powell, before the saxophonist Walter Beasley came to the stage to give us his renditions of "So Amazing" and "Creepin'". Then it was James "D Train" Williams who has a similar voice like Luther singing a heartfelt version of"You Turn Me On", followed by Sharon Bryant singing the touching "Dance With My Father", followed by Doc Powell again, you could feel the bond all of them had with Luther. Several of the artists shared some insightful stories about their time with Luther shedding some light on him as a person. One of the highlights of the concert was the appearance of saxophonist extraordinaire Kirk Whalum who played "Give Me The Reason" to great effect. Later he adressed the problem of diabetes and stroke - the cause of Luther's untimely death - and asked to support the Power To End Stroke campaign. Next highlight was the appearance of living legend Dionne Warwick who sang "What The World Needs Now", “Anyone Who Had a Heart” and the Luther classic "A House Is Not A Home", resulting in a very memorable performance by a true icon of American culture. Next was Cissy Houston, being in the 70ies also, giving us her takes of “Bridge Over Troubled Water” and "Amazing Grace" accompanied by the gospel-drenched piano of Nat Adderley, Jr. Later Jason Miles got the chance to shine on his hammond organ before the concert was concluded with a reunion of all artists involved for the rousing finale of a truly memorable evening.
Sunday afternoon we were ready to receive two full length concerts under the banner of Smooth Jazz 92.7 Fan Appreciation Concert featuring Joyce Cooling and Nelson Rangell & Philippe Saisse Acoustique Trio. The event took place at the Sheraton and was well attended.
The show was opened by the lovely Joyce Cooling and her band featuring her long time partner Jay Wagner on keys, along with longtime drummer Billy Johnson and a great bass player. Joyce Cooling looks back on a catalog spanning 7 CDs - a thing she admitted not to have expected at the beginning of her career - allowing her to draw from a lot of material. Among the songs they played was the catchy "Daddy-O", the nice "Savannah" and the heartfelt and very personal "Revolving Door" from her current CD for which she sat down on the edge of the stage. Having her brother suffering from mental illness she decided to make people aware of this problem, thus partnering with the National Alliance on Mental Illness and donating parts of the proceeds from her CD and merchandise sales to them, besides the title of her latest CD refers to this topic. The band was in fine form and Joyce played it hot and cool, showing considerable chops and sense for melody and groove. A little samba-style percussion interlude created quite some heat and added some spice, while the solo performance of Joyce just singing and playing her guitar to express her appreciation for the support of the audience for her music made a special impression. This was a solid set by a seasoned band that knows how to please a crowd.
After a short intermission the stage was ready for Nelson Rangell, backed by the great Philippe Saisse Acoustique Trio featuring David Finck on acoustic bass and Scooter Warner on drums. Obviously Nelson Rangell was called for the gig and asked Philippe Saisse to back him up, admittedly playing together for the first time. The pairing of Nelson Rangell and Philippe Saisse worked very well together, the trio providing the flexible backdrop for Nelson to play his flute and sax to great effect. Nelson Rangell is an incredible player constantly striving for perfection in all aspects of his art. Each time I hear him he blows me away with his chops and sound, truly a world class player. The selection of songs ranged from "Dolphin" featuring flawless flute playing by Nelson, the EWF classic "September", both from Philip Saisse's The Body And Soul Sessions, while Stevie Wonder's "Don't You Worry 'Bout A Thing" and Hampton Hawes' "Sonora" were from Rangell's My American Songbook, Vol. 1. The latter song was a true highlight of the concert having Nelson Rangell whistling the song in the most subtle and intense way, adding some great piccolo flute playing in the end - pure magic! While Philippe Saisse was a bit more in the background, he delivered some great acoustic piano playing and anchored the top notch band, who also shone on their instruments delivering some outstanding solos on acoustic bass and drums respectively. I wonder what the future holds for these two artists who both seem to work very well together. This was a superlative concert by two underrated players.
READING, PA -- March 19 -- The Dave Brubeck Quartet had been scheduled to open the 17th annual FirstEnergy Berks Jazz Fest. Now the acclaimed group will be performing in Reading a month after the festival has concluded its 10-day run.
The Berks Arts Council announced today that the 86-year-old Brubeck suffered a setback over the weekend in his recovery from surgery for a blood clot and infection that were triggered by a recent ankle injury. Consequently, he and his quartet now will perform on Friday, April 27 at 7:30 p.m. at the Sovereign Performing Arts Center. Tickets are $46 and $39.
All tickets will be honored on that date for the show, which first was scheduled for Friday, March 16, and then first rescheduled for Wednesday, March 21. Brubeck's setback over the weekend forced his doctors to be even further protective of his infection situation. Hence, the switch of the concert to its own special BJF date on April 27.
Brubeck, of course, has the sort of legendary stature that makes his twice-delayed Berks Jazz Fest appearance well worth waiting for. He has evolved over five decades into the major figure in the history of jazz as a pianist and composer. The first jazz figure ever to make the cover of Time magazine, he is the leader of perhaps the most widely known and well-traveled quartet in the history of jazz.
In 1959 the Dave Brubeck Quartet released Time Out, which quickly went platinum. The quartet followed its success with several more albums in the same vein, including Time Further Out, Time in Outer Space and Time Changes.
Brubeck continues to write new works, including orchestrations and ballet scores. He tours about 80 cities each year. His last major release, 2005's London Flat, London Sharp, met with wide critical acclaim.
Regarding refunds, patrons can get a refund for the Dave Brubeck concert at the "point of purchase." All refund requests MUST BE made prior to the rescheduled date.
Saturday evening the ever reliable Boney James was scheduled to appear at the Sovereign Performing Arts centre. The house was packed and the show seemed to be sold out. The sax player came with a young band of great players who weren't familiar to me but delivered a solid foundation of phat grooves for Boney to ride on. Boney James has found his voice on the instrument and is easily recognizable, his unique style allows him to communicate through his instrument freely and evoke fond reactions in his fans, many of them female who didn't hide their appreciation of the music. The mood of the music was mostly laid back but the inner fire in Boney's playing generated quite some intensity, sometimes even with a touch of Gato Barbieri. He played several songs from his current release Shine, among them the beautiful "In The Rain" or the gentle bossa nova of "Aquas De Marco (Waters Of March)" where his soprano interplayed nicely with the keys. A great moment of the concert was during the song "Stone Groove" when all the band members exited, leaving the stage to Boney and his drummer who engaged in a very inspired and improvisational interplay, delivering the jazziest moment of the festival for me so far - pure bliss! Boney did also his famous strolls into the audience, once to serenade a lovely woman with his saxophone, and later to visit even the people in the back and on the balcony. The extremly palatable mix of jazz and urban elements delivered by one of the greatests talents on the sax yielded another great evening leaving the capacity crowd in a happy and satisfied state.
Saturday afternoon it was An Afternoon of Heads Up, an all-star event featuring the roster of the Heads Up label. The concert was opened by Pieces Of A Dream which served as the backing band for the rest of the afternoon. Their opening piece gave each member of the band the chance to solo extensively and show their skills, on stage were founders James Lloyd on keyboard and Curtis Harmon on drums, David Dyson on bass and a second keyboard player (regular sax player Eddie Baccus Jr. unfortunately was not present). They played "Wake Up Call" from their latest album Pillow Talk, before the first guest came to the party. It was bass player Gerald Veasley who approached the bandstand from the audience playing his version of "Valdez In The Country" showing his tremendous skills. Then it was the crowd pleaser "Sugar Time" (to be found on his Live At The Jazz Base CD) where he took the lead, while David Dyson took the bass part.
Next was Doc Powell on guitar playing some nice songs from his latest self titled album, among them "Me, Myself & Rio", the Carole King classic "It's Too Late" (where he invited some ladies from the audience to take care of the vocal part) and a great piece called "Circumstances" featuring his Wes-inclined playing. For one song the familiar Berks Jazz Fest horns were added to the proceedings.
Then Joe McBride was brought to the stage to sing a couple of songs, one of them the Norah Jones hit "Don't Know Why", with a sax solo by Marion Meadows and just accompanied by bass, guitar and soft drums. Next was a Bob Marley song "One Love" which went down well with the audience.
After that piano player Bobby Lyle sat at the grand piano and played a beautiful version of Sade's "The Sweetest Taboo", then a gospel-drenched version of "Minute By Minute" and a three-handed piano-version of "A Night In Tunisia" together with the Pieces keyboard players shuffling positions giving each player the chance to shine.
After that flute player Alexander Zonjic had his share of the afternoon which he used to great effect. He played songs from his last album Seldom Blue, among them the title track which was written by James Lloyd. Alexander Zonjic raised the level of excitement a notch and turned out to be a great instrumentalist and entertainer.
Next star was sax player Marion Meadows who looked as cool as always and played songs from his last two albums Player's Club and Dressed To Chill, his laid-back and sexy grooves were definitely appreciated by the crowd. The rousing finale featured all artists joining together bringing a great afternoon of first rate music to an end.
Due to the fact that the concert of Dave Brubeck had to be postponed because of health problems it was Brian Bromberg and band to open this year's 17th annual Berks Jazz Festival. It was snowing outside, the roads were covered with snow and driving conditions were difficult, this led to a late arrival of the band who were driving all day down from Boston to Reading. This led to a considerable delay, but the friendly crowd was patiently waiting in the lobby of the Sheraton hanging around, having a drink and chatting with friends. Past 11pm the band was set up, sound check done and ready to play. Brian Bromberg exclusively played his upright acoustic bass for the night, but this didn't mean that we had to do without some groovy and funky playing. The leader held his stellar band together and provided a great selection of tracks from his current album Downright Upright, many of them covers of classic jazz tunes like Herbie Hancock's "Chameleon" and "Cantaloupe Island", Joe Zawinul's "Mercy, Mercy, Mercy" or Eddie Harris' "Cold Duck Time". The band was tight, especially outstanding was drummer Dave Weckl who never missed a beat and impressed with some complex and varied playing. On keyboards was Jeff Lorber who did well in the more straight ahead context of this set on acoustic piano and keyboards, I especially liked the smooth "Slow Burn" with its laid back groove. Legendary Randy Brecker on trumpet and Gary Meek on sax completed the lineup, both delivered great solos and tight horn lines. The concert was brought to an end with the composition "Shag Carpet" giving the band ample room to deliver the good stuff. This was a satisfying concert and a great start of this year's festival which holds many more highlights to come.
If you were looking for tickets to the two Heads Up concerts Saturday and the Joyce Cooling-Nelson Rangell-Philippe Saisse concert on Sunday at the Sheraton Reading Hotel, you are in luck.
Tickets are now available for the previously sold-out concerts.
The Sheraton has made the entire ballroom available to the festival this weekend, allowing space for the additional reserved seating.
"An Afternoon of Heads Up" is scheduled for 2:00 p.m. Saturday afternoon.
"An Evening of Heads Up" is scheduled for 10:00 p.m. Saturday night.
Both Heads Up concerts feature an all-star lineup of Pieces of a Dream, Marion Meadows, Bobby Lyle, Alexander Zonjic, Gerald Veasley, Doc Powell and a few special surprises.
Tickets are $38 and $33.
The co-bill of Joyce Cooling and Nelson Rangell, Philippe Saisse is scheduled for Sunday at 1:30 p.m.
Tickets are $25 for the Smooth Jazz 92.7 Fan Appreciation Concert. These tickets will go fast. So get your tickets today by visiting the local box offices or calling Ticketmaster.
Update 19/3: The Berks Arts Council announced today that the 86-year-old Brubeck suffered a setback over the weekend in his recovery from surgery for a blood clot and infection that were triggered by a recent ankle injury. Consequently, he and his quartet now will perform on Friday, April 27 at 7:30 p.m. at the Sovereign Performing Arts Center. Tickets are $46 and $39.
All tickets will be honored on that date for the show, which first was scheduled for Friday, March 16, and then first rescheduled for Wednesday, March 21. Brubeck's setback over the weekend forced his doctors to be even further protective of his infection situation. Hence, the switch of the concert to its own special BJF date on April 27.
*******
READING, PA -- March 15 -- The Berks Arts Council announced today that the opening night FirstEnergy Berks Jazz Fest concert with the Dave Brubeck Quartet, scheduled for this Friday night at 7:30 at the Sovereign Performing Arts Center, has been postponed until Wednesday, March 21.
All tickets will be honored at the rescheduled date, also set for the Sovereign Performing Arts Center at 7:30. Tickets are $46 and $39.
The 86-year-old Brubeck injured his ankle recently, which triggered a blood clot on his ankle. On Monday he underwent minor surgery at Yale University Hospital near his Connecticut home to ensure there was no infection.
Russell Gloyd, Brubeck's road manager, said Thursday that doctors are being protective of possible infection and do not want Brubeck traveling for a few days.
"Dave is in fine health otherwise and is disappointed he had to postpone the date," Gloyd said. "But he's looking forward to playing the Berks festival Wednesday."
After Monday's surgery, Brubeck told his manager and the doctors he was committed to doing the concert on Friday. Consequently, Berks Arts Council and Berks Jazz Fest officials stayed the course until Brubeck's medical team on Thursday forced them to alter plans.
Brubeck has evolved over a half of a century into the major figure in the history of jazz as a pianist and composer. The first jazz figure ever to make the cover of Time magazine, he is the leader of perhaps the most widely known and well-traveled quartet in the history of jazz.
In 1959 the Dave Brubeck Quartet released Time Out, which quickly went platinum. The quartet followed its success with several more albums in the same vein, including Time Further Out, Time in Outer Space and Time Changes.
Brubeck continues to write new works, including orchestrations and ballet scores. He tours about 80 cities each year. His last major release, 2005's London Flat, London Sharp, met with wide critical acclaim.
The Berks Jazz Fest, which runs March 16 through 25, features an abundance of great artists, a plethora of wonderfully intimate venues, a schedule of staggering scale and exquisite ensemble concerts.
As usual, the festival features a marvelous medley of musical styles -- contemporary jazz, traditional jazz, big band, blues and more -- and does so with an abundance of great artists, a plethora of wonderfully intimate venues, a schedule of staggering scale and exquisite ensemble concerts.
As released on the BerksJazzFest.com site, the Abraham Lincoln Hotel will be one of the "hot spots" for late-night jazz during the Berks Jazz Fest. The Lincoln management will transform the L'Arte della Vita restaurant into a jazz cabaret on both weekends of the festival, featuring top-notch entertainment on Friday and Saturday nights starting at 10 p.m.
Headlining on March 16 and 17 will be outstanding pianist Rachel Z and Berks County saxophonist Tim Price, who will team up with Rachel Z's trio for some great late-night jazz. No strangers to Berks Jazz, these two have given us marvelous shows at Gerald Veasley's Jazz Base in recent years.
Through the course of her career, Rachel Z has always managed to have it both ways. On the one hand, her recorded work presented an accomplished piano stylist with a gift for improvisation; on the other she marketed herself with the savvy of a rock performer. That is hardly surprising given her other gig as keyboardist to innovative rock artist Peter Gabriel. Z managed to present the music of Wayne Shorter and Joni Mitchell on successive albums in a way that gave equal musical weight to each and which matched its musical voice to its subject completely.
In the last few years, Tim Price has had the good fortune to have bands of his own featuring world-class players like Lew Tabackin, Rachel Z, Allison Miller, and Scott Lee. His stature at the North Sea Jazz Festival couldn't have been more prestigious with a backup band of Bennie Green on piano, Ray Drummond on bass, and Carl Allen on drums. Tim's special guest that night at the end of his set was Dutch superstar tenor titan Hans Dulfer.
Make your reservations now. Call 610-372-3700.
To learn more about these fantastic artists, please visit:
www.rachelz.com
www.timpricejazz.com
To learn more about the Berks Jazz Fest, visit www.berksjazzfest.com
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
MyGirlSunday@aol.com
Photos courtesy of : Michael Packard and the Berks Jazz Fest
The FirstEnergy Berks Jazz Fest promises to bring back the vibe of the swinging '40s with its Big Band Saturday on March 24.
The first of two shows, Ladies of Jazz featuring Toni Lynne, Sharon Bailey, Suzie Ernesto with The Last Big Band, will be at 1 p.m. in The Abraham Lincoln Hotel Ballroom.
Later that evening, Trumpet Summit featuring Dave Stahl & His Big Band with special guest trumpeters Brian Lynch, Scott Wendholt and Alex Sipiagin takes the stage in the Abraham Lincoln ballroom at 8 p.m. Both shows are WEEU 75th Anniversary Celebration Concerts.
Tickets for the Ladies of Jazz show are $20; Trumpet Summit tickets are $25.
The Ladies of Jazz will take the audience on a musical journey of the great American songbook. Lynne was the recipient of the 2006 Frank Scott Award, presented by the Berks Arts Council. She's been singing for more than 40 years. Bailey is a freelance vocalist who leads several of her own ensembles. Her most recent CD, It Never Entered My Mind, was released in 2005 and has been getting great reviews. Ernesto and cousin, guitarist Ed McCartan, formed Relatively Speaking and released a CD titled Relatively Speaking & Friends, which includes bassist Gerald Veasley as a special guest.
The Last Big Band is a perennial favorite at Gerald Veasley's Jazz Base. Trombonist Jim Zoller and trumpeter Roger Morgan have assembled 17 of the area's top musicians for this first-rate jazz orchestra. Along with the old chestnuts from the classic swing era, the band's repertoire includes contemporary big band charts, plus outstanding original charts from the band's own arrangers.
On saxes and woodwinds: Mike Solick, Ken Blekicki, Henry Frecon, Bob Fanelli, Chris Heslop, Phil Forlano; on trombone: H. Lee Southall, James Zoller, John Loos, Bill Schaller; on trumpet: Joe LoBalbo, Roger Morgan, Rick Lacey, Gene Umbenhouer; Dave Heck on piano; Bob Carl on bass; John Rozum on drums; and Mike Byrne on guitar. H. Lee Southall is the musical director.
The Trumpet Summit will be a high-energy show headed up by Berks County's Dave Stahl and his big band, sharing the stage with world-class trumpeters Lynch, Wendholt and Sipiagin. Stahl has performed as lead trumpet and as a soloist with many of the top bands in America. He reformed his own big band in 2001.
Lynch won the Best Latin Jazz Album 2006 Grammy award for Simpático, The Brian Lynch/Eddie Palmieri Project.
Wendholt is an articulate, passionate, and lyrical trumpeter who approaches music with energy and spirit. As a soloist, Sipiagin has seven recordings to his credit. Today, Sipiagin regularly performs, records and tours worldwide with Dave Holland, the various Mingus groups, and the Monday Michiru Band.
Don't miss these fun, high-energy shows at this year's Berks Jazz Fest.
To order tickets:
Visit the Sovereign Center Box Office, 7th & Penn streets, Reading
Visit the Sovereign Performing Arts Center Box Office, 136 N. 6th St., Reading
Call Ticketmaster at 215-336-2000 or visit www.ticketmaster.com
Order online at berksjazzfest.com
For more information on the festival, including artist bios, click on www.berksjazzfest.com
For more information on the Berks Arts Council, a nonprofit organization that promotes all the arts in an effort to enrich the quality of life in Berks County, click on www.berksarts.org
Major ticketed events
Friday, March 16 -- Dave Brubeck Quartet, Sovereign Performing Arts Center, 7:30 p.m., $46 and $39
Friday, March 16 -- Downright Upright All-Stars featuring Brian Bromberg, Randy Brecker, Jeff Lorber, Gary Meek and Dave Weckl, Sheraton Reading Hotel Ballroom, 10 p.m., $32
Saturday, March 17 -- An Afternoon of Heads Up featuring Pieces of a Dream, Bobby Lyle, Marion Meadows, Alexander Zonjic, Gerald Veasley and Doc Powell, Sheraton Reading Hotel Ballroom, 2 p.m., $38 and $33
Saturday, March 17 -- Gerald Veasley's Electric Mingus Project featuring Gerald Veasley, John Swana, Chris Farr, Tony Miceli, Butch Reed and Pablo Baptista plus special guest John Blake Jr., Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $20
Saturday, March 17 -- Boney James, Sovereign Performing Arts Center, 7:30 p.m., $46 and $39
Saturday, March 17 -- An Evening of Heads Up featuring Pieces of a Dream, Bobby Lyle, Marion Meadows, Alexander Zonjic, Gerald Veasley and Doc Powell, Sheraton Reading Hotel Ballroom, 10 p.m., $38 and $33
Sunday, March 18 -- Nelson Rangell and Philippe Saisse plus Joyce Cooling, Sheraton Reading Hotel Ballroom, 1:30 p.m., $25
Sunday, March 18 -- The annual Skip Norcott Concert, presented by the Reading Pops Orchestra, with special guest guitarist David Cullen, Kutztown University's Schaeffer Auditorium, 4:30 p.m., $20.
Sunday, March 18 -- Celebrating the Life & Music of Luther Vandross: Dionne Warwick, Kirk Whalum, Walter Beasley, Cissy Houston, Doc Powell, James "D Train" Williams, Paulette McWilliams, Buddy Williams, Tinker Barfield, Cindy Mizell and music directors Jason Miles and Nat Adderley Jr., Sovereign Performing Arts Center, 7 p.m., $46 and $39.
Tuesday, March 20 -- Gordon Goodwin's Big Phat Band plus Berks High School All-Star Band, Scottish Rite Cathedral, 7:30 p.m., $18 and $10 for students with ID.
Wednesday, March 21 -- The Rolling Stones Project featuring Tim Ries, Mike Davis, Bernard Fowler and Ben Monder, Abraham Lincoln Hotel Ballroom, 7:30 p.m., $30
Thursday, March 22 -- Greg Hatza ORGANization, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $12
Thursday, March 22 -- Mindi Abair, The Abraham Lincoln Hotel Ballroom, 7:30 p.m., $30
Thursday, March 22 -- Berks All-Star Jazz Jam featuring Rick Braun, Chuck Loeb, Gerald Veasley, Richard Elliot, Nick Colionne, Warren Hill, Joe McBride, Steve Oliver, Rayford Griffin, Mindi Abair and Brian Bromberg, Sheraton Reading Hotel Ballroom, 10 p.m., $30
Friday, March 23 -- Pat Martino Quartet, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $28
Friday, March 23 -- Ann Hampton Callaway plus Denis DiBlasio Quintet, The Abraham Lincoln Hotel Ballroom, 7 p.m., $30
Friday, March 23 -- Keb' Mo' Band, Scottish Rite Cathedral, 7 p.m., $40 and $34
Friday, March 23 -- 17th Anniversary Concert: Rick Braun & Friends featuring Richard Elliot, Jonathan Butler, Jackiem Joyner and Rayford Griffin, Sovereign Performing Arts Center, 7:30 p.m., $46 and $39
Friday, March 23 -- Bettye LaVette and Frank Bey & The Swing City Blues Band, Inn at Reading, 9:30 p.m., $28
Friday, March 23 -- Pat Martino Quartet, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 10:30 p.m., $28
Friday March 23 -- The David Sanborn Group, Sheraton Reading Hotel Ballroom, 10:30 p.m., $38 and $33
Saturday, March 24 -- Ladies of Jazz featuring Toni Lynne, Sharon Bailey and Suzie Ernesto with The Last Big Band, The Abraham Lincoln Hotel Ballroom, 1 p.m., $20
Saturday, March 24 -- "The Groove Boutique's" Rafe Gomez hosts Warren Hill and Nick Colionne, Sheraton Reading Hotel Ballroom, 1:30 p.m., $38 and $33.
Saturday, March 24 -- Tribute to Johnny Hartman and John Coltrane: Kevin Mahogany featuring saxophonist David Liebman, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $28
Saturday, March 24 -- World Premiere Concert: Soul Summit featuring Jason Miles, Steve Ferrone, Bob Babbitt, Reggie Young, Sherrod Barnes, Barry Danielian, David Mann plus special guests Susan Tedeschi, Maysa Leak, Richard Elliot, Mike Mattison and Karl Denson, Scottish Rite Cathedral, 7 p.m., $46 and $39
Saturday, March 24 -- Smokin' Joe Kubek featuring Bnois King plus Billy Price Band plus Deanna Bogart, Inn at Reading, 7 p.m., $35
Saturday, March 24 -- Trumpet Summit featuring guest trumpeters Brian Lynch, Scott Wendholt and Alex Sipiagin and Dave Stahl and his Big Band, The Abraham Lincoln Hotel Ballroom, 8 p.m., $25
Saturday, March 24 -- Tribute to Johnny Hartman and John Coltrane: Kevin Mahogany featuring saxophonist David Liebman, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 10:30 p.m., $28
Saturday, March 24 -- The Sax Pack featuring Jeff Kashiwa, Kim Waters and Steve Cole, Sheraton Reading Hotel Ballroom, 10:30 p.m., $38 and $33
Sunday, March 25 -- Chuck Loeb featuring the Berks Jazz Fest Horns plus the WJJZ All-Stars Jeff Kashiwa, Kim Waters, Steve Cole and Gerald Veasley, Sheraton Reading Hotel Ballroom, 1:30 p.m., $25
Sunday, March 25 -- Guitars & Saxes featuring Gerald Albright, Tim Bowman, Jeff Golub and Kirk Whalum, Scottish Rite Cathedral, 7 p.m., $46 and $39
A blockbuster trio of concerts climaxes the March 16-25 First Energy Berks Jazz Fest
The 10-day groove in Greater Reading climaxes with a trio of great shows -- An Evening With The Sax Pack featuring Jeff Kashiwa, Kim Waters and Steve Cole on Saturday, March 24, at 10:30 p.m. at the Sheraton Reading Hotel Ballroom; Chuck Loeb featuring The Berks Jazz Fest Horns plus the WJJZ All-Stars Jeff Kashiwa, Kim Waters, Steve Cole and Gerald Veasley on Sunday, March 25, at 1:30 p.m., also at the Sheraton Reading Hotel Ballroom; and An Evening With Guitars & Saxes featuring Gerald Albright, Tim Bowman, Jeff Golub and Kirk Whalum on Sunday, March 25, at 7 p.m. at the Scottish Rite Cathedral.
The Sax Pack ensemble of Kashiwa, Waters and Cole definitely puts the funk into teamwork. Kashiwa is one of the most energetic saxophone presences in smooth jazz. He is celebrated for his inventiveness with the sax. Waters also has had a robust solo career, selling close to half a million records. Through almost 20 years as a recording artist he remains the epitome of sexy, romantic cool. Cole, who rocketed to fame via his several-year side gig with Brian Culbertson, is one of contemporary jazz's hottest saxophonists.
Chuck Loeb's gig featuring The Berks Jazz Fest Horns plus the WJJZ All-Stars is a particularly poignant event because it is the WJJZ Smooth Jazz 97.5 Fan Appreciation Concert. Thousands of smooth jazz listeners in the greater Philadelphia area were ecstatic when WJJZ came back on the air at 97.5 FM in November of last year after a three-month hiatus due to a format change by its previous station's management.
And who better to be the headliner for this special celebration than Loeb, the brilliant guitarist, renowned producer, master educator and perennial Berks Jazz Fest fan favorite? Kashiwa, Waters, Steve Cole and acclaimed bassist Gerald Veasley (another popular Jazz Fest staple) comprise the WJJZ All-Stars and undoubtedly will be joined by others by the time the concert hits the Sheraton stage. Proving that homegrown talent definitely can be big league are The Berks Jazz Fest Horns -- Bill Miller on trombone, Rob Diener on trumpet and Mike Anderson on sax.
The festival's closing concert features one of the most enduring but ever evolving all-star shows in the smooth jazz genre -- Guitars & Saxes. With the lineup the past 10 years rotating seemingly more frequently than the globe, the concept stays fresh because every year the four artists bring their own unique vibe, groove and musicianship to the ensemble.
Saxophonists Gerald Albright and Kirk Whalum are two of contemporary jazz's most soulful and dynamic performers. Both spent several years touring with Jeff Lorber as part of the ongoing Groovin' for Grover phenomenon, paying tribute to the Philadelphia sax legend whose brilliant blend of pop, soul and jazz laid the foundation for the popular genre.
Jeff Golub's signature guitar sound is one of funky, blues-drenched smooth jazz. Fellow guitarist Tim Bowman, the brother of gospel star Vickie Winans, is equal parts smooth jazz and gospel. The musical director of The Winans in the 1980s, he segued to smooth jazz a decade ago and the genre is richer for it.
Among the other headliners at this year's festival are the Luther Vandross tribute featuring Dionne Warwick; the world premiere Soul Summit concert; Boney James; David Sanborn; Rick Braun; Richard Elliot; Jonathan Butler; Pieces of a Dream; Marion Meadows; Doc Powell; Dave Brubeck; Nelson Rangell; Philippe Saisse; Joyce Cooling; Pat Martino; Mindi Abair; Ann Hampton Callaway; Denis DiBlasio Quintet; Gerald Veasley’s Electric Mingus Project with John Blake Jr.; Kevin Mahogany; David Liebman; Warren Hill; Nick Colionne; Gordon Goodwin’s Big Phat Band; The Rolling Stones Project featuring Tim Ries, Mike Davis, Bernard Fowler and Ben Monder; and the Berks All-Star Jazz Jam.
To order tickets:
Visit the Sovereign Center Box Office, 7th & Penn streets, Reading
Visit the Sovereign Performing Arts Center Box Office, 136 N. 6th St., Reading
Call Ticketmaster at 215-336-2000 or visit www.ticketmaster.com
Order online at berksjazzfest.com
For more information on the festival, including artist bios, click on www.berksjazzfest.com
For more information on the Berks Arts Council, a nonprofit organization that promotes all the arts in an effort to enrich the quality of life in Berks County, click on www.berksarts.org
Brian Bromberg will be making his second appearance at the Berks Jazz Fest. And he will be bringing an exciting new project - The Downright Upright All-Stars.
The outstanding ensemble features Bromberg on acoustic bass, Dave Weckl on drums, Randy Brecker on trumpet, Jeff Lorber on keyboards and Gary Meek on saxophone. Now that's a hot band!
The concert is set for Friday, March 16, 10 p.m. at the Sheraton Reading Hotel ballroom.
The concert celebrates the release of Brian's latest CD project Downright Upright which features Brian's return to the acoustic upright bass. The new CD is a project that Bromberg says will please the casual smooth jazz fans and the jazz purists.
Already released in Japan, Downright Upright is a return to the acoustic upright bass for Bromberg, which he last featured on the 2006 Wood II. But this record represents a unique progression from that lauded CD, which was laced with Bromberg’s innocent humor and embellished with solo Paul McCartney and Earth, Wind and Fire covers.
Once a drummer following the footsteps of his brother and father, a cellist until convinced to take up the bass during junior high orchestra practice, Brian Bromberg has become one of the most well-respected virtuoso bass players in jazz, thanks to his A-list studio and touring status as sideman, producer and leader of such diverse stylistic range.
The CDs will be available during the festival.
The FirstEnergy Berks Jazz Fest offers one-of-a-kind shows to expand jazz lovers' horizons and touch their souls. Presented by the Berks Arts Council, the festival runs March 16-25 and features an abundance of great artists, more than 130 venues large and small, a schedule of staggering scale and amazing ensemble concerts. Featured here are just a few of the highlights you may not know about:
SOUL SUMMIT ENSEMBLE
This year brings another world-premiere show in Soul Summit on Saturday, March 24 at 7 p.m. at the Scottish Rite Cathedral. This dazzling tribute to America's music has some of the hottest names in soul. The concert is being produced by music director and keyboardist Jason Miles, who is no stranger to producing unforgettable ensemble shows for the Berks Jazz Fest.
Along with Miles, Soul Summit features vocalist/guitarist Susan Tedeschi; vocal artist Maysa Leak; saxophonist Richard Elliot; Derek Trucks Band vocalist Mike Mattison; funky saxman Karl Denson; trumpeter Barry Danielian; drummer Steve Ferrone; bassist Bob Babbitt; guitarist Reggie Young; guitarist Sherrod Barnes; saxophonist David Mann; and turntablist DJ Logic.
The concert finale will be a rousing tribute to the late James Brown, the Godfather of Soul. "It's only fitting that we close the concert with the music of James Brown," said Miles. "With these incredible musicians all on stage at the same time, it's going to be one heckuva finale. We also will be paying tribute to the late Herbie Mann and his legendary Memphis Underground project."
Miles' shows at the Berks Jazz Fest are always special, from “Miles to Miles: In the Spirit of Miles Davis” to last year’s all-star shows “The Music of Marvin Gaye and Motown” and “The Music of Ivan Lins.”
Known as “The Time Keeper,” legendary drummer Steve Ferrone has worked with an incredibly diverse group of artists, from Chaka Khan and Tom Petty to AWB, Duran Duran, George Harrison, Eric Clapton, David Sanborn, Scritti Politti and Jaco Pastorius.
Bassist Bob Babbitt established his name in the annals of R&B as a member of the legendary Funk brothers who played on so many of the great Motown hits by such legends as Marvin Gaye, The Temptations and Smokey Robinson.
With appearances on such legendary hits as “Son Of A Preacher Man,” “Slip Away,” “Suspicious Minds” and “In The Ghetto,” Reggie Young is arguably the most recorded guitarist in the history of music.
DJ Logic is the turntable master who has successfully mixed the turntable culture of hip-hop with classic jazz and soul. In addition to three solo CDs, he has also played with John Mayer, John Popper, Medeski Martin and Wood and others.
One of the funkiest guitarists on the planet, Sherrod Barnes’ resume as player and producer boasts two eras of soul divas with Roberta Flack and Beyonce.
Guest artists who will also join Soul Summit include famed smooth jazz saxophonist Richard Elliot (once called “The James Brown of Contemporary Jazz” by Jazziz Magazine); Grammy-winning guitarist Susan Tedeschi; R&B singer Maysa Leak (a longtime member of the U.K. soul collective Incognito who has several solo recordings to her credit); and Mike Mattison, best known as a lead singer of The Derek Trucks Band. He also has his own band called Scrapomatic.
Trumpeter/producer-arranger Barry Danielian has more than 15 years experience as a versatile sideman. David Mann will lend his expertise on the saxophone to this collaborative concert. Saxman Karl Denson is the leader of Tiny Universe, a highly energized funk band. He played with Lenny Kravitz before launching his solo career in 1992.
The show promises to be a brilliant tribute to soul, an original American art form born in the Mississippi Delta.
Continue reading about other one of a kind highlights to the Berks Jazz Fest, including Gordon Goodwin & the Big Phat Band, The Rolling Stones Project, and David Sanborn.
GORDON GOODWIN & THE BIG PHAT BAND
The FirstEnergy Berks Jazz Fest has always been dedicated to jazz education as well as entertainment. Each year, the festival's education committee arranges clinics, workshops and performances with world-renowned jazz musicians for local jazz students.
This year, the committee is pleased to present Gordon Goodwin’s Big Phat Band, whose dynamic sound has refocused the national spotlight on big bands. Goodwin is a champion promoter of the big-band sound on high school and college campuses, and his high-energy fusion Phat Band isn't your mother's big band.
They will be joined by the Berks High School All-Star Band for the Music Educators of Berks County Night, Tuesday, March 20, at 7 p.m. at the Scottish Rite Cathedral. Tickets are $18, and $10 for students with ID. In keeping with their philosophy on educational outreach, Goodwin and his band will host a workshop before the concert. The Berks Jazz Fest places a strong emphasis on educational outreach. There will be at least five other educational workshops conducted by various artists throughout the festival.
Goodwin and his 18-member Big Phat Band will propel the listener on a journey through a myriad of styles: Latin, blues, swing classical, hard-hitting jazz and even a homage to Looney Tunes. The group has two Grammy-nominated albums out and The Phat Pack currently hitting the charts.
Goodwin is a three-time Emmy Award winner, a five-time Grammy nominee and recent winner of a 48th annual Grammy Award for Best Instrumental Arrangement for his arrangement of "The Incredits" from Pixar's "The Incredibles."
Members of the Big Phat Band have distinguished themselves as recording artists and soloists in the jazz field, including Eric Marienthal, Wayne Bergeron (also a Grammy nominee), Andy Martin, Bob Summers, Luis Conte, Bernie Dresel and Grant Geissman.
The Phat Band is: saxes - Eric Marienthal, Sal Lozano, Brian Scanlon, Jeff Driskill, Jay Mason; trumpets - Wayne Bergeron, Dan Fornero, Bob Summers, Dan Savant; trombones - Andy Martin, Alex Iles, Charlie Morillas, Craig Ware; drums - Ray Brinker, Bernie Dressel; AC & EL Bass - Rick Shaw; guitar - Grant Geissman,Carl Verheyen; percussion - Luis Conte, Brad Dutz; leader - Gordon Goodwin.
THE ROLLING STONES PROJECT
The Rolling Stones are coming to the FirstEnergy Berks Jazz Fest. To be more precise, The Rolling Stones Project featuring Tim Ries, Mike Davis, Bernard Fowler and Ben Monder is coming to The Abraham Lincoln Ballroom in downtown Reading on Wednesday, March 2,1 at 7:30 p.m.
Ries, a veteran saxophonist who has been on several world tours with the Stones, and his band mates put a jazz touch to the Stones' classic rock songs. Ries is basking in an abundance of critical acclaim for his 2005 Concord Jazz CD debut The Rolling Stones Project. The 11-song collection not only salutes the Stones but also illustrates how fertile their songs are for jazz interpretations." I was shocked that this album came together the way it did, " Ries said. "To get all these performers and to put a jazz touch on the Stones’ songs, well, I've got to say that this project was a miracle.”
The CD featured guest spots by vocalists Sheryl Crow, Lisa Fischer, Norah Jones and Luciana Souza; jazz guitar icons Bill Frisell and John Scofield; keyboardist Larry Goldings; and Wayne Shorter's bass-drum team of John Patitucci and Brian Blade. There were also performances by Rolling Stones members Keith Richards, Charlie Watts and Ron Wood, who contributed the album cover art. Berks Jazz Fest fans will be fortunate enough to see this miracle of an album come to life at The Abraham Lincoln Ballroom when Ries takes center stage with three other jazz vets who made key contributions to the project -- trombonist Mike Davis, vocalist Bernard Fowler and guitarist Ben Monder -- to create a live experience called The Stones Meet Jazz.
Ries, who's also a composer, has extensive jazz roots. He has collaborated with such jazz artists as Phil Woods, Tom Harrell, Al Foster, John Patitucci, Dave Liebman, Danilo Perez, Maynard Ferguson and Red Garland. His other recording and performance credits include work with Donald Fagen, Paul Simon, Sheryl Crow, Lyle Lovett, Stevie Wonder, Incognito, Blood Sweat & Tears, Bob Belden and David Lee Roth.
Davis has also worked extensively with the Stones, in addition to performing and/or recording with Sheryl Crow, Keb’ Mo’, Lyle Lovett and The Bob Mintzer Big Band. Fowler also has been part of the Stones' experience, having done backing vocals on many of their recordings in addition to those by Herbie Hancock, Bonnie Raitt, Herb Alpert and George Clinton. Monder is one of most identifiable and sought-after stylists on the progressive jazz scene, an heir to the ethereal yet edgy approach of players such as John Abercrombie and Bill Frisell. Monder has been active as a sideman since 1984, working with Jack McDuff, Marc Johnson, David Binney, Paul Motian, Lee Konitz and Toots Thielmans.
DAVID SANBORN
David Sanborn, the six-time Grammy winning jazz/funk saxophonist, returns to the FirstEnergy Berks Jazz Fest for a third time, this time with The David Sanborn Group.
Sanborn’s sizzling funk-edged alto -- one of the most identifiable and often imitated sax timbres in contemporary music -- has influenced an entire generation of sax players, from Dave Koz to Euge Groove and Mindi Abair, and created a body of work that spans the genres of rock ‘n’ roll, R&B, pop and jazz
See the legendary saxman Friday, March 23, at 10:30 p.m., at the Sheraton Reading Hotel Ballroom. Tickets are $38 and $33.
Sanborn is experiencing something of a renaissance in the genre these days, thanks to the radio success of his 2003 Verve debut Time Again (his first release after a four-year hiatus) and 2005’s Closer, an ambitious disc featuring bassist Christian McBride, guitarist Russell Malone, Larry Goldings on electric piano and organ, vibist Mike Manieri and drummer Steve Gadd. He also reconnected with his smooth jazz audience via his participation on last fall’s Dave Koz And Friends At Sea cruise.
David Sanborn is both musician and artist - that rare breed of popular recording star as eager today as he was in his youth to continue pushing boundaries and to continue making music that challenges the mind as it rewards the heart and soul.
We hope to see you during this happy ten days known as the Berks Jazz Fest!
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
MyGirlSunday22@aol.com
The great thing about a ten day festival is the sheer number of shows and musical artists who can be a part of it, not to mention the staggering number of fans who will grace us with their presence from March 16th through 25th. As you can see by the listing, there are so many producers/composers/players -- musicians with roots in early jazz who have evolved and grown over the years to carefully blend the old and the new in innovative and exciting ways, as well as younger talent constantly arriving on the jazz scene.
MAJOR TICKETED EVENTS
Friday, March 16 -- Dave Brubeck Quartet, Sovereign Performing Arts Center, 7:30 p.m., $46 and $39
Friday, March 16 -- Downright Upright All-Stars featuring Brian Bromberg, Randy Brecker, Jeff Lorber, Gary Meek and Dave Weckl, Sheraton Reading Hotel Ballroom, 10 p.m., $32
Saturday, March 17 -- An Afternoon of Heads Up featuring Pieces of a Dream, Bobby Lyle, Marion Meadows, Alexander Zonjic, Gerald Veasley and Doc Powell, Sheraton Reading Hotel Ballroom, 2 p.m., $38 and $33
Saturday, March 17 -- Gerald Veasley's Electric Mingus Project featuring Gerald Veasley, John Swana, Chris Farr, Tony Miceli and Butch Reed plus special guest John Blake Jr., Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $20
Saturday, March 17 -- Boney James, Sovereign Performing Arts Center, 7:30 p.m., $46 and $39
Saturday, March 17 -- An Evening of Heads Up featuring Pieces of a Dream, Bobby Lyle, Marion Meadows, Alexander Zonjic, Gerald Veasley and Doc Powell, Sheraton Reading Hotel Ballroom, 10 p.m., $38 and $33
Sunday, March 18 -- Nelson Rangell and Philippe Saisse plus Joyce Cooling, Sheraton Reading Hotel Ballroom, 1:30 p.m., $25
Sunday, March 18 -- Celebrating the Life & Music of Luther Vandross: Dionne Warwick, Kirk Whalum, Walter Beasley, Cissy Houston, Doc Powell, James "D Train" Williams, Paulette McWilliams, Buddy Williams, Tinker Barfield, Cindy Mizell and music directors Jason Miles and Nat Adderley Jr., Sovereign Performing Arts Center, 7 p.m., $46 and $39.
Tuesday, March 20 -- Gordon Goodwin's Big Phat Band plus Berks High School All-Star Band, Scottish Rite Cathedral, 7:30 p.m., $18 and $10 for students with ID.
Wednesday, March 21 -- The Rolling Stones Project featuring Tim Ries, Mike Davis, Bernard Fowler and Ben Monder, Abraham Lincoln Hotel Ballroom, 7:30 p.m., $30
Thursday, March 22 -- Greg Hatza ORGANization, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $12
Thursday, March 22 -- Mindi Abair, The Abraham Lincoln Hotel Ballroom, 7:30 p.m., $30
Thursday, March 22 -- Berks All-Star Jazz Jam featuring Rick Braun, Chuck Loeb, Gerald Veasley, Richard Elliot, Nick Colionne, Warren Hill, Joe McBride, Steve Oliver, Rayford Griffin, Mindi Abair and Brian Bromberg, Sheraton Reading Hotel Ballroom, 10 p.m., $30
Friday, March 23 -- Pat Martino Quartet, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $28
Friday, March 23 -- Ann Hampton Callaway plus Denis DiBlasio Quintet, The Abraham Lincoln Hotel Ballroom, 7 p.m., $30
Friday, March 23 -- Keb' Mo' Band, Scottish Rite Cathedral, 7 p.m., $40 and $34
Friday, March 23 -- 17th Anniversary Concert: Rick Braun & Friends featuring Richard Elliot, Jonathan Butler, Jackiem Joyner and Rayford Griffin, Sovereign Performing Arts Center, 7:30 p.m., $46 and $39
Friday, March 23 -- Bettye LaVette and Frank Bey & The Swing City Blues Band, Inn at Reading, 9:30 p.m., $28
Friday, March 23 -- Pat Martino Quartet, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 10:30 p.m., $28
Friday March 23 -- The David Sanborn Group, Sheraton Reading Hotel Ballroom, 10:30 p.m., $38 and $33
Saturday, March 24 -- Ladies of Jazz featuring Toni Lynne, Sharon Bailey and Suzie Ernesto with The Last Big Band, The Abraham Lincoln Hotel Ballroom, 1 p.m., $20
Saturday, March 24 -- "The Groove Boutique's" Rafe Gomez hosts Warren Hill and Nick Colionne, Sheraton Reading Hotel Ballroom, 1:30 p.m., $38 and $33.
Saturday, March 24 -- Tribute to Johnny Hartman and John Coltrane: Kevin Mahogany featuring saxophonist David Liebman, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $28
Saturday, March 24 -- World Premiere Concert: Soul Summit featuring Jason Miles, Steve Ferrone, Bob Babbitt, Reggie Young, Karl Denson, DJ Logic, Sherrod Barnes, Barry Daniellan, David Mann plus special guests Susan Tedeschi, Maysa Leak, Richard Elliot, Mike Mattison and Karl Denson, Scottish Rite Cathedral, 7 p.m., $46 and $39
Saturday, March 24 -- Smokin' Joe Kubek featuring Bnois King plus Billy Price Band plus Deanna Bogart, Inn at Reading, 7 p.m., $35
Saturday, March 24 -- Trumpet Summit featuring guest trumpeters Brian Lynch, Scott Wendholt and Alex Sipiagin and Dave Stahl and his Big Band, The Abraham Lincoln Hotel Ballroom, 8 p.m., $25
Saturday, March 24 -- Tribute to Johnny Hartman and John Coltrane: Kevin Mahogany featuring saxophonist David Liebman, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 10:30 p.m., $28
Saturday, March 24 -- The Sax Pack featuring Jeff Kashiwa, Kim Waters and Steve Cole, Sheraton Reading Hotel Ballroom, 10:30 p.m., $38 and $33
Sunday, March 25 -- Chuck Loeb featuring the Berks Jazz Fest Horns plus the WJJZ All-Stars Jeff Kashiwa, Kim Waters, Steve Cole and Gerald Veasley, Sheraton Reading Hotel Ballroom, 1:30 p.m., $25
Sunday, March 25 -- Guitars & Saxes featuring Gerald Albright, Tim Bowman, Jeff Golub and Kirk Whalum, Scottish Rite Cathedral, 7 p.m., $46 and $39
To order tickets: Visit the Sovereign Center Box Office, 7th & Penn streets, Reading Visit the Sovereign Performing Arts Center Box Office, 136 N. 6th St., Reading Call Ticketmaster at 215-336-2000 or visit www.ticketmaster.com Order online at berksjazzfest.com For more information on the festival, including artist bios, click on www.berksjazzfest.com For more information on the Berks Arts Council, a nonprofit organization that promotes all the arts in an effort to enrich the quality of life in Berks County, click on www.berksarts.org
Critically acclaimed soul singer Bettye LaVette will join Frank Bey & The Swing City Blues Band for a rousing blues show during the 17th annual FirstEnergy Berks Jazz Fest.
Detroit native LaVette, lauded as one of the greatest soul singers in American music history, will bring her powerfully expressive voice and stage presence on Friday, March 23, at the Inn at Reading at 9:30 p.m. She will be replacing Tab Benoit, who developed a scheduling conflict. Tickets are $28.
Frank Bey, aka The Southern Gentleman of the Blues, is a natural at crowd pleasing. His rich and exquisite style is presented with such feeling that each member of the audience can relate to his or her own experience. He’s renowned for taking his audience on a trip down memory lane with a repertoire that includes such Blues and R&B classics as “Down Home Blues,” “The Blues is All Right,” “Tore Down,” “Ain’t That Loving’ You,” “Sitting on the Dock of the Bay” and “A Change is Gonna Come.”
The Berks Jazz Fest runs March 16-25 at multiple venues throughout Berks County, and is presented by the Berks Arts Council.
The festival already features amazing star power in urban jazz saxophonist Boney James; legendary saxophonist David Sanborn; the ever-popular Guitars & Saxes featuring saxophonists Gerald Albright and Kirk Whalum and guitarists Jeff Golub and Tim Bowman; esteemed pianist/composer/bandleader Dave Brubeck; saxophonist Nelson Rangell; keyboardist and multi-instrumentalist Philippe Saisse; guitarist Joyce Cooling; guitarist Pat Martino; saxophonist Mindi Abair; guitarist Chuck Loeb; singer/songwriter Ann Hampton Callaway; the Denis DiBlasio Quintet; bassist Gerald Veasley’s Electric Mingus Project with special guest violinist John Blake Jr.; vocalist Kevin Mahogany; saxophonist David Liebman; the Sax Pack featuring Jeff Kashiwa, Kim Waters and Steve Cole; saxophonist Warren Hill; guitarist Nick Colionne; mix master Rafe Gomez; Gordon Goodwin’s Big Phat Band; and the Berks All-Star Jazz Jam featuring Rick Braun, Chuck Loeb, Gerald Veasley, Richard Elliot, Nick Colionne, Warren Hill, Joe McBride, Steve Oliver and Rayford Griffin.
Bettye LaVette has spent most the last four decades as a performer as something of a secret among soul aficionados. She's had minor hits: "My Man -- He's a Loving Man" in the '60s and "Right in the Middle of Falling in Love" in the early '80s -- but never reached the level of acclaim of Aretha Franklin or Diana Ross. But that may be changing.
The release of her 2005 album, I've Got My Own Hell to Raise, a collection of 10 covers by an eclectic range of contemporary female singer/songwriters, has garnered her praise for her soul-jarring vocal ability.
Recently nominated for two WC Handy Blues Awards in 2007, for B.B. King Entertainer of the Year and Soul Blues Female Artist of the Year, she was previously honored with a WC Handy Blues Award in 2004 for A Woman Like Me as Blues Comeback Album of the Year.
LaVette may be from Detroit, but the singers she most closely resembles are Southerners such as James Carr or Otis Redding -- powerful yet tender, and a little rough around the edges. She's aided by her four-piece band, which provides her with perfectly understated backup.
To order tickets:
Visit the Sovereign Center Box Office, 7th & Penn streets, Reading
Visit the Sovereign Performing Arts Center Box Office, 136 N. 6th St., Reading
Call Ticketmaster at 215-336-2000 or visit www.ticketmaster.com
Order online at berksjazzfest.com
For more information on the festival, including artist bios, click on www.berksjazzfest.com
For more information on the Berks Arts Council, a nonprofit organization that promotes all the arts in an effort to enrich the quality of life in Berks County, click on www.berksarts.org
The FirstEnergy Berks Jazz Fest and Heads Up International have been associated throughout the festival's run. Riding in tandem has produced a remarkable journey, one that reaches its zenith this year.
The 17th annual Berks Jazz Fest, presented by the Berks Arts Council, runs March 16-25 and features the best in contemporary jazz, traditional jazz, big band and blues at more than 130 events at venues, large and small, throughout Reading and Berks County.
An incredible day and night during that magical 10-day riff transpires on Saturday, March 17, with both An Afternoon and An Evening of Heads Up featuring Pieces of a Dream, Bobby Lyle, Marion Meadows, Alexander Zonjic, Gerald Veasley and Doc Powell. There will be two shows that Saturday at 2 p.m. and 10 p.m. at the Sheraton Reading Hotel Ballroom. Tickets are $38 and $33.
Doc Powell, a gifted guitarist, is the latest addition to this star-studded concert, rearranging his schedule to add even more juice to a high-energy endeavor. Powell also will be performing in the festival’s special tribute concert to Luther Vandross on Sunday, March 18, at 7 p.m. at the Sovereign Performing Arts Center.
Heads Up label president Dave Love is excited about showcasing a number of his high-profile artists in one spectacular Saturday setting at the Sheraton. "These are artists who rarely perform together in any other context, which promises an eclectic and exciting afternoon and evening of jazz," Love said. "The Berks Jazz Fest has provided the Heads Up label with the creative platform -- and the programming latitude -- to experiment with various styles and shades of the rich and multi-dimensional jazz spectrum."
And what Heads Up artists Love has to work with at the Berks Jazz Fest.
Doc Powell, a member of Luther Vandross' touring and recording band for many years, recently released his third CD project on Heads Up. Over the years he has traversed from one genre to another without losing a beat. He has contributed to over 125 recordings with the likes of Stevie Wonder, Aretha Franklin and Teddy Pendergrass. He also has performed with such jazz greats as Lonnie Liston-Smith, Bob James, Grover Washington Jr. and Stanley Clark and with such gospel superstars as Shirley Caesar, The Mighty Clouds of Joy, Ce Ce Winans, Yolanda Adams, Donnie McClurkin and Kirk Franklin.
Pieces of a Dream is one of the most popular and enduring recording and touring ensembles in contemporary jazz. Its 15th and most recent album is 2006's Pillow Talk.
Pianist Bobby Lyle is a versatile songwriter, producer, arranger, musical director, music publisher, bandleader, sideman and tops all of that off by being a world-class performer. Lyle made jazz history with 2004's Straight and Smooth, the first CD ever to chart on Billboard's Jazz and Contemporary Jazz charts at the same time. He made his Heads Up debut in 2006 with Hands On.
Flutist Alexander Zonjic performs in over 100 shows a year and still finds the time to be a part owner of a Detroit nightclub and host of a popular five-day-a-week morning show on Detroit's Smooth Jazz V98.7. His latest Heads Up CD is 2004's star-studded Seldom Blues.
Saxophonist Marion Meadows has one of smooth jazz's hottest solo careers and also has been a celebrated sideman with Brook Benton, Eartha Kitt, Phyllis Hyman, The Temptations, Michael Bolton and Will Downing. His latest Heads Up work is 2006's Dressed To Chill.
Gerald Veasley, one of contemporary's jazz's most prolific and versatile bassists, founded Gerald Veasley's Jazz Base at the Sheraton Reading Hotel. He launched his career with the late, legendary Grover Washington Jr. and has recorded for Heads Up since 1992's Look Ahead. He recorded At The Jazz Base! at the club in November 2004.
Among the other headliners at this year's festival are Boney James; David Sanborn; Guitars & Saxes featuring Gerald Albright, Kirk Whalum, Jeff Golub and Tim Bowman; Dave Brubeck; Nelson Rangell; Philippe Saisse; Joyce Cooling; Pat Martino; Mindi Abair; Chuck Loeb; Ann Hampton Callaway; Denis DiBlasio Quintet; Gerald Veasley’s Electric Mingus Project with John Blake Jr.; Kevin Mahogany; David Liebman; the Sax Pack featuring Jeff Kashiwa, Kim Waters and Steve Cole; Warren Hill; Nick Colionne; Gordon Goodwin’s Big Phat Band; and the Berks All-Star Jazz Jam.
Two very special ensemble concerts being produced for the festival by music director and keyboardist Jason Miles are:
Celebrating the Life and Music of Luther Vandross, the late, multi-talented singer/songwriter, will be Jason Miles, Doc Powell, co-music director Nat Adderley Jr., Dionne Warwick, Kirk Whalum, Walter Beasley, James "D Train" Williams, Cissy Houston, Lisa Fischer; Paulette McWilliams, Buddy Williams, Tinker Barfield and Cindy Mizell.
The world premiere Soul Summit concert, with a rousing tribute finale to the late James Brown, features Jason Miles along with Susan Tedeschi, Maysa Leak, Richard Elliot, Mike Mattison, Karl Denson, Barry Danielian, Steve Ferrone, Bob Babbitt, Reggie Young, Sherrod Barnes, David Mann and turntablist DJ Logic.
Another major ensemble event is the 17th Anniversary Concert, Rick Braun & Friends, featuring Richard Elliot, Jonathan Butler, Jackiem Joyner and Rayford Griffin.
Blues headliners include the Keb' Mo' Band, Bettye LaVette, Frank Bey & The Swing City Blues Band, Smokin' Joe Kubek, Bnois King, Billy Price and Deanna Bogart.
Indeed, the FirstEnergy Berks Jazz Fest has something special for everybody.
More infos at the Berks Jazz Fest site.
For most people, the chilly nip in November air signals that winter is just around the corner, but for jazz enthusiasts it means that spring can't be far off. For us, spring is synonymous with Berks Jazz Fest. Just as spring breathes new life into our surroundings, Berks Jazz Fest breathes new life in the form of music into our souls. As we eagerly anticipate the arrival of our music, we're reminded how dependent we are on this yearly renewal we call Berks.
Artists seem to enjoy returning to Berks as often as they can, making it fair to say that they, too, take something very special with them to last the whole year through. The festival dates are set for March 16 0- 25th, 2007, giving artists and fans alike yet another opportunity to renew friendships and add new fans, artists and experiences to their lists of treasured memories.
The line-up has been announced, and with the predictability of leaves tumbling to the ground in fall, some of us in the Jazz Circle began lining up at 8 AM (some before that) to purchase tickets at the Sovereign Center and the Sovereign Performing Arts Center in downtown Reading. Yes, it was a chilly morning, but it was worth the wait to get some good seats from which to listen and enjoy the music at the various venues featured this year. Others in the Jazz Circle were busily ordering tickets online or dialing into Ticketmaster. (Note: Jazz Circle membership is open to all. You can join during the festival or at other times throughout the year to enjoy the privilege of early ticket ordering as well as other membership features.)
Note: Jazz Circle Members began ordering tickets Saturday, November 25th. Tickets go on sale to the public on December 2nd at 10 AM. Ticket information and a link to artist profiles, written by our own Jonathan Widran, appear at the end of this article, as well as the dates of the major ticketed events.
Click below to read an excerpt from the Berks Jazz Fest website itself, giving a preview of artists and venues for ticketed events:
You don’t have to sift through a lot of clues to figure out why the FirstEnergy Berks Jazz Fest owns a timeshare among the world’s elite music festivals. The 17th annual Berks Jazz Fest, presented by the Berks Arts Council, runs March 16-25, 2007, and features an abundance of great artists, a plethora of wonderfully intimate venues, a schedule of staggering scale and exquisite ensemble concerts.
As usual, the Berks festival features a marvelous medley of musical styles -- contemporary jazz, traditional jazz, big band, blues and more -- at more than 130 events at major venues, clubs and restaurants throughout Reading and Berks County. Once again, its star power could populate a good-sized galaxy.
Among the spectacular featured artists are urban jazz saxophonist Boney James; legendary saxophonist David Sanborn; the ever-popular Guitars & Saxes featuring saxophonists Gerald Albright and Kirk Whalum and guitarists Jeff Golub and Tim Bowman; esteemed pianist/composer Dave Brubeck; saxophonist Nelson Rangell; keyboardist and multi-instrumentalist Philippe Saisse; guitarist Joyce Cooling; guitarist Pat Martino; saxophonist Mindi Abair; guitarist Chuck Loeb; singer/songwriter Ann Hampton Callaway; the Denis DiBlasio Quintet; bassist Gerald Veasley’s Electric Mingus Project with special guest violinist John Blake; vocalist Kevin Mahogany; saxophonist David Liebman; the Sax Pack featuring Jeff Kashiwa, Kim Waters and Steve Cole; saxophonist Warren Hill; guitarist Nick Colionne; Gordon Goodwin’s Big Phat Band; and the Berks All-Star Jazz Jam featuring Rick Braun, Chuck Loeb, Gerald Veasley, Richard Elliot, Nick Colionne, Warren Hill and Joe McBride.
Then there are such soul-drenching blues artists as the Keb' Mo' Band; guitarist Tab Benoit; Frank Bey & Swing City Blues Band; electric guitarist Smokin' Joe Kubek featuring guitarist/singer Bnois King; vocalist Billy Price and his band; and pianist/saxophonist Deanna Bogart.
A marquee attraction is the 17th Anniversary Concert, Rick Braun & Friends, that features the explosive trumpeter with powerhouse saxman Richard Elliot; gifted singer/guitarist Jonathan Butler; soulful saxophonist Jackiem Joyner; and dynamic drummer Rayford Griffin.
Now for the very special ensemble concerts being produced by music director and keyboardist Jason Miles:
Celebrating the Life and Music of Luther Vandross, the late, multi-talented singer/songwriter, are Miles, co-music director and keyboardist Nat Adderley Jr.; legendary vocalist Dionne Warwick; guitarist Doc Powell; saxophonist Kirk Whalum; saxophonist Walter Beasley, vocalist James "D Train" Williams; vocalist Cissy Houston; vocalist Lisa Fischer; vocalist Paulette McWilliams; drummer Buddy Williams and bassist Tinker Barfield.
The world premiere Soul Summit concert features Miles along with vocalist/guitarist Susan Tedeschi; vocal artist Maysa; saxophonist Richard Elliot; Derek Trucks Band vocalist Mike Mattison; trumpeter Barry Danielian; saxophonist Andy Snitzer; drummer Steve Ferrone; bassist Bob Babbitt; guitarist Reggie Young; guitarist Sherrod Barnes and turntablist DJ Logic.
And there are even more special group concerts.
Both an Afternoon and an Evening of Heads Up features legendary Philadelphia-based super group Pieces of a Dream; pianist Bobby Lyle; saxophonist Marion Meadows; flutist Alexander Zonjic and bassist Gerald Veasley.
The Downright Upright All-Stars feature bassist Brian Bromberg; drummer Dave Weckl; keyboardist Jeff Lorber; saxophonist Gary Meek; and trumpet and flugelhorn master Randy Brecker.
Tim Ries’ The Rolling Stones Project showcases Ries, the Stones’ saxophonist, playing Stones’ classics with a jazz interpretation along with trombonist Mike Davis, vocalist Bernard Fowler and guitarist Ben Monder.
The Trumpet Summit showcases a trinity of terrific trumpeters in Brian Lynch, Scott Wendholt and Alex Sipiagin performing with Dave Stahl, Reading's own esteemed trumpeter, and his Big Band.
So, as you can see, once again the FirstEnergy Berks Jazz Fest features a delicious smorgasbord of music!
Major ticketed events:
Friday, March 16 -- Dave Brubeck Quartet, Sovereign Performing Arts Center, 7:30 p.m., $46 and $39
Friday, March 16 -- Downright Upright All-Stars featuring Brian Bromberg, Randy Brecker, Jeff Lorber, Gary Meek and Dave Weckl, Sheraton Reading Hotel Ballroom, 10 p.m., $32
Saturday, March 17 -- An Afternoon of Heads Up featuring Pieces of a Dream, Bobby Lyle, Marion Meadows, Alexander Zonjic and Gerald Veasley, Sheraton Reading Hotel Ballroom, 2 p.m., $38 and $33
Saturday, March 17 -- Gerald Veasley's Electric Mingus Project with special guest John Blake, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $20
Saturday, March 17 -- Boney James, Sovereign Performing Arts Center, 7:30 p.m., $46 and $39
Saturday, March 17 -- An Evening of Heads Up featuring Pieces of a Dream, Bobby Lyle, Marion Meadows, Alexander Zonjic and Gerald Veasley, Sheraton Reading Hotel Ballroom, 10 p.m., $38 and $33
Sunday, March 18 -- Nelson Rangell and Philippe Saisse plus Joyce Cooling, Sheraton Reading Hotel Ballroom, 1:30 p.m., $25
Sunday, March 18 -- Celebrating the Life & Music of Luther Vandross: Dionne Warwick, Kirk Whalum, Walter Beasley, Cissy Houston, Doc Powell, James "D Train" Williams, Lisa Fischer, Paulette McWilliams, Buddy Williams, Tinker Barfield and music directors Jason Miles and Nat Adderley Jr., Sovereign Performing Arts Center, 7 p.m., $46 and $39.
Tuesday, March 20 -- Gordon Goodwin's Big Phat Band plus Berks High School All-Star Band, Scottish Rite Cathedral, 7:30 p.m., $18 and $10 for students with ID.
Wednesday, March 21 -- The Rolling Stones Project featuring Tim Ries, Mike Davis, Bernard Fowler and Ben Monder, Abraham Lincoln Hotel Ballroom, 7:30 p.m., $30
Thursday, March 22 -- Greg Hatza ORGANization, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $12
Thursday, March 22 -- Mindi Abair, The Abraham Lincoln Hotel Ballroom, 7:30 p.m., $30
Thursday, March 22 -- Berks All-Star Jazz Jam featuring Rick Braun, Chuck Loeb, Gerald Veasley, Richard Elliot, Nick Colionne, Warren Hill and Joe McBride, Sheraton Reading Hotel Ballroom, 10 p.m., $30
Friday, March 23 -- Pat Martino Quartet, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $28
Friday, March 23 -- Ann Hampton Callaway plus Denis DiBlasio Quintet, The Abraham Lincoln Hotel Ballroom, 7 p.m., $30
Friday, March 23 -- Keb' Mo' Band, Scottish Rite Cathedral, 7 p.m., $40 and $34
Friday, March 23 -- 17th Anniversary Concert: Rick Braun & Friends featuring Richard Elliot, Jonathan Butler, Jackiem Joyner and Rayford Griffin, Sovereign Performing Arts Center, 7:30 p.m., $46 and $39
Friday, March 23 -- Tab Benoit and Frank Bey & Swing City Blues Band, Inn at Reading, 9:30 p.m., $28
Friday, March 23 -- Pat Martino Quartet, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 10:30 p.m., $28
Friday March 23 -- David Sanborn, Sheraton Reading Hotel Ballroom, 10:30 p.m., $38 and $33
Saturday, March 24 -- Ladies of Jazz featuring Toni Lynne, Sharon Bailey and Suzie Ernesto with The Last Big Band, The Abraham Lincoln Hotel Ballroom, 1 p.m., $20
Saturday, March 24 -- Warren Hill plus Nick Colionne, Sheraton Reading Hotel Ballroom, 1:30 p.m., $38 and $33.
Saturday, March 24 -- Tribute to Johnny Hartman and John Coltrane: Kevin Mahogany featuring saxophonist David Liebman, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $28
Saturday, March 24 -- World Premiere Concert: Soul Summit featuring Jason Miles, Steve Ferrone, Bob Babbitt, Reggie Young, DJ Logic and Sherrod Barnes plus special guests Susan Tedeschi, Maysa, Richard Elliot, Mike Mattison, Barry Danielian and Andy Snitzer, 7 p.m., $46 and $39
Saturday, March 24 -- Smokin' Joe Kubek featuring Bnois King plus Billy Price Band plus Deanna Bogart, Inn at Reading, 7 p.m., $35
Saturday, March 24 -- Trumpet Summit featuring guest trumpeters Brian Lynch, Scott Wendholt and Alex Sipiagin and Dave Stahl and his Big Band, The Abraham Lincoln Hotel Ballroom, 8 p.m., $25
Saturday, March 24 -- Tribute to Johnny Hartman and John Coltrane: Kevin Mahogany featuring saxophonist David Liebman, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 10:30 p.m., $28
Saturday, March 24 -- The Sax Pack featuring Jeff Kashiwa, Kim Waters and Steve Cole, Sheraton Reading Hotel Ballroom, 10:30 p.m., $38 and $33
Sunday, March 25 -- Chuck Loeb featuring the Berks Jazz Fest Horns plus the WJJZ All-Stars Jeff Kashiwa, Kim Waters and Steve Cole, Sheraton Reading Hotel Ballroom, 1:30 p.m., $25
Sunday, March 25 -- Guitars & Saxes featuring Gerald Albright, Tim Bowman, Jeff Golub and Kirk Whalum, Scottish Rite Cathedral, 7 p.m., $46 and $39
To Read Artist Bios:
Visit http://berksjazzfest.com/artistsprofiles.asp
To Order Tickets:
Purchase online at www.berksjazzfest.com
Sovereign Performing Arts Center Box Office, 136 N. Sixth St., Reading, PA 19601
Sovereign Center Box Office, Seventh and Penn Streets, Reading, PA 19602
I hope to see you in March at the 17th Annual Berks Jazz Festival!!
Happy Jazzin'
Beverly Packard
Jazz Circle Member of the Berks Arts Council
Reading, Pennsylvania
MyGirlSunday22@aol.com
Brian Culbertson plans to return to Reading, Pennsylvania on October 28th for a special First Energy Berks Jazz Fest Fall Concert
When Brian Culbertson was an introverted 20-year-old just kick-starting his contemporary jazz career with his debut album Long Night Out, few would have imagined that he soon would become an extroverted showman known for his electrifying concerts.
His sensuous, melodic and high-energy style has forged eight hit albums and 20 No. 1 Radio & Records airplay singles in the ensuing 13 years. And he's smooth jazz's golden boy at the box office. His tickets sales are even hotter than his riveting live acts.
Consequently, Culbertson has been the darling of FirstEnergy Berks Jazz Fest audiences over the years. And the good news is that Culbertson is coming back to Reading for a special FirstEnergy Berks Jazz Fest Fall Concert.
"An Evening With Brian Culbertson" will be held Saturday, October 28th, at 8 p.m. at the Sovereign Performing Arts Center, 136 North Sixth Street.
Culbertson the live performer is a visual as well as an audio delight. At times he's swaying sensuously around his keyboards, simultaneously seducing his keys and the women in the audience. At other times he's bouncing around the stage with dynamic energy as he jams with the band. And then there are times when he grabs the trombone and blows hot and heavy with his horn section.
His latest album, It's On Tonight, was unabashedly produced to be a true "instrumental makeout record." Which triggered Jazziz magazine to rave, "With this album, which most effectively transfers that soothing eroticism to disc, he is officially become the Barry White of smooth jazz."
Actually, Brian Culbertson very much remains uniquely himself. And that one and the same Brian Culbertson is certain to enchant and entertain Sovereign Performing Arts Center patrons on October 28th.
Tickets are $39 and $34
Tickets can be purchased by:
Call TicketMaster at 215-336-2000. Press "1" for an automatic purchase. Press "0" to speak with an operator, who will complete your real-time transaction.
Stop by the Sovereign Center box office at 7th & Penn streets, Reading, Monday through Friday 10 a.m. to 5 p.m.
Order online at www.ticketmaster.com
Hope to see you at the Sovereign Performing Arts Center!
Photo Credit: Lisa Taylor
by Beverly Packard
Often a musical artist has a great voice, whether his own or the way he plays his instrument of choice; often there is a talent to compose compelling music, or write memorable lyrics that speak easily to your heart. Some artists are physically attractive and/or have just the right threads (think Nick Colionne, for instance), and some have a stage presence you want to bask in long after the concert has ended, so unparalleled is their ability to connect with the audience and provide a captivating visual affect by their movements and expressions. Only rarely would I expect to find all these things in the person of one artist.
I first met Janita through her publicist, who asked me to review her latest CD. Listening to the CD a couple of times, I realized the voice, the compositions and the memorable lyrics were all there. She sings clearly with a good range and at times a more breathy, sensual style that fits her songs perfectly. Besides singing words, she uses her voice quite effectively as an instrument, as well. Upon seeing her in concert twice – once at Zanzibar Blue in Philadelphia and once in downtown Manhattan at the J & R Music Festival, I saw that the stage presence, punctuated with her sweet countenance, attractive appearance, and genuine appreciation to be before us, rounded out the picture. Finally, having conducted a recent interview with her (below), the maturity and insight she demonstrates confirm my impression that she is a rather unique artist, and has the whole package.
A Finland-born singer who became a phenomenon in her own country by the time she was a teen, Janita settled in New York City ten years ago and has been working hard ever since, hoping, as every artist does, for that moment when the chance comes to touch the lives of many with her music. I believe her moment has arrived.
Her latest CD, Seasons of Life, is a well-blended variety of songs and moods. The songs have a wistful feel, beautifully expressing so many things felt by many women in their ‘seasons of life.’ (Perhaps by men, too, but I won’t speak for them.) She gives words to many things we feel but seldom express, so you’ll find yourself singing along to those songs that particularly catch you where you are in life. She captures not only the longings and discoveries women make along their journeys, but her lyrics also capture differences in men and women and how they typically approach relationships. Just reading the song titles gives you an idea this CD has been borne of the common kind of poignancy we all experience during our own seasons of hope and change.
Watching Janita perform was a pleasant and exciting experience for me after becoming familiar with her music. She sang two full sets at Zanzibar Blue, a well-known jazz club in Philadelphia with great cuisine and ambiance. She was obviously very happy to be there and perform; she was eager to sing as many songs as she could share with us that evening, and it was easy to see the crowd was mesmerized by her. The set list included, ‘That’s How Life Goes,’ ‘No Words,’ ‘I’ll Be Fine,’ ‘Enjoy the Silence,’ a favorite of many which has climbed onto the Radio and Record chart, ‘I Miss You,’ ‘I Can’t Get Enough of You,’ ‘I Only Want You,’ ‘More Than Fantasy,’ ‘Give Me A Sign,’ ‘Let Me Love You,’ ‘Heaven,’ ‘Bear With Me,’ ‘Angel Eyes.’ Band members were Jonathan Maron, bass; Daniel Sadownick, percussion; John Deley, keyboard; Tomi Sachary, guitar; and Tobias Ralph, drums.
The show at the J & R Music Festival in New York City (shown in pictures here) featured many of these songs, and the only change in the band was bass player Nicholas D'Amato. Despite the oppressive heat of that day in June, Janita and band members showed no sign of wanting to slow down and the crowd only kept growing as her music drew people in. Janita shares easily with her audience in between songs, and one example was her telling us how thrilled she was to realize she was there, right now, at this festival, singing to us, that it was really happening!
Read on to see the interview and what Janita says about her early success, her impressions of the music scene in the states, her own development as an artist and her future hopes.
BJP: Welcome to SmoothVibes, Janita! You were successful in your singing career from teenage years in Finland. What made you want to come to the USA and is it all you hoped it would be?
Janita: By the time I was 16 I had already toured around Finland twice. It's a small country, so you end up performing at the same venues year after year... I guess I had always dreamed of an international singing career and was ready for a new challenge at 17. I am a pretty realistic person and have always been down to earth, so I didn't expect to be a success here in the States straight away. I was ready to work at perfecting my craft as an artist and I'm still a work in progress. I'm sure though that I've evolved way more in the New York environment than I ever would have in Finland -- the motivation to be as good as I can be is just that much higher, when there are so many other amazing artists around you. Moving to NY was one of the best decisions I've ever made.
BJP: What are the main differences you find here as compared to Finland, especially in the world of music?
Janita: The biggest difference is the enormity of the music business in the States. There's so much money to be had if you make it big, that there's a lot of people in the business for the wrong reasons. In Finland on the other hand it's almost impossible to get rich as an artist -- you make a good living, that's it. In a way it's good that way, so you can't be motivated by the fortune and fame.
BJP: Who would you say influenced you most in your own musical development -- both important people in your life and also musicians you grew up with?
Janita: Tomi Sachary, my musical collaborator has definitely influenced me a great deal, since he's been involved in every song I've ever recorded. But in terms of people I've idolized, Michael Jackson was probably my biggest hero growing up. I was in LOVE with him: I had the life-size MJ bedspread and everything. Kinda iffy, now that I think of it... Musically I have also been influenced by Meshell Ndegeocello, Bill Withers, Astrud Gilberto, Prince, Stevie Wonder. Really, I think the list is endless.
BJP: Has your band been with you from the start here in the US or have they joined you more recently in your career?
Janita: My band is from the States and has been formed during the years I've spent in NY. It's still not a permanent entity, it changes depending on who happens to be in town and available for gigs, but I do have a couple of main-stays: Danny Sadownick, my percussionist, who's played with the likes of Maxwell and Incognito, Jonathan Marron, my bass-player, who's played with Meshell Ndegeocello and India.Arie and Tomi Sachary, my guitarist, who has worked with me since the beginning of my career.
BJP: From reading about you, I realize part of the transition you've gone through is to put your own poetry and writings to music. Can you tell us more about that transition?
Janita: I was a very shy girl at 13 when I first started my career and it never would have occurred to me then to show my lyrics or compositions to anyone. And as I gained more confidence through performances and being in the public eye, I guess I became even more introverted about my inner workings. I always knew that I wanted to write my own music, but I just couldn't bring myself to open up for the longest time. It took an accident, a scaffolding falling on me one day in NY to realize that life is fragile and I have to do what I want to do in life, now. We never know what life throws our way, so we have to be brave and put ourselves out there, so as not to regret not having done it later. Shyness is such a waste of energy!
I started writing songs immediately after that and have now realized that I can't live without that outlet for my emotions.
BJP: I find the lyrics and themes of your songs to speak so well to how, especially women, feel in various stages of a loving (or not so loving, as the case may be) relationship -- simple, direct, poignant words that say so many of the things I've thought and felt, but didn't put into words as easily as you have or to music as beautifully as you have. Do you find others telling you how they appreciate the way you truly have captured these 'seasons of life?'
Janita: Thank you for the compliment! Yes, love is something that truly inspires me to write, those emotions have always been the strongest for me. I'm very sensitive and I suffer from it sometimes, but feeling things so intensely is helpful for me in what I do. So I can't complain...
I have always admired Joni Mitchell for using metaphors so beautifully to express emotions, but I find that what works for me is being more direct about what I'm trying to say. It feels more honest for me to just say it like it is. People have certainly expressed to me that they have felt the same exact emotions as I have felt, which of course is the best compliment; that people have been able to relate. We are not so different after all!
BJP: You are the first singer since Basia that has left such an impression on me with the uniqueness of your voice and the way you use your voice as an instrument, as she often does. Is that mostly improvisation on your part when you're performing, or do you have most of that phrasing figured out ahead of time? (It always sounds great.)
Janita: Thank you again. : ) I tend to analyze some things in my life to the point of unhealthiness, but singing is something that has always come natural. I do it all day pretty much everywhere I go, which is why my voice is becoming something that's directly connected to whatever I'm feeling at whatever moment. I think it's the same with any musician who is completely obsessed with their instrument and play it all the time. It just becomes something you rarely think about, you just do it. I still have a long way to go, before I'm where I want to ultimately be as a singer, but the compliment you just gave me sure makes me feel good.
BJP: I haven't yet heard you're other CD, but I'm anxious to hear that, too. (I think it's called, I'll Be Fine?) How are the two CDs different?
Janita: I consider I'll Be Fine more upbeat than Seasons of Life -- it has a younger energy. I'm proud of both albums, but there is more maturity in my voice and lyrics on Seasons of Life. I'm constantly growing as a person and as an artist, which of course is natural for everyone and anyone... The changes that I'm going through now will probably be obvious when I do my next project. Albums are like footnotes and it's nice to be able to see so clearly where you've come, where you've been and where you're going as an artist. That's how I think of these two albums, they are representative of the emotions and thoughts I was feeling at the time.
BJP: What is happening now as a result of more people getting to hear you and the Seasons of Life CD? What opportunities are you getting these days?
Janita: I've been traveling a lot this year and have been busy with shows and interviews, which I thoroughly enjoy. I'm in the beginning now with promoting this album and feel like this is the first fair chance in 10 years to get my voice heard in this country. It's been a struggle to get ahead and I know I'm really lucky to have gotten this far. There are so many awesome artists that I know, who are as deserving of what I'm experiencing now as me. I'm certainly going to do my best to enjoy all of these experiences to the fullest, and with this album pave the way for all my future projects. Lots of interesting opportunities are in the air and every time we do a show, something new pops up. There is no short-cut, everything is happening very organically, but right now, I wouldn't have it any other way.
BJP: What are your hopes for the future? Are you continuing to write your poetry with an eye to putting it to music? Do you write the melody lines or how do you collaborate with band members to write the songs?
Janita: I'd like to keep doing what I'm doing, hopefully increasingly successfully. Helen Keller said: "Life is either daring adventure or nothing at all." I have certainly experienced both sides of life, but right now I'm living just the right amount of adventure and I'd like to keep it that way.
I've been writing actively for some time now and have lots of ideas for a new album. I almost feel like I've gone backwards a little, that I'm not as mature as I used to be, which I find kinda weird. I guess life works that way sometimes. All of this will be going into the new project, which I will likely be writing with Tomi Sachary, my guitarist and long-time collaborator. I write the lyrics and together we work out the melody lines.
BJP: You're very comfortable on stage and your dancing and movements complement the music very well. How do you get yourself ready for a performance and what are you thinking when you're on stage? Does someone in the band help keep you focused on where you're going next in the performance?
Janita: We have great chemistry as a band and I love hanging out with the boys before and after the show. There's lots of joking around and I'm often laughing hysterically at their antics. We are way more serious on stage and I know my band-mates want to be as good as they can possibly be, I never have to worry about them. I guess all I really have to worry about on stage is doing the best I can to relate the song to the audience and hopefully make them feel like they understand what I'm saying. When I go and see performances of other artists, I'm always impressed most by the ones that make you feel like you've bonded with them on some level. That's what I'm hoping to do too.
Also, one of the most important things about performing is that you have to be in the moment -- you can't be thinking about what you're gonna have for dinner, cause otherwise you lose your energy and your intensity.
BJP: What kind of music do you find yourself listening to in your life now?
Janita: All my life I've listened to a lot of soul, R&B and hip hop, but right now I find myself listening to a lot of rock and folk music, which indeed can be very soulful too. I for example have Death Cab for Cutie, Travis, Neil Young, The Weepies, Patty Griffin and Gnarls Barkley on heavy rotation in my iPod. I know they are all very different from the music that I make, but I'm also hoping to be influenced by all of them in some way. Meaningful and interesting lyrics and heartfelt songs is what all these artists have in common. My taste in music is very broad these days.
On a personal note, I want to spread the word about Milton Nascimento, (listen to Tudo Voce Podia Ser) who is someone I only discovered recently, though he's been around for a while. I think that his is some of the most emotional music I've ever heard, even though I don't even understand the lyrics. Just beautiful!
BJP: That is so interesting -- I'll definitely look him up, it reminds me of how I feel about Amedeo Minghi from Italy -- beautiful music, and even though I have no idea what he's singing, it doesn't matter!
BJP: Before we stop, is there anything you'd like to communicate to your fans?
Janita: Yes. : ) My album Seasons of Life is in stores now and I'll be doing shows around the States to promote it. Fans of my music can sign up on my website www.janita.com to receive advance notification of my upcoming performances in their area. Peace of mind and happiness to all!
BJP: It’s been great talking with you, Janita and I wish you the very best in all your future projects, and I’ll be watching for them!
Janita: Thank you so much for your kind comments, I really appreciate it.
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
Reading, Pennsylvania
MyGirlSunday22@aol.com
Photos of Janita compliments of Janita.com
Concert photos credits: Rachel Henry
If you've never heard the Rippingtons up close and personal, here is a great opportunity to do just that! What a great venue in which to hear a band that has helped set the standard for innovative and dynamic music in jazz over the last two decades. Tickets will go fast, so don't delay!
The Rippingtons 20th Anniversary Tour featuring original band members Russ Freeman, Jeff Kashiwa, Steve Reid, Kim Stone, Bill Heller and Dave Karasony is coming Saturday, August 19th to Gerald Veasley's Jazz Base at the Sheraton Reading Hotel.
The Ripps will be performing two spectacular shows on that special evening at 7 and 10 p.m. Tickets are $30 per show. Seating is limited to 140 per show.
The Rippingtons, founded by Russ Freeman in 1987, pioneered the smooth jazz landscape and have been a dominant presence in contemporary music ever since.
Their groundbreaking album, Moonlighting, was voted the No. 1 Most Influential Contemporary Jazz Album of all time by Jazziz magazine.
But Moonlighting was only the beginning of memorable Rippington music. Such hit recordings as Kilimanjaro, Tourist in Paradise, Welcome to the St. James Club, Curves Ahead, Weekend In Monaco, Live in L.A., Sahara, Brave New World, Black Diamond, Topaz, Live Across America, Life in the Tropics, Let It Ripp! and Wild Card kept embellishing their legacy one disc at a time.
To mark their 20th anniversary milestone, Freeman, true to his creative and innovative spirit as a composer and producer, opted not to merely crank out a greatest hits package. Instead, he concocted the exciting idea of an all-star Ripps class reunion.
So in addition to a celebratory tour, he came up with a remarkable new CD/DVD package that includes a CD of all news Ripps music and a DVD featuring a colorful retrospective as well as exciting videos from over the years. He gathered all Rippingtons recording and touring members past and present to alternate on 10 brand new compositions and a sizzling medley featuring newly recorded snippets of nine classic Ripps cuts. The end result is a marvelous medley of music simply but aptly entitled The Rippingtons 20th Anniversary.
Performing at Gerald Veasley's Jazz Base will be a Ripps reunion group featuring such accomplished artists as Freeman on guitar, saxophonist Jeff Kasahiwa, percussionist Steve Reid, bassist Kim Stone, keyboardist Bill Heller and drummer Dave Karasony.
When Freeman started the band, he vowed it would never break up -- that it would survive the inevitable personnel changes and evolve its sound naturally over time. He didn't break that vow.
So Gerald Veasley's Jazz Base at the Sheraton Reading Hotel on August 19th promises to be hosting a magic moment in time when patrons can savor where The Rippingtons have been and rejoice that they still are vibrant, creative and excited about the future.
Tickets are $30 each show. Seating is limited to 140 per show.
Tickets can be purchased by:
Calling CD Exchange at 610-777-2310 to order by phone.
Stopping by the CD Exchange, 360 E. Wyomissing Ave., Mohnton, PA, during regular business hours Tuesday through Saturday.
Stopping by Thursday nights at Gerald Veasley's Jazz Base at the Sheraton Reading Hotel.
Ordering online at www.berksjazzfest.com
We hope to see you at the show! The Jazz Base is sure to become one of your favorite venues, if it isn't already!
Happy Jazzin'
Beverly Packard
Jazz Circle Member of the Berks Arts Council
Reading, Pennsyvania
An Interview With Chieli Minucci About His New DVD.
The first ever DVD of Chieli Minucci live with Special EFX is scheduled for release May 2nd, 2006. Filmed at the Harbourfront Centre Theatre in Toronto, Canada, Shanachie record company refers to it as ‘a tour-de-force live performance from contemporary jazz guitarist-extraordinaire and Special EFX founder Chieli Minucci.' The DVD features Chieli Minucci and the full Special EFX band, with Chieli on electric and acoustic guitars; Jerry Brooks on bass, Lionel Cordew on drums, Jay Rowe on keyboards, Philip Hamilton on vocals and percussion, and David Mann on saxophones and flute.
I caught up with Chieli as he was laying down three guitar tracks for Roger Smith, recording artist, songwriter, producer and keyboard player for Tower of Power, an exciting project! We soon settled into the interview, focusing on the rewards of having at last recorded a live performance, start to finish, of the full Special EFX band.
Chieli talked about what motivated him to do this DVD. “We’ve been trying to do this for 22 years! Back then, when we almost had a chance at recording a live performance, the record company actually backed down at the last minute, because they felt the music wouldn’t be consistent with what people wanted to hear on radio.”
“ I wanted to do the DVD for the fans, of course, and also for promotional reasons. Right now we’re trying to get group work in Europe, where they’re more inclined to book you if your music is more straight ahead or jazz fusion; they’re not inclined toward ‘smooth jazz.’ Having the DVD is a way to show them what a band like Special EFX is all about, that we’re contemporary instrumental music and we can deliver what they’re looking for.”
Chieli and Special EFX, along with Pamela Williams and Kim Waters, were given an opportunity by Black Entertainment Television to record in this studio, located on Toronto Inner Harbor on Lake Ontario. The Harbourfront Centre Theatre has as its vision ‘a vibrant home for the culture of our time, inspiring people through the magic of the creative spirit.’ Its mission is ‘to nurture the growth of new cultural expressions, stimulate Canadian and international interchange and provide a dynamic, accessible environment for the public to experience the marvels of the creative imagination.'
Chieli said, “Basically, it’s a ‘no frills’ performance in that it doesn’t include things like interviews, but it’s nicely done, and beautifully filmed. It’s a basic performance and a good way to show what Special EFX is about.” Indeed, the studio has a striking ambiance; the lighting and camera work enhance the show immensely. The superimposed images and the effective movement between the players demonstrates the work of seasoned professionals.
Chieli explained how doing a DVD is different and more challenging than doing a CD. “It’s totally different, in that, on the DVD, it’s simply us performing live. You get something reflecting your performance that day. In CD production, you have more control, in that you can change and tweak things.”
I wondered how each song was played, whether it was all in the order shown on the DVD, and whether or not there was an audience. Chieli explained, “Well, there were about six people in the audience -- just the tech crew! We were followed by Pamela Williams, and we got a late start because our equipment wasn’t quite ready and so we played straight through, from ‘Courageous Cats’ to the last one, ‘Cruise Control.’ We’d play two songs and then take about a fifteen minute break, and then continue with two more songs. We intended to include ‘Kickin’ It Hard’ at the end, but simply ran out of time.”
Chieli started off with exquisite lead-in solo guitar work on both 'Courageous Cats' and then on 'Speak to Me,' each eventually finding its way to the familiar sounds of these two favorites of Special EFX fans. They continued with 'Daybreak,' a breathtaking song from earlier days of Special EFX which features Philip Hamilton’s awesome vocals and percussion, which began in dim light, then gradually brightened, for an engaging effect.
'Body Beat' contained simply amazing solos on the part of each player. It was captivating the way the band punctuated Lionel Cordew’s drum solo, which was impressive. Chieli says it was “decided on the spot that these solos would be done, just improvisation from one musician to the other.” Besides this highlight of the performance, Chieli’s work with Philip Hamilton on ‘Speak to Me,’ where Chieli’s guitar and Philips vocals speak back and forth was so enjoyable and entertaining to watch.
'Cause We’ve Ended As Lovers,' by now a Chieli signature song (composed by Stevie Wonder), was, as always, hauntingly beautiful, especially with the way Chieli can make the guitar cry. 'Still Waiting' showcased the raw musicianship of each performer with its complexity. The popular radio hit 'Cruise Control,' which by now has evolved into an extremely high energy number, was a terrific ending to the entire performance.
David Mann and Jay Rowe each added so much to the performance with exhiliarating solos, and the rest of the band, as usual, came through with steady and solid playing throughout the performance. Each song had an outstanding ending. Watching the way images of each player were superimposed on each other made each song so fascinating. One of my favorite shots was of Chieli's guitar playing superimposed on a shot of Jerry Brooks' talented bass-playing -- that was a stunning section of the DVD.
Watching Chieli’s face was, in itself, a highlight of the show. He communicates that intense effort, the sheer concentration, the feeling of confidence/triumph when he knows he’s playing just the way he wants to play. I wondered if it feels like a lot of pressure or is it just plain fun? “It’s what I do, it’s what we do as musicians. We’re just out there playing the songs, letting them take us where they take us. We have cues to each other that aren’t obvious to most people who would be in the audience, so we know where we’re at.”
I wondered how Chieli felt after the performance, and whether he realized the band had delivered a truly superb performance on everyone’s part? “I felt comfortable that we performed well,” he commented. Chieli didn’t see the show right away, having to be whisked off to another performance. “Later, I went through it with a fine-toothed comb to be sure it was ready for release, and although there were a few things to fix (i.e. an electronic noise that came from ‘somewhere,’ which had to be replaced with a more fitting instrumental sound), basically the DVD is intact as it was recorded.”
Chieli is pleased with the DVD and sees this live performance recording as be a steppingstone to a follow up Chieli Minucci with Special EFX CD which promises to feature the same level of improvisational style that’s on the recording. A goal of Chieli’s is to have the record company be able to focus on Chieli’s name in the context of the Special EFX name. This is a change from the time Special EFX was associated with George Jinda, percussionist extraordinaire and former partner in Special EFX, who passed away in 2002.
One of the most interesting things I learned about Chieli during our interview is that, contrary to what I thought, he does not have that ‘perfect plan’ for each song driving the performance, being so careful and making sure everything is ‘just right.’ Instead, he’s happy to have the initial plan and then go with that and see where it takes him and the members of the band, being admittedly vulnerable while reaching to the limits of their capabilities. “Some songs are played as they’re written,” he said, “but then there are embellishments that are added, and as they’re played, we keep making changes as we go along.” That leaves me with only one conclusion as to how a performance such as this can appear so perfectly orchestrated: Chieli and Special EFX are simply that good at what they do.
Projects that are coming up for Chieli include participating in fellow Special EFX band member Jay Rowe’s ‘Smooth Jazz for Scholars,’ to be held on April 29th in Milford, Connecticut. “It’s been a successful fundraiser and a lot of fun, and many other artists are also participating: Marion Meadows, Jeff Kashiwa, Nelson Rangell, Rohn Lawrence and others.”
Chieli will also have the pleasure of having his son Gianluca join him in playing bass on a number with the band on May 5th at the Intermedia Arts Center in Huntington, New York. In addition to other shows that are scheduled (please visit www.chielimusic.com to check them out!), the most exciting thing coming up is the ‘Chieli Minucci and Musicians for a Cause' November cruise, sailing out of Miami, to benefit the National Coalition Against Domestic Violence. The cruise, hosted by Chieli himself, will feature artists Jay Beckenstein (leader of Spyro Gyra), Kim Waters, Gerald Veasley, Phil Perry, and Slow Train Soul.
And as if he’s not busy enough, fans can begin to anticipate that, as Chieli says, “during the summer, I’ll be writing and recording my next CD, Chieli Minucci with Special EFX." Doesn’t that sound like the Chieli we all know?
To learn more about Chieli Minucci and Special EFX, and to order the DVD for yourself, go to www.chielimusic.com.
To visit the location of the DVD recording studio, go to www.HarbourfrontCentre.com
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
MyGirlSunday22@aol.com
Photos Compliments of Chieli Minucci
The First Energy Berks Jazz Fest All Star Jazz Jam lived up to its reputation once again this year. Arranger and producer of the event is the multi-talented guitarist Chuck Loeb, a regular at Berks who can be counted on to take the all star jam to the limit of every jazz fan's wildest imaginations. This year he had nothing less than the most outstanding musicians on stage. And as usual, the blending of the musicianship and personality of each player translated into total captivation for fans. The way the songs flowed seamlessly one into the other was quite impressive. It seemed this group of players have been playing together every week, but the ability to come together for a short period of time and put on such a great performance as this one is simply a testimony to the talent of each player invited to join the All Star Jam.
Many of the performers are seen each year at this show along with Chuck Loeb -- people like keyboardist Joe McBride, saxophonist Kenny Blake, bassist Gerald Veasley, trumper player Rick Braun. The rest of the players are drawn from others who are in town for their own shows, and this year we were fortunate to have well known talent Richard Elliot and rising star Eric Darius on saxophone, the very talented Nelson Rangell on flute (absolutely awesome on piccolo) as well as saxophone, favorites Chieli Minucci and Ken Navarro on guitar, keyboard great Tom Koster along with Vital Information-mate Steve Smith, widely acclaimed as one of the top drummers in the world. Talented Special EFX keyboard player Jay Rowe also sat in for part of the evening. Singer Kurt Elling joined the group for a great rendition of Bye Bye Blackbird. Of course, Joe McBride always sings at least one song, and this time it was My Funny Valentine.
There were so many highlights the show. Artists were paired together out front, soon joined by others, for familiar songs and always there were those opportunities to get everyone involved in improvisational playing which took the songs over the top. It's truly amazing to watch what each artist is going to do when it is his turn to solo. There were no disappointments!
There were great renditions of Tequila, which was a lot of fun with the audience participating by shouting out 'Tequila' at the appropriate times. Other favorites played were Sugar, Chameleon, Grover Washington, Jr.'s beloved Mr. Magic, Sonny, ending with Now's The Time.
What a great night of music and how thrilling to see the favorites of so many of us all on stage together. It's a memory that will linger for a long time to come, no doubt until the next Berks All Star Jazz Jam 2007 memory takes its place.
If you've never been to the All Star Jam, don't miss it next year. It's always on Thursday evening of the Berks Jazz Fest, and you can get a combined ticket to cover the Jam, a Meet the Artists event, as well the earlier show of the evening which always features great headliners, such as this year's show with Chieli Minucci and Special EFX, featuring Ken Navarro and Nelson Rangell.
The latest CDs of all the artists are:
Chuck Loeb, When I'm With You
Kenny Blake, Tom's Diner
Rick Braun, Yours Truly
Eric Darius, Just Getting Started
Richard Elliot, Metro Blue
Kurt Elling, Live in Chicago Out Takes
Tom Koster, Vital Information
Joe McBride, Texas Hold 'Em
Chieli Minucci, Got It Goin' On
Ken Navarro, Love Colored Soul
Nelson Rangell, Soul to Souls (not yet released)
Jay Rowe, Red Hot & Smooth
Steve Smith, Vital Information
Gerald Veasley, At the Jazz Base
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
Reading, Pennsylvania
MyGirlSunday22@aol.com
Photo Credits: Michael Packard
The festival was concluded by the star-studded Tribute To Wes Montgomery concert, celebrating the music of the late great Wes Montgomery. The evening was put together by guitar player Chuck Loeb and featured a stunning array of world class guitar players. Lined up for the first song were Russell Malone, Paul Jackson Jr., Pat Martino, Chuck Loeb, Jimmy Bruno, Earl Klugh and Larry Carlton - pretty impressive, isn't it? They were backed by Wolfgang Haffner on drums, Will Lee on bass and Matt King on keys. All players had a personal relationship with Wes Montgomery, often having met him personally. Needless to say, the playing of all those artists was profoundly influenced by this seminal player. Especially Pat Martino, who met Wes at the tender age of 14 for the first time, this being an encounter which had an impact on his professional life, then meeting a second time a few years later, after a nightclub show together with Grant Green, George Benson, Les Paul who were standing outside discussing - so you know where this music is coming from! It almost felt like a history lesson in music by people who were personally involved. Additionally, Chuck Loeb managed to track down Montgomery’s family, and his son Robert came to the stage, speaking a few touching words about his father whom he lost much too early. All the players chose their favorite songs from the Wes library and brought their renditions, each with his own spin and style of playing. Most of the players were straight ahead players, especially Jimmy Bruno, Pat Martino and Russell Malone strutting their stuff, while Paul Jackson Jr. proved to be an accomplished jazz guitarist, retaining his crossover appeal. Larry Carlton couldn't help but play a blues number, while Earl Klugh delivered a beautiful song on acoustic guitar showing masterful playing of the highest level. Chuck Loeb held it all together and proved to be a very consummate musician which I hold in high esteem. Another superlative show which was one of its kind and a special opportunity to witness.
Bona Fide is a group which revolves around Tim Camponeschi, aka Slim Man, a singer and bass player. The band includes George Hazelrigg on keys, John E. Coale on drums and Kevin Levi on sax. All vocal numbers were tagged as Slim Man, while all instrumentals where played under the banner of Bona Fide, a funky outfit which records for HeadsUp Records. Slim Man started his career a long time ago and his romantic songs have graced the airwaves for quite a while. Bona Fide was founded in 1999, starting out with Joe Ercole on keys who was replaced with young George Hazelrigg since the last CD. They were alternating between Slim Man songs and Bona Fide instrumentals which turned out to be a good mix to provide an entertaining show. Bittersweet songs like "Angela" and "End Of The Rainbow" received an enthusiastic response from the audience, while the instrumental songs featuring great keyboard and sax soloing over the funky foundation of bass and drums proved that Bona Fide is not a short lived side project of Slim Man. Slim Man turned out to be a witty guy as well entertaining the crowd with his dry humor with a love for good red wine which was consumed by all band members during the show, also to celebrate the birthday of George Hazelrigg, who was nicknamed "Birthday Boy" that day. The club setting was great for this band and I enjoyed this concert thoroughly.
Sunday morning the WJJZ Smooth Jazz Sunday Brunch at the Sheraton Hotel was on. This event includes a brunch with a rich buffet, with people seated at tables which hold 10 people. After all have eaten the show takes place; it’s always a good way to meet and greet people. This year guitar player Paul Jackson Jr. was responsible to entertain us and he did a good job as always. He was supported by his top notch touring band and played a string of hits from his previous albums. He is a witty guy and his "back in the day" rap went down very well with the crowd who obviously could relate to what he was saying. His musical reference to these days gone by with covers of great R&B classics delighted the audience and his fluid guitar playing was a joy to hear. I love the way he brings out a melody, improvises around it never losing sight of the original song, with nice dynamics making it interesting and entertaining. Of the three keyboard players he had in the band two turned out to be great sax players as well contributing solos on the alto and tenor sax respectively. This was an outstanding show by one of the premier guitar players of our time. Unfortunately, I had to miss the encore to catch the next show which started right over at the Jazz Base.
During the festival a raffle was held to support the Berks Arts Council, with the winner getting four tickets for the upcoming Brian Culbertson cruise. All people holding a raffle ticket were admitted to this show which started at 1am at the Sheraton and was hosted by guitar player Nick Colionne, backed by the band of Brian Culbertson which just had finished their show an hour earlier. Nick is not only a superb guitar player but also a witty person and funny guy to boot. This show was a lot looser and destined to be more wild than any show before it. Nick kicked off the concert with some flashy playing over a funky groove laid down by the band before surprise guest artists started to drop in. One of them was Brian Culbertson who played mainly the trombone, then unexpectedly Alan Hewitt showed up and played one of his songs at the keyboard, before other people came to the stage. One of them was sax player Kim Waters, who played the drunken man with a bottle of beer in his hands, which was critically examined and passed around by the other band members, before he went to the keyboard to play. Shows that Kim Waters is a dedicated keyboard player and despite the state he was in played some nice notes there leaving his sax at home. Eric Darius showed up as well, playing some cool sax, and Gerald Veasley, delivering a great bass solo, so we received a superlative and above all a funny, not too serious show which was utterly entertaining.
Photo credit: Michael Packard
Unfortunately I was not able to attend the show by Triad consisting of Steve Oliver on guitar, Michael Paulo on sax and Gerald Veasley on bass because it collided with other shows. At least I was able to catch the last two songs of their show which took place at the Jazz Base, a cozy club in the Sheraton Hotel, being the musical home base of Gerald Veasley. They played Grover's "Mr. Magic" as an encore which was just great. Steve Oliver did some scatting and singing in a way which reminded me of Bobby McFerrin - I am eager to see how this talent of his will develop in the future. Besides, he played a cool guitar solo employing a few different effects giving the song a cool twist before the sax of Michael Paulo kicked in again to bring the song to an end. The audience didn't want to let them go, and the players seemed to be in the mood to continue, so they were asking for guest artists in the audience to sit in with the band. Trumpet player Rick Braun volunteered to join the band, and together they played another song which brought an apparently outstanding concert to its end. Too bad I couldn't attend it during its full length.
After the Ivan Lins show we rushed over to the Sheraton where more great music was waiting for us. Crowd pleaser Brian Culbertson with special guest Eric Darius on sax were on. I arrived just in time for the start of the concert and they grooved right away. Brian Culbertson has such a great sense for melodies and knows how to deliver a song. His touring band is first rate and like a well oiled machine. They were hitting us with some great music. This year rising star Eric Darius on sax was part of his show, along with his dad Jim on trumpet who must be proud of his offspring. They gave us many great songs with Brian's playing being as outstanding as ever, either breaking it down and playing it soft or building it up to a great climax. Eric Darius blended well with his fiery solos and spirited playing, being another darling of the crowd. On top of all this, there were parts of the show when Brian switched from the keyboard to the trombone, joining trumpet and sax for a horn frenzy playing funky songs running around on stage to the delight of the crowd. I always like the part of the show when they bring some music for all the lovers in the crowd being soft and sensual and bearing all the Culbertson trademarks. Asking the guitar player (and music director) to bring an old school vibe, we also got some great covers of old R&B classics showing where they were coming from and where their musical heart lies. This show was not very different from previous shows I saw but very entertaining as always. The whole show by the way was broadcasted on 69-WFMZ-TV and hosted by Cameron Smith (Smooth Jazz TV) and Michael Tozzi (WJJZ Philadelphia).
Photo credit: Michael Packard
Saturday night another highlight of the festival was due with the show dedicated to Ivan Lins. This Brazilian songwriter, singer and keyboarder has been long recognized as one of the greatest talents to have emerged from this culturally rich country. As an individual artist, he always stayed a bit out of the spotlight, but his songs, recorded by superstars like George Benson, Sting, Brenda Russell and others, have been heard around the world. The venerable Jason Miles accepted the challenge to put together a star-studded event to celebrate the man and his music. The core players were Ivan Lins on keys and vocals, Jason Miles on keys, Brazilian guitar players Leonard Amuedo and Romero Lubambo, Josh Dion on drums and vocals, Will Lee on bass, Café on percussion and an endless array of guests to bring Ivan Lins' music to life.
Singer Brenda Russell, who collaborated with Ivan Lins for over a decade, sang a couple of songs. In a funny story we were told that Brenda was asked to write the lyrics almost overnight for the song "She Walks The Earth Alone" (which won a Grammy) in order to have it sung by Sting on the CD. During the concert Will Lee, the bass player who dares to sing, handled the song quite well. Another song was done by Mike Mattison from the Derek Truck Band, who was also doing background vocals with Brenda Russell. Brazilian pianist Eliane Elias played some beautiful acoustic piano with some spirited soloing, singing along with Ivan Lins. Candy Dulfer and Rick Braun - filling in for Tom Harrell who didn't make it to the show - added a contemporary element blending well and showing lots of respect for the music of Ivan Lins with their tasteful playing. Singer Jane Monheit interpreted two songs beautifully, the second one was counted off in the wrong tempo so they had to restart the music which showed the subtleties of Brazilian music, an incident which was quite revealing to me. Ivan Lins was the center of the show, his "Comecar de novo" - allegedly his most recorded song - being a highlight of the concert for me. In addition, his percussion playing on an jewel box while others were playing was a novelty for me. Towards the end of the 3 hour concert, Chuck Loeb added some spicy playing on electric guitar while drummer Josh Dion got the chance to sing a funky song. This show was a kaleidoscope of Brazilian music and a great testament to the music of Ivan Lins, all put together by the great producer Jason Miles who has to be applauded for all the work he puts into such a project. I look forward to hearing the next all-star project under his direction at next year's festival.
Saturday afternoon Larry Carton and his Blue Sapphire Band were on, the band consisting of a four piece horn section, his son Travis Carlton on bass, drums, and venerable buddy Greg Mathieson on keyboards. The played a few blues numbers from their last two CDs, the latest one called Firewire. He then switched to his acoustic guitar for some of his best known songs "Minute By Minute" and "Smiles and Smiles To Go" before returning to his electric guitar. Each member of the horn section also had their solo spots, proving that each of them is an accomplished jazz musician. Son Travis anchored the music with his bass and turned out to be a very good player during his solo part where he could slap his bass and groove around. Larry Carlton finished his concert with his classic "Sleepwalk" from the album of the same name.
With the weekend approaching there were the first major concerts due starting Friday night with Rick Braun and Richard Elliot, both on their own ARTizen label with newly signed label mate Shilts from Down To The Bone being added to their show. As they often did in earlier shows they started to play from within the audience with the trumpet of Rick Braun and the sax of Shilts coming out of the dark to unite later on stage for the first high-energy song showing some great playing by Shilts. Chatting between songs Shilts' British accent was quite likeable and gave rise to some laughs. Richard Elliot joined Rick Braun with the second song and both feeded off the energy of the other to lead us to one highlight after the other. Rick played his hit "Notorius" while Richard Elliot played the Stylistics classic "People Make The World Go 'Round" boasting his muscular tenor sound. Then it was Rick Braun's turn with some songs from his latest CD playing some nice renditions of EWF's "Shining Star" seguing into Barry White's "Love Theme". They were supported by a great band consisting of Nate Phillips on bass, Ron Reinhart on keys, Rayford Griffin on drums and Dwight Sills on guitar. Later Shilts got the chance to play the single from his upcoming new album which was picture perfect and very groovy smooth jazz whetting our appetite to hear the final product soon. The show was concluded by Richard Elliot's trademark song "When A Man Loves A Woman" employing the full range of his instrument to the delight of the crowd. A superlative concert by some of the genre's best artists who get better and better all the time.
We headed over to the Sheraton to the late night show of sax player Najee with special guest Alex Bugnon on keys. The career of Najee spans over 20 years now and with his latest album My Point Of View he has another winner on the market. Supported by a great band he played songs ranging from his classic "Najee's Theme" to the current "2nd 2 None". Alex Bugnon came to the stage for a few songs - among them "Naima" and "107 Degrees In The Shade" - and added a great element of soulfulness and grooviness to the proceedings which was very well recieved by the capacity crowd. Najee proved to be an excellent player on soprano sax and flute often breaking the music down and exploring some subtler nuances before building it up again. Singer Lomon provided two great songs, one being the beautiful ballad "Fallin' In Love With You" where he even incorporated seamlessly an old EWF song before returning back to the original song. Lomol is a great talent to be watched in the future and a nice person to boot. For the finale of the show not only Alex Bugnon was summoned on the stage but also Joe McBride who was in the audience to give us a great and groovy jam with Najee on flute bringing a truly memorable and soulful concert to an end.
Joe McBride and his Texas Rhythm Band were due Wednesday evening for a high profile non-ticketed concert called Texas Hold ‘Em Night at the Peanut Bar Restaurant in Reading, PA. With fellow Smoothvibes contributor Jonathan Widran just having flown in from LA we were ready for some food and good music and Joe McBride didn't disappoint, this guy just loves to play! Crammed onto the the small stage the band was grooving right away and gave us one great song after the other with "Sarah Smile" featuring Joe's heartfelt singing being a standout track of the evening. Supported by sax, guitar, bass and drums Joe could shine and the concert was warmly received by those in attendance. By the way next to all the major concerts there are many non-ticketed events taking place across town during the festival which are held in restaurants and clubs so there is plenty to see and do while you are visiting. You find more infos at the festival's official website.
Fans come from miles away to see the talented group of artists who descend upon Reading each year during the Berks Jazz Festival. And sometimes they come not only FROM miles away, but TO SEE Miles -- Jason Miles, that is, leader extraordinnaire of musicians who enjoy rallying around themes of musical memories honoring musical icons of the past. Last year it was Miles to Miles, a tribute to Miles Davis. This year, a tribute to the best of Motown and Marvin Gaye, and what a great line-up players Miles brought together for this endeavor.
Headliners in the show were guitarists Nick Colionne, Peter White, saxophone players Jay Beckenstein and Candy Dulfer, singers Bobby Caldwell, Guide De Palma, Kevin Mahogany, rising talent Dominick Farinacci on trumpet, and Brazililan keyboardist Cesar Camargo Mariano. Added to this group were backup singers Mike Mattison (who sang out front for great renditions of "Please Don't Leave Me" and "Heavy Love Affair") and Emily Bindiger. Miles, of course, was on keyboard, and his house band for the night included Sherrod Barnes on guitar, Jonathan Maron on bass guitar, drummer Gene Lake, and Bashiri Johnson as percussionist.
Throughout the night were various combinations of artists and as the night went on, we learned that quite a few of the songs had been immediately claimed by the artists as 'the one' they wanted to make their own. And it happened for them each time. With each song being sung or performed by someone with such a passion for that particular song, there were explosions of melody and improvisational journeys.
The evening began with a few numbers featuring Miles and his band, then settled into the chosen set of songs of Motown. Dominick Farinacci gave us a taste of his talent, then was joined by Kevin Mahogany and Peter White on "Never Can Say Goodbye," followed by Kevin and Nick Colionne on "Signed, Sealed, Delivered." By this time the audience could feel the high-energy evening this promised to be. Peter White returned later to play "I'm Gonna Make You Love Me" and "You Keep Me Hanging On," and the audience couldn't help but sing along, watching his infectious enjoyment of these songs. Nick Colionne came back to play "I Heard It Through the Grapevine," and the crowd warmed so much to his straight from the heart, soulful playing.
Jay Beckenstein of Spyro Gyra joined Brazilian keyboard player Mariano as Guide De Palma sang "Too Busy Thinkin' 'Bout My Baby" and "I Want You." These were great moments of the night, too, lots of movement and energy on stage and lots of fun interaction between the players. Jay Beckenstein was later joined by Candy Dulfer for "Mercy, Mercy Me," a truly awesome performance by both of them. Dulfer played a few other numbers herself; her talent and years of playing were quite evident, and she seemed to thoroughly enjoy being part of this tribute and the Berks Jazz Fest.
Bobby Caldwell made "Distant Lover" and "Til You Come Back" his own and it was a pleasure to see him up there, he's such a steady and capable entertainer. He had a dynamic performance with Palma on "Ain't That Peculiar" which really sent the crowd into yet another frenzy of excitement!
The show closed with "What's Goin' On?" and even after nearly three hours, both those on stage and in the audience seemed refreshed and renewed by this trip down memory lane.
Let's hope Jason Miles keeps on with his tradition of providing us with opportunities to look back and remember.
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
Reading, Pennsylvania
MyGirlSunday22@aol.com
Photo Credits: Michael Packard
Sunday afternoon's show was tagged "Jazz Goes To Church" and was supposed to bring together jazz and gospel. Backbone of the event was The New Life Jazz Orchestra led by Kendrick Oliver who kicked off the show with some fiery big band jazz. Several of the members stood out as soloists and provided the foundation for what was to come later. Replacing Cyrus Chestnut who was ill we got Robert Glasper on piano supporting the orchestra. They gave us their renditions of traditionals like "Amazing Grace" and "Wade In The Water" among other gospel songs. In between songs conductor Kendrick Oliver chatted to the crowd and took over the role of the MC. The second half of the show featured the very capable singer Monica Lynk who performed a beautiful rendition of "Sometimes I Feel Like A Motherless Child" and other songs before the eagerly anticipated singer Kevin Mahogany joined the show, for me his version of the Donny Hathaway composition "Someday We'll All Be Free" turned out to be a highlight of the concert. This show was another nice addition the Berks Jazz Fest with its unique combination of elements and different artists.
Saxophonists Kirk Whalum and Gerald Albright are touring this year together and showed up at the Berks Jazz Festival, being happy to be invited to bring their music to the festival. They were supported by an all-star band with Melvin Davis on bass, Ricky Lawson on drums, Marlon McClain on guitar (of Pleasure fame) and Michael Logan on keys. Parts of the show were done together while other parts were exclusively devoted to each saxophonist. After both opened the show with "Groverworked and Underpaid" it was Gerald Albright's turn playing material from older albums like Smooth and Bermuda Nights while later Kirk Whalum played songs from his current release Babyface Songbook. The cameraderie within the band was evident and they were laughing and joking around while building a good rapport with the audience with some chats between songs. Gerald Albright has a new CD coming soon called New Beginnings, marking a new chapter in his career after having moved to Denver, CO and joining Peak Records. He played "We Got The Groove" which will be the first single, whetting our appetite to hear the full album. Another highlight was the stroll of Kirk Whalum in the audience playing a lengthy solo (shaking my hand in the process which was thrilling) which culminated in standing on an empty chair in the middle of the center section finishing his solo surrounded by ecstatic fans. That's what live music is all about! Being close to Philly they made a nod to Grover and finished their show with the classic Grover Washington Jr. hit "Just The Two Of Us". This was a varied and entertaining show on the highest level of musicianship.
In the evening there was a special concert featuring the Reading Pops Orchestra, the Ramsey Lewis Trio and David Benoit. This unique pairing promised a special evening, and my expectations were far exceeded. The concert, opened by the Reading Pops Orchestra containing full horn and string sections and led by conductor Erwin Chandler, played a few orchestral pieces before they left the stage for Ramsey Lewis. Ramsey Lewis and his trio were warmly welcomed by the crowd and played a selection of straight jazz pieces from the vast catalog of the leader, culminating in a great rendition of his hit "Wade In The Water". Ramsey Lewis must be over 70 but he had his act completely together and was in total control showing some fine playing at the piano.
After a short intermission, David Benoit supported by a rhythm section and the Reading Pops Orchestra were on providing another highlight of the festival. David Benoit played vividly at the Steinway Grand, while at the same time conducting the orchestra sitting next to him, at times standing at the piano waving his hands which yielded magical musical moments. He opened his set with "Linus & Lucy" and played songs from his orchestra albums American Landscape and Orchestral Stories and an orchestra arrangement of "Rebach" from his classic CD Every Step Of The Way and a groovy version of Herbie Hancock's "Watermelon Man". The grande finale included the Ramsey Lewis trio together with the Reading Pops Orchestra conducted by David Benoit playing a great version of Ramsey's hit "The In Crowd" which brought a great evening to its rousing end.
The 16th annual Berks Jazz Fest opened yesterday at the Sovereign Performing Arts Centre with the first major concerts. The acoustic Joe Sample Trio featuring his son Nick on acoustic bass delivered a set of acoustic straight ahead jazz tracks featuring the trademark playing of the leader we came to love over the decades. Chatting between songs and giving us stories from way back hinted at his age, which must be approaching 70. Being a fan of his Rainbow Seeker period, it was logical that songs like "Carmel" and "X Marks The Spot" were personal favorites because they delivered familiar melodies and a funkier groove.
After a short intermission songstress Dianne Reeves, with her mostly acoustic band, gave us some great jazz singing. Just having won a Grammy for her "Good Night, And Good Luck" soundtrack, she was in fine form. Her band grooved a little harder than the Joe Sample trio and her singing covered a wide range of styles from straight jazz to blues to soul, with some introspective moments as well. Personal highlights were "Afro Blue" and her classic song "Better Days" which closed the concert.
After the last song I rushed over to the Wyndham Ball Room, which is located within walking distance in order to catch Pieces Of A Dream, who were due to perform songs from their brand new release Pillow Talk. I had already received a copy from their label (actually you can hear a few songs from it on the SmoothVibes Radio Channel) and was looking forward to hearing this material performed live. Founded 1975 in Philadelphia the band is celebrating their 30th anniversary. The group consisted of founding members James Lloyd on keys and Curtis Harmon on drums, along with longtime member Eddie Baccus Jr. on sax (part of the band for 11 years now), further supported by Scott Ambush on bass (a loan from label mates Spyro Gyra) and a nice female keyboard player as well as singer Ramona Dunlap who came on stage for three songs. They opened the show with a few songs from their new CD "Wake Up Call" and "Pillow Talk" before giving us some classic tunes from their back catalog featuring the keys of James Lloyd and the sax of Eddie Baccus Jr., providing smooth jazz of the highest calibre. The part featuring vocals gave us a great song from the new CD called "Those 3 Words" and the classic "Rising To The Top" by Keni Burke, which just was magical. This was a very enjoyable concert going the gamut from funky numbers to quieter soulful moments providing a good time to those in attendance.
FIRST ENERGY BERKS JAZZ FESTIVAL TURNS SWEET SIXTEEN
If looking at this picture causes some excitement for you, then you’ve probably visited Reading, Pennsylvania, during the Berks Jazz Fest held each year in March. By the time you see the familiar Pagoda, you know you’re in jazz territory and the entire city and surrounding area is awaiting your arrival.
When you do arrive, be on the lookout for the First Energy Berks Jazz Festival guide which will be displayed in all the venues, various hotels and restaurants in the area. This handy guide has been published by the Reading Eagle Company and was included in its March 12th edition of the daily newspaper. Available throughout the ten days of the festival, it contains feature stories on artists and special shows, bios on all performers, complete schedules, travel information and a lot more.
This year marks the 16th anniversary of the festival and promises to be as good as ever, with plenty of events for jazz lovers over the ten day festival. Visit the BerksJazzFest.com website and click on the schedule to see a listing of both ‘ticketed’ and ‘non-ticketed’ events. Smoothvibes.com contributor Jonathan Widran has written the biographies for artists which appears on the Berks Jazz Fest site and as shown in the festival guide.
Some fantastic theme concerts are on docket this year. The Motown sound, the Brazilian sound, and the Wes Montgomery sound all promise to be great concerts with a lot of players in each. The Berks All Star Jazz Jam is always a highlight. And Grammy Award winner Dianne Reeves will kick off the ten days of music on Friday evening, along with the legendary Joe Sample.
If you’ve never been here before, then you may wonder what it’s really like to travel to this small city within easy traveling distance to Philadelphia, Baltimore, and New York City. To satisfy your curiosity, here are some scenes from last year’s 15th anniversary festival. You’re probably familiar with many of the players in these photos – their shows were memorable examples of what happens when the lights go down and the focus is on the music that makes the festival worthwhile. So enjoy the photos, and get ready to capture your own special views, with either your camera or your mind’s eye. The best thing is, some of these artists will return for this year's celebration of jazz.
One of my favorite shows was Jeff Golub, shown here along with members of his band. This was a high energy show right from the start. There was an electric connection between the band members, and it wasn't long before Jeff told us this was the best band he's ever played with. They played so many of our favorite tunes, and so the audience encouragement was nonstop.
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Peter White's show featuring Jaared was another memorable show. Starting out with 'Something 'Bout Love', from the CD Confidential, it wasn't long before Peter launched into a string of covers, including 'The Closer I Get To You,' 'Who's That Lady?', and 'Papa Was a Rolling Stone.' Keyboard player David Sparkman had the greatest smile, and I didn't realize until later in the show that he's an awesome singer with his own CD.
Peter makes his shows so fun. First of all , it's obvious he has his favorite toy with him -- his guitar! He dances with it, is willing to just let loose and have fun. He tells us it's just him 'living out his rock and roll fantasy.' By the end of the night, I concluded that there is a reason why Peter White is such a crowd pleaser -- it's because he's pleasing himself.
Tom Grant, shown here at the Wyndham Hotel, played during the dinner hour on four days of the festival. He was also part of the Berks All Star Jazz Jam.
Chuck Loeb and David Mann played an awesome afternoon concert; Chuck Loeb also had a show with his wife, Carmen Cuesta, and he organized the Berks All Star Jazz Jam, as he does each year during the festival. Chuck mentioned that Berks is such a favorite festival, that it's very relaxed and happy here.
The Sax Pack was an awesome experience for jazz lovers. You sure can't beat the combination of Jeff Kashiwa, Kim Waters, and Steve Cole.
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Scenes from the Berks All Star Jazz Jam. There were about ten players on stage at once and it is always one of the most favorite shows during the Berks Jazz Festival.
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The Groovin' for Grover show couldn't have been better. Featuring players like Gerald Albright, Paul Taylor, Jeff Lorber and Richard Eliott, who could ask for more? One of the highlights, of course, was when they launched into 'Soulful Strut.'
In the last days before the start of the festival, I caught up with Connie Leinbach, executive director of the Berks Arts Council, and here is what she had to say:
“The FirstEnergy Berks Jazz Fest is a tremendous event in which the entire community can be proud. During Jazz Fest, the hotels are full, the restaurants are full, the streets are filled with jazz patrons, all of whom spend an estimated $5 million in Berks County while they're here.
“Berks Arts Council produces and benefits from the success of the FirstEnergy Berks Jazz Fest. The proceeds from the event are used to develop and maintain arts programs in the Berks County area. It also provides workshops for young, aspiring jazz musicians to learn from and play with professional musicians.
“To help make this all happen, the Arts Council enlists help from sponsors and 340 dedicated volunteers who donate over 5,000 hours of volunteer time as backstage crew, ushers, ticket-takers and merchandise sellers.
“We're thankful that Berks Countians support Jazz Fest by attending the concerts and volunteering their time, and that so many businesses support this event through their generous sponsorships. Arts events such as the FirstEnergy Berks Jazz Fest help put Berks County on the map as a vibrant place to live and have a business.”
One of the most special things about the festival is that fans and artists are so often in the same space -- not just the same venue as stage performers and audiences, but as artist and fan at the autograph table, getting to know each other perhaps for the first time at Meet the Artists, friend to friend as they enjoy time together that comes and goes all too quickly. It's not only media people or event organizers who get to rub shoulders with the artists, but you can, too, and that's sure to give you some of your best memories of the festival. It's a chance to renew acquaintances and develop lifelong friendships with other fans and the ever-growing group of artists that have been invited to play here for that always memorable month of March.
Media members will come from near and far. We're already planning get-togethers with each other and with artists. Peter Boehi, publisher of smoothvibes.com, has already arrived and Jonathan Widran will arrive mid-week. As always, please come to talk with us when you see us around town!
While you're here at Berks, or especially if you're unable to make it here this year, visit www.smoothvibes.com often to hear the music of this year's artists being played. Every day, we'll devote plenty of time to help you become more acquainted with the special music of Berks Jazz Fest 2006!!
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
Reading, Pennsylvania
MyGirlSunday22@aol.com
Photo Credits: Michael Packard
Chieli Minucci and Musicians for a Cause
Chieli Minucci has recently announced he will host a cruise to set sail in November. The cruise will feature Special EFX as the 'house band' and will include a line-up of some fantastic artists, including Kim Waters, Gerald Veasley, Jay Beckenstein of Spyro Gyra, Slow Train, and more.
Says Chieli, "This fall, I hope you will join us for an incredible long weekend (starting in Miami) of great music, a fun 70's disco party and more importantly for a great cause. This jazz cruise we will donate a portion of the proceeds to the National Coalition Against Domestic Violence. I am very excited to be able to help out this worthy organization as they educate and work to prevent domestic violence."
Carnival's Imagination will set sail November 2nd from Miami and travel to Key West and Cozumel. before returning to Miami on November 6th.
Chieli adds, "The guest artists that are involved in this venture are nothing less than stellar performers. I can't think of better performers to represent us in this first event." 
Fans can get more information about the cruise by visiting www.stewart-entertainment-and-events.com
For booking, please contact www.blueskiestravel.com
Chieli extends the invitation to join him for "fun, relaxation, jazz, sunsets, and more...."
Who could refuse such an offer?? Certainly not yours truly!
See you in November!
Happy Jazzin'
Beverly Packard
Jazz Circle Member of the Berks Arts Council
MyGirlSunday22@aol.com
Following is the latest press release concerning additional performers being added to the Berks Jazz Fest. Included here is ticket information as well as the complete lineup of major concerts so far, for those of you still trying to decide which tickets to purchase!
READING, PA -- February 2 – The legendary Chuck Mangione has joined the star-laden lineup of the 16th annual FirstEnergy Berks Jazz Fest.
For more than five decades, Mangione's love affair with music has been characterized by his boundless energy, unabashed enthusiasm and pure joy that radiates from the stage. His wondrous talents and crisp charisma will be on display on Friday, March 24, at the Scottish Rite Cathedral at 7:30 p.m. Tickets are $25 and $20.
The Berks Jazz Fest runs March 17-26 at multiple venues throughout Berks County and is presented by the Berks Arts Council.
The festival already has a bright constellation of stars such as Dianne Reeves, Joe Sample, Gerald Albright, Kirk Whalum, Ramsey Lewis, Brian Culbertson, David Benoit, Rick Braun, Richard Elliot, Gerald Veasley, Kurt Elling and the Robert Cray Band, among many others.
The 10-day lineup featuring over 130 concerts once again is an amazing palette, showcasing a diversity of musical styles that includes contemporary jazz, traditional jazz, big band, blues, Latin jazz, swing jazz, and more.
The Berks Jazz Fest prides itself on producing one-of-a kind all-star ensemble shows, and there are three marquee tributes this year to Marvin Gaye and Motown, Brazilian legend Ivan Lins and guitar great Wes Montgomery.
And now Chuck Mangione, known as the "Cat in the Hat," adds considerable marquee star power to the festival. He has released more than 30 albums during his venerable and laudable career.
His Berks Jazz Fest concert will be dedicated to the Reading Buccaneers Drum & Bugle Corps to celebrate its 2005 Drums Corps Associates (DCA) world championship. The Buccaneers, in winning their fifth DCA title, swept all judged categories en route to the second-highest score of any championship corps in the 41-year history of the DCA.
Mangione has an avid interest in drum and bugle corps, making the tribute to the Bucs a natural. The Buccaneers have had a long association with the Berks Jazz Fest. Their yeoman volunteer efforts in facilitating the loading in and loading out of equipment at multiple concerts at varied venues make it possible to have a festival of such scope.
Mangione and his flugelhorn achieved international success with his jazz-pop single, "Feels So Good", in 1977. A 1980 issue of Current Biography called "Feels So Good" the most recognized tune since "Michelle" by The Beatles.
Recently, jazz stations throughout the United States have recognized Mangione's "Feels So Good" as their all-time No. 1 song.
Early in his career, he was a member of Art Blakey's Jazz Messengers, for which he filled the trumpet seat, which had previously been held by greats such as Clifford Brown, Kenny Dorham, Bill Hardman, Lee Morgan and Freddie Hubbard.
Mangione won his first Grammy Award in 1976 for his album Bellavia, named to honor his mother. The Children of Sanchez double-album soundtrack won the Hollywood Foreign Press Association's Golden Globe Award, then earned him a second Grammy in 1978.
When Chuck performed in Poland for the 1999 Film and Jazz Festival, the “Children of Sanchez” track brought the audience to its feet. Unbeknownst to the composer, the piece had become somewhat of an anthem during the struggle for democracy and many in the audience were in tears, holding their hands over their hearts.
His song, "Give It All You Got," was the theme to the 1980 Winter Olympics held in Lake Placid, New York. He performed live at the closing ceremonies.
He also has a recurring role on the animated television series “King of the Hill”, portraying himself as a celebrity spokesman for Mega Lo Mart. The first episode of “King of the Hill” featuring Mangione originally aired on Valentine's Day 1998. The episode featured an original score specifically recorded for the occasion.
FirstEnergy Berks Jazz Fest concert tickets can be purchased by:
Stopping by the Sovereign Center Box Office, Seventh and Penn streets, Reading, to place your order in person.
Box Office hours
10 a.m.-5 p.m. Monday through Friday
10 a.m.-2 p.m. Saturday
Stopping by the Sovereign Performing Arts Center Box Office, 136 N. Sixth St., Reading, to place your order in person.
Box Office hours
10 a.m.-5 p.m. Monday through Friday
Ordering online at www.berksjazzfest.com
Call Ticketmaster at 215.336.2000 or visit www.ticketmaster.com. Have a credit card ready.
For more information on the festival, click on www.berksjazzfest.com
For more information on the Berks Arts Council, a nonprofit organization that promotes all the arts in an effort to enrich the quality of life in Berks County, click on www.berksarts.org
Major FirstEnergy Berks Jazz Fest concerts
Friday, March 17 -- Dianne Reeves plus Joe Sample, Sovereign Performing Arts Center, 7:30 p.m., $45 and $38
Friday, March 17 -- The Inn of Blues: Mose Allison plus Guy Davis, Inn at Reading Ballroom, 8 p.m., $28
Friday, March 17 -- Pieces of a Dream, Wyndham Reading Hotel Ballroom, 10:30 p.m., $30
Saturday, March 18 -- Gerald Albright and Kirk Whalum, Wyndham Reading Hotel Ballroom, 2 p.m., $38
Saturday, March 18 -- The Inn of Blues: Marcia Ball plus Clarence Spady Band with special guest Lou Pride, and Deb Callahan Band, Inn at Reading Ballroom, 7 p.m., $35
Saturday, March 18 -- Michael Manring, Tracy Silverman and David Cullen, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $12
Saturday, March 18 -- Ramsey Lewis & David Benoit with the Reading Pops Orchestra, Sovereign Performing Arts Center, 7:30 p.m., $45 and $38
Saturday, March 18 -- Gerald Albright and Kirk Whalum, Wyndham Reading Hotel Ballroom, 10:30 p.m., $38
Sunday, March 19 -- Jazz Goes to Church featuring Cyrus Chestnut, Kevin Mahogany and Kendrick Oliver & The New Life Jazz Orchestra, Wyndham Reading Hotel Ballroom, 2 p.m., $35
Sunday, March 19 -- Kyle Eastwood and his band, GoggleWorks Center for the Arts theater, 4 p.m. $20
Sunday, March 19 -- Robbi K & Friends, PAL Center for the Arts, 6 p.m., free community concert.
Sunday, March 19 -- 16th Anniversary Concert: The Music of Marvin Gaye & Motown featuring Jason Miles, Bobby Caldwell, Peter White, Candy Dulfer, Kevin Mahogany, Guida DePalma, Mike Mattison, Nick Colionne, Jay Beckenstein, Cesar Camargo Mariano, Bashiri Johnson, Gene Lake, Sherrod Barnes, Jonathan Maron, Dominick Farinacci, DJ Logic and more, Sovereign Performing Arts Center, 7 p.m., $45 and $38
Monday, March 20 -- U.S. Air Force Rhythm In Blues Jazz Ensemble with special guest Tom Coster plus Berks High School All-Star Jazz Band, Scottish Rite Cathedral, 7 p.m., free community concert
Monday, March 20 -- The Young Faces of Jazz: Taylor Eigsti and Julian Lage plus Liz Longley, Albright College Wachovia Theatre, 7:30 p.m., $15
Tuesday, March 21 -- U.S. Air Force Rhythm In Blues Jazz Ensemble with special guest Tom Coster plus Berks High School All-Star Jazz Band, Boyertown Senior High School, 7 p.m., free community concert
Tuesday, March 21 -- The Music of Sinatra & Friends: City Rhythm Orchestra, Wyndham Reading Hotel Ballroom, 7:30 p.m., $15
Tuesday, March 21 -- Mulgrew Miller Trio, Albright College Wachovia Theatre, 7:30 p.m., $20
Wednesday, March 22 -- Berks Jazz Fest Fantasy Camp Faculty Concert: Mulgrew Miller, Kurt Elling, Christian McBride, Jimmy Bruno, Bob Mintzer, John Swana and Steve Smith, Wyndham Reading Hotel Ballroom 7:30 p.m., $25
Wednesday, March 22 -- Joe McBride & The Texas Rhythm Club, Peanut Bar Restaurant, 9 p.m.
Thursday, March 23 -- Joe McBride, Wyndham Reading Hotel, 5 p.m.
Thursday, March 23 -- Gene Ludwig Trio featuring Dave Stryker and Vince Ector, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $10
Thursday, March 23 -- Chieli Minucci & Special EFX featuring Ken Navarro and the Berks Jazz Fest Horns, Wyndham Reading Hotel Ballroom, 7:30 p.m., $30
Thursday, March 23 -- Berks All-Star Jazz Jam featuring Rick Braun, Richard Elliot, Chuck Loeb, Gerald Veasley, Chieli Minucci, Ken Navarro, Joe McBride, Kenny Blake, Steve Smith, Tom Coster, Eric Darius and more, Sheraton Reading Hotel Ballroom, 10 p.m., $30
Friday, March 24 -- Joe McBride and Kenny Blake, Wyndham Reading Hotel, 5 p.m.
Friday, March 24 -- Gerald Veasley with special guest Kurt Elling, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m. and 10 p.m., $35
Friday, March 24 -- An Evening With Rick Braun & Richard Elliot, Sovereign Performing Arts Center, 7:30 p.m., $45 and $38
Friday, March 24 -- Chuck Mangione, Scottish Rite Cathedral, 7:30 p.m., $25 and $20
Friday, March 24 -- Jimi Hendrix Tribute: The Carl Filipiak Group, Wyndham Reading Hotel Ballroom, 9 p.m., $15
Friday, March 24 -- Najee, Sheraton Reading Hotel Ballroom, 10:30 p.m., $30
Saturday, March 25 -- Larry Carlton & The Blue Sapphire Band plus Richard Smith & Freddie Ravel Power Quartet featuring special guest Kim Waters, Sheraton Reading Hotel Ballroom, 1 p.m., $35
Saturday, March 25 -- Tommy Dorsey Orchestra, Wyndham Reading Hotel Ballroom, 2 p.m., $25
Saturday, March 25 -- Joe McBride and Kenny Blake, Wyndham Reading Hotel, 5 p.m.
Saturday, March 25 -- Triad featuring Steve Oliver, Michael Paulo and Gerald Veasley, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 6 p.m. and 10 p.m., $35
Saturday, March 25 -- Ivan Lins & Friends featuring Ivan Lins, Jason Miles, Jane Monheit, Brenda Russell, Candy Dulfer, Eliane Elias, Romero Lubambo, Leonardo Amuedo, Cafe, Vinny Colaiuta, Will Lee, Tom Harrell, Chuck Loeb and more, Sovereign Performing Arts Center, 7 p.m., $45 and $38
Saturday, March 25 -- The Robert Cray Band, Scottish Rite Cathedral, 7:30 p.m., $40 and $35
Saturday, March 25 -- Brian Culbertson with special guest Eric Darius, Sheraton Reading Hotel Ballroom, 10:30 p.m., $35
Sunday, March 26 -- WJJZ Smooth Jazz Sunday Brunch: Paul Jackson Jr., Sheraton Reading Hotel Ballroom, 10 a.m. and 1 p.m., $35
Sunday, March 26 -- Bona Fide featuring Slim Man, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 3 p.m., $20
Sunday, March 26 -- Be Still My Soul: Michell and Brian Culbertson, Atonement Lutheran Church, Wyomissing, 4 p.m. free will offering
Sunday, March 26 -- Tribute to Wes Montgomery: Chuck Loeb, Pat Martino, Paul Jackson Jr., Larry Carlton, Russell Malone, Earl Klugh and Jimmy Bruno plus a rhythm section of keyboardist Larry Goldings, drummer Vinny Colaiuta and bassist Will Lee, Scottish Rite Cathedral, 7 p.m., $40 and $35
Happy Jazzin'
Beverly Packard
Jazz Circle Member of the Berks Arts Council
MyGirlSunday22@aol.com
Weekly Radio Program Will Get Fans in the ‘Groove’ for the 16th Annual FirstEnergy Berks Jazz Fest
Here's a look at the latest press release from the home of the Berks Jazz Fest, targeting our local radio station's broadcast of "Berks Jazz Fest Groove" to be aired Sundays at 6 PM. The shows are hosted by Mike Anderson, Berks Jazz Fest Marketing Director. A friend with whom I've had the privilege of sharing the interview experience, I can tell you he's an upbeat, capable interviewer who gets to the heart of our favorite artists. Tune in and learn more as we head into the final weeks before the Berks Jazz Fest!
READING, PA – Jan. 26, 2006 – For the second consecutive year, jazz enthusiasts can get a sneak preview of the 2006 FirstEnergy Berks Jazz Fest on WEEU 830 AM in Reading.
“Berks Jazz Fest Groove” will air on WEEU at 6 p.m. Sunday nights beginning Feb. 26 and running through March 19. The 16th annual FirstEnergy Berks Jazz Fest is scheduled March 17-26 at various locations throughout Greater Reading.
“Once again, we will have a stellar group of jazz musicians on the radio program,” said host Mike Anderson. “This is a great opportunity for people to get jazzed about the festival.”
This year’s radio program will feature interviews with Mindi Abair, Brian Culbertson, Chieli Minucci of Special EFX, Bob Mintzer of The Yellowjackets and Greg Carmichael of Acoustic Alchemy as well as local and regional artists and new, rising stars of jazz.
In addition to interviews, the one-hour program will include musical clips and other highlights of the phenomenally successful FirstEnergy Berks Jazz Fest. The festival, featuring more than 130 events, is one of the top five smooth jazz events in the world, according to BBC Radio’s smooth jazz personality Steve Quirk.
Anderson, a talented saxophonist in his own right and the general partner of The Anderson Group, Sinking Spring, PA, has spent more than a dozen years planning, promoting, playing and producing events at the FirstEnergy Berks Jazz Fest. He has served as festival marketing coordinator since 1991.
Working with other artists at The Anderson Group, he designed the original festival logo, which has developed a powerful brand association. He also directs the merchandising design efforts that bring in thousands of dollars annually to the festival.
For more information about Berks Jazz Fest Groove and this year’s FirstEnergy Berks Jazz Fest, visit www.berksjazzfest.com.
Ticket information
. Visit the Sovereign Performing Arts Center Box Office, 136 N. Sixth St., Reading, to place your order in person.
. Visit the Sovereign Center Box Office, Seventh and Penn streets, Reading, to place your order in person.
. Call Ticketmaster at 215-336-2000 or visit www.ticketmaster.com. Have a credit card ready.
. Visit www.berksjazzfest.com and order directly online.
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
Reading, Pennsylvania
MyGirlSunday22@aol.com
Accomplished jazz bassist Kyle Eastwood is the latest marquee addition to the 16th annual FirstEnergy Berks Jazz Fest.
The Berks Jazz Fest runs March 17-26 at multiple venues throughout Berks County and is presented by the Berks Arts Council.
The festival already has a bright constellation of stars such as Dianne Reeves, Joe Sample, Gerald Albright, Kirk Whalum, Ramsey Lewis, David Benoit, Rick Braun, Richard Elliot, Gerald Veasley, Kurt Elling and the Robert Cray Band, among many others. In addition, three spectacular ensemble shows -- The Music of Marvin Gaye & Motown; Ivan Lins & Friends; and a Tribute to Wes Montgomery -- punctuate the lineup.
Eastwood and his band will perform on Sunday, March 19th, at 4 p.m. at the new GoggleWorks Center for the Arts theater, 2nd and Washington streets in downtown Reading.
In addition, the classic movie "Bird," which is about the life of bebop legend Charlie Parker and was produced by Clint Eastwood, will be appearing at the GoggleWorks Film Theater on Sunday, March 19th, following the concert.
Clint, a jazz lover, introduced his son to the genre at an early age.
Kyle, who is a physical dead ringer for his famous actor and director dad, grew up Caramel, California and remembers hearing Miles Davis, Dave Brubeck and the Stan Kenton Big Band as a child.
"Dad made sure I heard jazz," Kyle said. "He took us every year to the Monterey Jazz Festival. He introduced me to Sarah Vaughan, Miles Davis and other jazz legends. And at home, music was always there."
Kyle played the guitar as a child, then picked up the electric bass at the age of 18 and got serious. His father arranged for Kyle to study with the distinguished French bassist, Bunny Brunel. At age 23, Kyle formed his own band, West Quintet.
In the ensuing years Eastwood worked as a studio musician, backed pop singers and played film scores -- one of them his father's composition for "Unforgiven." Kyle became versed in a variety of styles.
But his roots remain in jazz.
After years of gigging around New York and Los Angeles, Kyle in 1998 released his first CD From There to Here, an upbeat collection of jazz standards and original music that features the vocals of Joni Mitchell.
Kyle also wrote a few tracks for his father's blockbuster film, "Million Dollar Baby," which starred Hillary Swank and Morgan Freeman along with Clint.
Kyle's second CD, Paris Blue, was released in 2004. He worked on the album while living in Paris with his own family. The album is a lot more personal with contributions from his father and his daughter, Graylen, who wore and recorded the introduction to the title track when she was only 9 years old.
Eastwood also has been causing quite a stir in the London jazz scene.
He promises to do the same at the Berks Jazz Fest.
Concert tickets can be purchased by:
Stopping by the Sovereign Center Box Office, Seventh and Penn streets, Reading, to place your order in person.
Box Office hours
10 a.m.-5 p.m. Monday through Friday
10 a.m.-2 p.m. Saturday
Stopping by the Sovereign Performing Arts Center Box Office, 136 N. Sixth St., Reading, to place your order in person.
Box Office hours
10 a.m.-5 p.m. Monday through Friday
Ordering online at www.berksjazzfest.com
Call Ticketmaster at 215.336.2000 or visit www.ticketmaster.com. Have a credit card ready.
For more information on the festival, click on www.berksjazzfest.com
For more information on the Berks Arts Council, a nonprofit organization that promotes all the arts in an effort to enrich the quality of life in Berks County, click on www.berksarts.org
by Beverly J. Packard
Yes, I was at Gerald Veasley's Jazz Base again!! You see, on November 4th a very special band was scheduled to play. I've heard them before, both live and on CDs named for them. I can summarize my reaction to this night of music with one word - speechless. A writer with no words. And that was after only the first set; after the second set, I was -- twice as speechless. The music is still filling my head and it's still hard for me to capture this night in words.
But there's no way to tell you about the show if I remain speechless. Typing the words might make it a little easier to convey my thoughts, so let's take the plunge and see where this goes.
The special band is named the Heads Up Super Band. Heads Up because that's the record company the main players --- Gerald Veasley, Kenny Blake, Joe McBride and Keith Carlock are signed with. Super because when a record company decides to put together a powerful combination for a concert or collection of songs on a CD, the result is truly Super. Super players with a super sound putting on a super concert. And that created an audience of super fans.
The fans were on the edge of their seats from the very first note and they were wonderfully expressive throughout the entire show! They couldn't sit still and they couldn't be quiet. I was hoping Gerald wasn't going to give us his usual plea to 'sit back'and 'relax' because it was obvious we weren't going to be able to do that on this night.
I'm not sure what it was that propelled all of us into sheer enthusiasm almost immediately. It might have been the look of expectancy on Gerald's face at the outset, or maybe it was Kenny Blake's total comfort up there and the way he literally seems to 'speak' with his saxophone; for him, playing is as easy as talking. Perhaps it was knowing that Keith Carlock, a drummer who might shy away from the limelight but is oh so present in every song, was here after having played with bands like Sting and Steely Dan.
It could have been the addition of the talented Berks Jazz Fest Horns -- the Shiny Horns, as Gerald calls them (Bill Miller on trombone, Chris Heslop on Baritone, Rob Diener on trumpet, Mike 'Bad' Anderson on saxophone) or the lovely Joelettes (Susan Ernesto, Toni Lynn, and Tracy Hamlin. Now that I think about it, it had to be all these things. But pushing us over the edge, I believe, was one additional factor I haven't yet mentioned.
I think we should simply call him Joe. Everyone knows him. Everyone loves him. What a picture of enthusiasm, what a picture of love for music and musicians and fans. After watching Joe McBride play the piano closely for the first time during the Berks Jazz Fest a few years ago, I wrote the following about him: 'When vision cannot distract, music seems to take a faster path from the heart to its expression.' I have the same thought about him now.
Everyone really does call him Joe, everyone except his stage woman, Susie Ernesto, who responds to him with 'Oh Johnnie' during that heart-breaking but crowd-pleasing number 'I Believe.' It's true we could say Joe created sympathy for himself in that song, when his woman went off with 'Johnnie Ernesto', and he certainly created some empathy when he jokingly tried to tell us he was afraid of the dark. Joe has a seasoned sense of humor, and his stage presence, sense of timing and rhythm is simply not to be surpassed. Gerald and the rest of the band enjoyed Joe's setting the tone and gladly indulged him for a fun-filled night.
The band had opened the Rehoboth Jazz Festival Wednesday and played the Jazz Base on Thursday. Rehoboth must have been a great warm-up because the Jazz Base show began in the pressure cooker with heat escaping from the pot in all directions.
The concert, a tribute to Ray Charles, included 'Night Time,' 'I Got A Woman,' 'I Believe,' 'Hit the Road Jack,' 'You Don't Know Me,' and 'Let The Good Times Roll.'
During the break, there was time to go outside for some fresh air and over the hotel radio came Steely Dan's 'What a Shame About Me' from their Two Against Nature CD featuring Keith Carlock on the drums! How exciting to know he was with the band, preparing for the second set, which included 'Hallelujah,' 'Georgia,' 'Unchain My Heart,' 'What I Say,' 'America,' and a fun reprise of 'Let The Good Times Roll.'
It was a super show, with a super ending. I continue to be amazed at Gerald's skill in leading a band, in fostering so much fun, audience connection, and last, but not least, in his head-bobbing that is not only to the quarter beat, but also occurs in double time, half time and syncopated time, as needed. I can't believe I didn't mention that before now!
Related links:
Heads Up International
Joe McBride
Kenny Blake
Keith Carlock
Gerald Veasley
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
Reading, Pennsylvania
MyGirlSunday22@aol.com
Photo credits: Michael C. Packard
Just when you thought the remarkably diverse and expansive 16th annual FirstEnergy Berks Jazz Fest couldn't get any bigger and better ... well, think again.
The lineup for Berks Jazz Fest 2006, which runs March 17-26 at multiple venues throughout Berks County and which is presented by the Berks Arts Council, now includes the City Rhythm Orchestra saluting the Music of Frank Sinatra & Friends; a very special Michelle and Brian Culbertson project featuring traditional hymns; charismatic keyboardist/vocalist Joe McBride; sax sensation Kenny Blake; and precocious vocalist Liz Longley.
The festival already has a bright constellation of stars such as Dianne Reeves, Joe Sample, Gerald Albright, Kirk Whalum, Ramsey Lewis, David Benoit, Rick Braun, Richard Elliot, Gerald Veasley, Kurt Elling and the Robert Cray Band, among many others. In addition, three spectacular ensemble shows -- The Music of Marvin Gaye & Motown; Ivan Lins & Friends; and a Tribute to Wes Montgomery -- punctuate the lineup.
The City Rhythm Orchestra, the 15-piece big band from Philadelphia, will play a stirring tribute to Frank Sinatra on Tuesday, March 21, at the Wyndham Reading Hotel Ballroom at 7:30 p.m. The band has been dazzling audiences for many years with its distinctive style and sound -- stellar horns, a rocking rhythm section, innovative arrangements and versatile vocalists. Its Sinatra salute promises to be an extraordinary experience.
Soprano Michelle Culbertson will sing traditional hymns from her new CD Be Still My Soul while husband Brian accompanies her on the piano in a special concert on Sunday, March 26, at Atonement Lutheran Church at 4 p.m. The album was produced and arranged by Michelle and Brian and also includes two original songs composed by Brian and noted songwriter Lindy Robbins.
Another notable addition to the festival lineup is vocalist Liz Longley, a senior at nearby Downingtown High School who will do an opening set for pianist prodigy Taylor Eigsti and guitarist phenom Julian Lage on Monday, March 20, at the Albright College Wachovia Theatre at 7:30 p.m.
Longley combines a variety of influences to create a sophisticated sound that belies her young age. Her extraordinary voice has been described as captivating and compelling.
Joe McBride, whose signature sound has ushered plenty of soul into smooth jazz over the years, will have multiple gigs at the festival. He and his Texas Rhythm Club band are performing Wednesday, March 22, at 9 p.m. at the Peanut Bar Restaurant.
McBride also is doing three special dinner shows at 5 p.m. at the Wyndham Reading Hotel Thursday through Saturday, March 23-25. On Friday and Saturday he will be joined by Kenny Blake, notable for combining traditional jazz leanings with modern rhythm and blues.
Brian Culbertson, as previously announced, will perform with special guest saxophonist Eric Darius on Saturday, March 25, at the Sheraton Reading Hotel Ballroom at 10:30 p.m. Darius also has joined the stellar Berks All-Star Jazz Jam lineup of Rick Braun, Richard Elliot, Chuck Loeb, Gerald Veasley, Chieli Minucci, Ken Navarro, Joe McBride, Kenny Blake, Steve Smith and Tom Coster.
Chuck Loeb, the renowned guitarist, composer, arranger, producer and recording artist, has joined the cast of the highly anticipated Ivan Lins & Friends ensemble on Saturday, March 25, at the Sovereign Performing Arts Center at 7 p.m.
The Jason Miles production also includes acclaimed Brazilian composer/pianist Ivan Lins himself, sensational vocalist Jane Monheit, renowned vocalist Brenda Russell, pianist/vocalist Eliane Elias, acclaimed saxophonist Nelson Rangell, Brazilian guitarist Romero Lubambo, guitarist Leonardo Amuedo, percussionist Cafe, percussionist Vinny Colaiuta, David Letterman Band bassist Will Lee, and top jazz trumpeter Tom Harrell.
Concert tickets can be purchased by:
Stopping by the Sovereign Center Box Office, Seventh and Penn streets, Reading, to place your order in person.
Box Office hours
10 a.m.-5 p.m. Monday through Friday
10 a.m.-2 p.m. Saturday
Stopping by the Sovereign Performing Arts Center Box Office, 136 N. Sixth St., Reading, to place your order in person.
Box Office hours
10 a.m.-5 p.m. Monday through Friday
Ordering online at www.berksjazzfest.com
Call Ticketmaster at 215.336.2000 or visit www.ticketmaster.com. Have a credit card ready.
For more information on the festival, click on www.berksjazzfest.com
For more information on the Berks Arts Council, a nonprofit organization that promotes all the arts in an effort to enrich the quality of life in Berks County, click on www.berksarts.org
Major concerts
Friday, March 17 -- Dianne Reeves plus Joe Sample, Sovereign Performing Arts Center, 7:30 p.m., $45 and $38
Friday, March 17 -- The Inn of Blues: Mose Allison plus Guy Davis, Inn at Reading Ballroom, 8 p.m., $28
Friday, March 17 -- Pieces of a Dream, Wyndham Reading Hotel Ballroom, 10:30 p.m., $30
Saturday, March 18 -- Gerald Albright and Kirk Whalum, Wyndham Reading Hotel Ballroom, 2 p.m., $38
Saturday, March 18 -- The Inn of Blues: Marcia Ball plus Clarence Spady and Deb Callahan Band, Inn at Reading Ballroom, 7 p.m., $35
Saturday, March 18 -- Michael Manring, Tracy Silverman and David Cullen, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $12
Saturday, March 18 -- Ramsey Lewis & David Benoit with the Reading Pops Orchestra, Sovereign Performing Arts Center, 7:30 p.m., $45 and $38
Saturday, March 18 -- Gerald Albright and Kirk Whalum, Wyndham Reading Hotel Ballroom, 10:30 p.m., $38
Sunday, March 19 -- Jazz Goes to Church featuring Cyrus Chestnut, Kevin Mahogany and Kendrick Oliver & The New Life Jazz Orchestra, Wyndham Reading Hotel Ballroom, 2 p.m., $35
Sunday, March 19 -- Robbi K & Friends, PAL Center for the Arts, 6 p.m., free community concert.
Sunday, March 19 -- 16th Anniversary Concert: The Music of Marvin Gaye & Motown featuring Jason Miles, Bobby Caldwell, Peter White, Kevin Mahogany, Guida DePalma, Mike Mattison, Nick Colionne, Jay Beckenstein, Cesar Camargo Mariano, Bashiri Johnson, Gene Lake, Sherrod Barnes, Jonathan Maron, Dominick Farinacci, DJ Logic and more, 7 p.m., $45 and $38
Monday, March 20 -- U.S. Air Force Rhythm In Blues Jazz Ensemble with special guest Tom Coster plus Berks High School All-Star Jazz Band, Scottish Rite Cathedral, 7 p.m., free community concert
Monday, March 20 -- The Young Faces of Jazz: Taylor Eigsti and Julian Lage plus Liz Longley, Albright College Wachovia Theatre, 7:30 p.m., $15
Tuesday, March 21 -- U.S. Air Force Rhythm In Blues Jazz Ensemble with special guest Tom Coster plus Berks High School All-Star Jazz Band, Boyertown Senior High School, 7 p.m., free community concert
Tuesday, March 21 -- The Music of Sinatra & Friends: City Rhythm Orchestra, Wyndham Reading Hotel Ballroom, 7:30 p.m., $15
Tuesday, March 21 -- Mulgrew Miller Trio, Albright College Wachovia Theatre, 7:30 p.m., $20
Wednesday, March 22 -- Berks Jazz Fest Fantasy Camp Faculty Concert: Mulgrew Miller, Kurt Elling, Christian McBride, Jimmy Bruno, Bob Mintzer, John Swana and Steve Smith, Wyndham Reading Hotel Ballroom 7:30 p.m., $25
Wednesday, March 22 -- Joe McBride & The Texas Rhythm Club, Peanut Bar Restaurant, 9 p.m.
Thursday, March 23 -- Joe McBride, Wyndham Reading Hotel, 5 p.m.
Thursday, March 23 -- Gene Ludwig Trio featuring Dave Stryker and Vince Ector, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $10
Thursday, March 23 -- Chieli Minucci & Special EFX featuring Ken Navarro and the Berks Jazz Fest Horns, Wyndham Reading Hotel Ballroom, 7:30 p.m., $30
Thursday, March 23 -- Berks All-Star Jazz Jam featuring Rick Braun, Richard Elliot, Chuck Loeb, Gerald Veasley, Chieli Minucci, Ken Navarro, Joe McBride, Kenny Blake, Steve Smith, Tom Coster, Eric Darius and more, Sheraton Reading Hotel Ballroom, 10 p.m., $30
Friday, March 24 -- Joe McBride and Kenny Blake, Wyndham Reading Hotel, 5 p.m.
Friday, March 24 -- Gerald Veasley with special guest Kurt Elling, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m. and 10 p.m., $35
Friday, March 24 -- An Evening With Rick Braun & Richard Elliot, Sovereign Performing Arts Center, 7:30 p.m., $45 and $38
Friday, March 24 -- River City Brass Band, Scottish Rite Cathedral, 7:30 p.m., $25 and $20
Friday, March 24 -- Jimi Hendrix Tribute: The Carl Filipiak Group, Wyndham Reading Hotel Ballroom, 9 p.m., $15
Friday, March 24 -- Najee, Sheraton Reading Hotel Ballroom, 10:30 p.m., $30
Saturday, March 25 -- Larry Carlton & The Blue Sapphire Band plus Richard Smith & Freddie Ravel Power Quartet featuring special guest Kim Waters, Sheraton Reading Hotel Ballroom, 1 p.m., $35
Saturday, March 25 -- Tommy Dorsey Orchestra, Wyndham Reading Hotel Ballroom, 2 p.m., $25
Saturday, March 25 -- Joe McBride and Kenny Blake, Wyndham Reading Hotel, 5 p.m.
Saturday, March 25 -- Triad featuring Steve Oliver, Michael Paulo and Gerald Veasley, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 6 p.m. and 10 p.m., $35
Saturday, March 25 -- Ivan Lins & Friends featuring Ivan Lins, Jason Miles, Jane Monheit, Brenda Russell, Eliane Elias, Nelson Rangell, Romero Lubambo, Leonardo Amuedo, Cafe, Vinny Colaiuta, Will Lee, Tom Harrell, Chuck Loeb and more, Sovereign Performing Arts Center, 7 p.m., $45 and $38
Saturday, March 25 -- The Robert Cray Band, Scottish Rite Cathedral, 7:30 p.m., $40 and $35
Saturday, March 25 -- Brian Culbertson with special guest Eric Darius, Sheraton Reading Hotel Ballroom, 10:30 p.m., $35
Sunday, March 26 -- WJJZ Smooth Jazz Sunday Brunch: Paul Jackson Jr., Sheraton Reading Hotel Ballroom, 10 a.m. and 1 p.m., $35
Sunday, March 26 -- Bona Fide featuring Slim Man, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 3 p.m., $20
Sunday, March 26 -- Be Still My Soul: Michelle and Brian Culbertson, Atonement Lutheran Church, Wyomissing, 4 p.m. free will offering
Sunday, March 26 -- Tribute to Wes Montgomery: Chuck Loeb, Pat Martino, Paul Jackson Jr., Larry Carlton, Russell Malone, Earl Klugh and Jimmy Bruno plus a rhythm section of keyboardist Larry Goldings, drummer Vinny Colaiuta and bassist Will Lee, Scottish Rite Cathedral, 7 p.m., $40 and $35
by Beverly J. Packard
August, 2005, brought Nick Colionne and a memorable concert experience to Gerald Veasley's Jazz Base in Reading. I wish I could provide a video clip right here so that you could be properly introduced, or re-introduced, to this most debonair of artists. He's got to be on the list of the Best Dressed artists of the year, and by the looks of his website and CD covers, he's taken his place on this list for a number of years.
Lest I seem to make his appearance more important than it should be in the overall scheme of things, let me quickly add that it only enhances the substance that is found in his playing. If I could characterize him with one phrase, I'd say his playing comes from deep within him -- his music is etched with lines of life, experience, raw feeling and soul almost beyond belief.
The first two songs were from Colionne's first CD, It's My Turn. The soul showed up right away in 'Soulful Strut,' and by the time the band finished 'Back Down Evergreen,' I had only one word in mind: unbelievable. The pace slowed with 'A Rainy Night in Georgia,' a truly beautiful rendition with Nick as vocalist, a very capable master of musical phrasing. The set also included 'It's Been Too Long' from his current CD.
Nick's band included Brian Danzy and John Blasucci on keyboards; Dave Hiltebrand on bass, and Chris Miskel on drums. 'Drumbalaya,' written by keyboard player Brian Danzy, began with the drums and moved into a Latin jazz sound. Miskel is a very crisp, precise player.
There is so much to say about Nick Colionne. He's distinctive in his playing, his style, his smile and the twinkle in his eye. And he has not only a very distinctive guitar voice, but also a distinctive human voice, along with a ready sense of humor. His CD commercials, personally directed to the ladies in the audience, brought some good laughs and no doubt some extra CD sales. With his white hat and stylish clothes, he's the epitome of smooth, for sure.
In addition to everything else that makes up Nick Colionne, intensity is another facet. As he closes the distance between himself and others in the band, his intense eye contact brings out the best in both himself and the selected player. It's as if they stare into each other's souls until they're on the same plane ' the same wavelength. What a sight to see.
Nick is a master of timing. He does the unexpected and it fits perfectly. My favorite song of the evening was the poignant 'Everything Must Change.' The band did a superb job, and although he mentioned this song was for a particular person in the audience ' 'she knows who she is,' he undoubtedly knew that many of us could personally relate to the words of that song, which are like an oasis in the uncertain desert of change.
The tribute to George Benson's 'On Broadway' was a great opportunity for Colionne to show his love of the guitar playing and inspiration of Benson. I believe Nick went to the same place Gerald Veasley goes when he plays; there must be some kind of jazz base up there in the clouds. During this number, when I was certain keyboardist Danzy went about as far as a keyboard player could go, he went even farther. I don't think any of us could believe what we saw and heard! This song really showed how fluid these players are.
The show ended with 'Just Come On In' from the new CD of the same title. Again, a great demonstration of all the talent in this band, with even more evidence of the nimble fingers of the keyboard player.
For those who've seen Colionne often, count yourself blessed. As for me, I was awestruck and am eager to be in the audience again when he's on stage.
To learn more about Nick Colionne, visit his website
To learn more about Gerald Veasley's Jazz Base, visit GeraldVeasleysJazzBase.com.
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
Reading, Pennsylvania
MyGirlSunday22@aol.com
Photo Credits: Michael C. Packard (seen here with Nick Colionne)
by Beverly J. Packard
Now that winter is fast approaching and thoughts are turning to the upcoming Berks Jazz Fest, I don't want to let this time go by without paying tribute to more of the great shows that occurred this past summer during the Berks Summer Jazz Series.
On July 28th, just when we thought the heat of summer was too much to bear, Reading was blessed with cooler weather. Along with cooler breezes, JAARED arrived at the Gerald Veasley Jazz Base. With his great blend of songs, he and his very tight band made a lasting impression.
Jaared is a high energy performer and each of his songs is marked with a very captivating beat. The length of time he can hold a note is surpassed only by the long route he can take to the end of a song. In fact, Jaared travels a longer route to the last note of a song than any artist I know, but what an interesting journey it is.
Songs included 'Happy Times,' an upbeat tune heavily influenced by David Sanborn, with great guitar and vocals. There was a stunning rendition of 'Maputo,' a song from Sanborn's Double Vision album with Bob James; this included quite a performance by Eli Staples, keyboard player who played with Ashanti and who is now Jaared's #1 choice for this instrument.
After a few songs, Jaared told us he was loving it so far at the Jazz Base and thanked us for indulging the band, who he said "has few guidelines or chords written down, so that we never know what we're going to do." The crowd didn't mind that at all and gladly followed wherever the band's improvisational style carried them. Jaared was so appreciative of Reading's efforts to help him put on a successful concert that he also took a moment to present flowers to one of the Stage Right crew members who's been especially helpful.
'Ibiza' was a wonderful song with awesome solos, and during a portion of it, Jaared was down on his knees, Richard Elliot style. From there he played a song from his new CD, entitled 'Love Taken Over,' and then launched into all-time Hall and Oates' favorite 'Sarah Smile.' To my surprise, he sang this one, and I was impressed with his talent as a vocalist.
The second set included 'Search Light,' featuring a great drum solo by Raice McLeod, who is from New Zealand and has played with Olivia Newton John, followed by 'Moonbeams.' Bass guitarist Doc Samba led the band into 'Chicken' and a great time of jamming. Stan Cooper, sought-after guitarist who has played with everyone you can think of, demonstrated his tremendous talent. The rendition of 'Superstar,' a personal favorite of mine, was mesmerizing, and a great lead-in to 'I'll Be There,' which Jaared turned into a lullaby while traveling to all corners of the club. What a crowd pleaser he is.
The band ended the night with a heart-warming rendition of the Star Spangled Banner followed by 'Hang Time' from Jaared's latest CD of the same title. It was an energetic ending to an energizing night.
I thought he put together an excellent blend of songs for the show. Not only the combination of uptempo and reflective, but the blend of original and cover tunes was very satisfying. I love to hear artists play their own compositions and I also enjoy hearing what they do with familiar favorites of mine. Contemporary nostalgia at its best!
To learn more about Jaared, visit his website Jaared.com.
To learn more about this venue, visit GeraldVeasleysJazzBase.com.
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
Reading, Pennsylvania
MyGirlSunday22@aol.com
Photo Credits: Michael C. Packard
The exclamation points punctuating the 16th annual FirstEnergy Berks Jazz Fest are several exceptional one-of-a-kind concerts featuring some of the top names in jazz ... special events produced to usher magic into souls.
The festival, presented by the Berks Arts Council, features the brightest constellation of stars in its history. And considering the staggering scale of its proud legacy, that's a galaxy of star power.
The Berks Jazz Fest runs March 17-26, 2006 at multiple venues throughout Berks County and is stocked with a lineup of artists deep and talented enough to merit considerable conversation. There's such a vibe throughout Berks during the festival it's as if everybody is celebrating birthdays at the same time and everybody is invited to the party.
Unique concerts being produced for Berks Jazz Fest include tributes to the music of Marvin Gaye and Motown; Brazilian legend Ivan Lins; and guitar great Wes Montgomery.
The festival has a spectacular beginning with Grammy Award-winning vocalist Dianne Reeves and keyboard icon Joe Sample performing in a grand opening concert.
The 10-day lineup once again is an amazing palette, featuring a diversity of musical styles that includes contemporary jazz, traditional jazz, big band, blues, Latin jazz, swing jazz, and more. Such an effusive range and depth give the festival a singular appeal that is never dulled by time.
The Berks Jazz Fest's 16th Anniversary Concert undoubtedly will be cause for some serious jubilation among patrons. It spotlights the Music of Marvin Gaye & Motown. Gaye, the bestselling Motown artist of all time, utilized his soulful voice to help shape the Motown sound. The music of Gaye and Motown has had a profound impact on the soulful grooves and stylish vocals that define smooth jazz.
Producer/arranger/keyboardist Jason Miles is using his extraordinary talents to blend the exquisite talents of vocalist Bobby Caldwell, superstar guitarist Peter White, vocalist Kevin Mahogany, vocalist Guida DePalma, vocalist Mike Mattison of Derek Trucks Band fame, guitarist Nick Colionne, saxophonist Jay Beckenstein of Spyro Gyra fame, turntables master DJ Logic who is bringing jazz into the hip hop sphere, Brazilian pianist Cesar Camargo Mariano and Brazilian percussion master Bashiri Johnson.
Another enthralling special project being produced by Jason Miles for the festival is Ivan Lins & Friends, which features acclaimed Brazilian composer/pianist Ivan Lins himself, sensational vocalist Jane Monheit, renowned vocalist Brenda Russell, pianist/vocalist Eliane Elias, acclaimed saxophonist Nelson Rangell, Brazilian guitarist Homero Lubambo, guitarist Leonardo Avedo, percussionist Cyro Baptista, percussionist Vinny Colaiuta, David Letterman Band bassist Will Lee and top jazz trumpeter Tom Harrell.
The Tribute to Wes Montgomery promises to resonate with huge dollops of applause. It is being produced by Chuck Loeb, one of the best in the business. Marvelous guitarists joining Loeb are Pat Martino, Paul Jackson Jr., Larry Carlton, Russell Malone, Earl Klugh and Jimmy Bruno. A rhythm section of keyboardist Larry Goldings, drummer Vinny Colaiuta and bassist Will Lee will help rekindle the music of the jazz guitar great. Montgomery's fluid style and trademark use of octaves inspired many of today's most popular guitarists.
The fest's stellar lineup is populated with the jazz and blues elite, artists guaranteed to rattle the tectonic plates under the greater Reading area during the 10-day riff. And if you think that's mere hyperbole, well, you've never experienced the crackling energy the festival generates.
Providing the Berks Jazz Fest with plenty of musical substance, style and splendor are the likes of:
Dianne Reeves, one of the pre-eminent jazz vocalists in the world. She won a Grammy for Best Jazz Vocal Performance for each her last three recordings -- a Grammy first in any vocacategory. Reeves is heavily featured in this fall's movie with a big buzz, George Clooney's Good Night. And Good Luck. Clooney handpicked each song for the film's soundtrack, featuring Dianne on new renditions of such classics as "One For My Baby," "Straighten Up and Fly Right" and "Too Close for Comfort" as well as a new tune, "Who's Minding the Store." Reeves is noted for her powerful storytelling instinct, her breathtaking gift of improvisation and her unique blend of jazz and R&B stylings.
Joe Sample, the legendary pianist and composer who has been an integraand innovative part of jazz history.
Two esteemed composers/pianists in Ramsey Lewis, dubbed as the "the great performer", and David Benoit, who helped pioneer the contemporary jazz sound, performing with the Reading Pops Orchestra.
Charismatic trumpeter Rick Braun and sizzling saxophonist Richard Elliot performing together. These popular performers have captivated Berks Jazz Fest audiences over the years and teaming them up is sure to ignite a marvelous sound.
Dynamic multi-instrumentalist and fan favorite Brian Culbertson with special guest saxophonist Eric Darius. Culbertson, primarily a keyboardist, is a smooth jazz icon and he's notable for balancing a sense of cool seduction with one of the most energetic live shows in the genre. Darius is one of the hottest young stars in smooth jazz.
Legendary guitarist Chieli Minucci & Special EFX with special guest guitarist Ken Navarro.
Saxophonist Bob Mintzer of Yellowjackets fame.
The River City Brass Band, which masterfully combines the full richness of a symphony orchestra, the intimacy of a chamber ensemble and the swinging sound of a big band into an entertaining mix.
Eclectic guitarist Larry Carlton of Fourplay fame and the Blue Sapphire Band.
Guitarist Paul Jackson Jr., who excels as a solo artist, sideman and session player and is considered to be one of the funkiest, soulful and versatile guitarists in all of smooth jazz.
Renowned guitarist, composer, arranger, producer, educator and recording artist Chuck Loeb.
Superstar bassist and Berks Jazz Fest perennial Gerald Veasley, who has made Berks County his second home with his bass boot camp during the festival and the weekly Thursday jazz shows throughout the year at Gerald Veasley's Jazz Base at the Sheraton Reading Hotel.
Internationally prominent and groundbreaking vocalist, composer and lyricist Kurt Elling, who will team up with Gerald Veasley.
Superstar soulful saxophonists Gerald Albright and Kirk Whalum, who share a mutual love for the music and legacy of Grover Washington Jr., teaming up and performing with one band.
The young faces of jazz: pianist prodigy Taylor Eigsti and precocious guitarist Julian Lage.
And the list of 2006 Berks Jazz Fest artists goes on with such luminaries as The Robert Cray Band that is ushering the blues idiom in the future; versatile saxophonist Najee, one of contemporary jazz's true pioneers; the legendary Tommy Dorsey Orchestra, featuring all-time great trombonist Buddy Morrow as conductor; Pieces of a Dream, one of the most popular and enduring recording and touring ensembles in contemporary jazz; guitarist/vocalist Steve Oliver; saxophonist Michael Paulo; superstar bassist Michael Manring; electric violinist Tracy Silverman; and Reading's own Grammy Award-winning guitarist David Cullen, a featured soloist in the 2006-2007 Windham Hill 30th Anniversary Winter Solstice Concerts.
Also, dynamic guitarist Richard Smith's and talented keyboardist Freddie Ravel's Power Quartet; superstar urban smooth jazz saxophonist and trendsetter Kim Waters; jazz organ sensation Gene Ludwig's Trio featuring guitarist Dave Stryker and percussionist Vince Ector; dynamic jazz guitarist Carl Filipiak and his group in a special Jimi Hendrix tribute; jazz/blues pianist/vocalist Mose Allison, noted for his incredible stylistic diversity; blues guitarist Guy Davis; blues pianist/vocalist Marcia Ball, known as the bayou queen of the piano; blues guitarist Clarence Spady from nearby Scranton; blues and soul-drenched vocalist Deb Callahan and her band; the legendary Godfather of British blues John Mayall & The Bluesbreakers, a group that served as a finishing school for such marquee blues rockers as guitarists Eric Clapton, Peter Green and Mick Taylor; the Mulgrew Miller Trio; Bona Fide featuring the smooth jazz vocals of Slim Man; and Jazz Goes to Church featuring accomplished pianist Cyrus Chestnut, marquee vocalist Kevin Mahogany and Kendrick Oliver & The New Life Jazz Orchestra.
Of course, the Berks All-Star Jam is a perennial must-see concert. This year's party features Rick Braun, Richard Elliot, Chuck Loeb, Gerald Veasley, Chieli Minucci, Ken Navarro, keyboardist/vocalist Joe McBride, saxophonist Kenny Blake, drummer Steve Smith of Journey and Vital Information fame, and keyboardist Tom Coster of Santana and Vital Information acclaim, and more.
Plus, there's the Berks Jazz Fest Fantasy Camp Faculty Concert featuring Mulgrew Miller, Kurt Elling, Jimmy Bruno, Bob Mintzer, Steve Smith, trumpeter John Swana, bassist Christian McBride and more -- a must attraction for fans of more traditional jazz.
Little wonder that the Berks Jazz Fest regularly attracts 45,000-plus patrons from approximately 40 states, Puerto Rico, the Bahamas, England and Europe ... jazz lovers who spend an estimated $5 million in Berks County during the festival.
Including a number of non-ticketed events, there likely will be over 130 concerts at major venues, clubs and restaurants throughout the greater Reading area.
Yes, the Berks Jazz Fest figures to be a hyperkinetic 10 days guaranteed to raise eyebrows, waggle ears, generate sunbeam smiles, bob heads in rhythm and trigger hands to clap. Rapture, you know, does that to people.
Schedule of major ticketed events:
Friday, March 17 -- Dianne Reeves plus Joe Sample, Sovereign Performing Arts Center, 7:30 p.m., $45 and $38
Friday, March 17 -- The Inn of Blues: Mose Allison plus Guy Davis, Inn at Reading Ballroom, 8 p.m., $28
Friday, March 17 -- Pieces of a Dream, Wyndham Reading Hotel Ballroom, 10:30 p.m., $30
Saturday, March 18 -- Gerald Albright and Kirk Whalum, Wyndham Reading Hotel Ballroom, 2 p.m., $38
Saturday, March 18 -- The Inn of Blues: Marcia Ball plus Clarence Spady and Deb Callahan Band, Inn at Reading Ballroom, 7 p.m., $35
Saturday, March 18 -- Michael Manring, Tracy Silverman and David Cullen, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $12
Saturday, March 18 -- Ramsey Lewis & David Benoit with the Reading Pops Orchestra, Sovereign Performing Arts Center, 7:30 p.m., $45 and $38
Saturday, March 18 -- Gerald Albright and Kirk Whalum, Wyndham Reading Hotel Ballroom, 10:30 p.m., $38
Sunday, March 19 -- Jazz Goes to Church featuring Cyrus Chestnut, Kevin Mahogany and Kendrick Oliver & The New Life Jazz Orchestra, Wyndham Reading Hotel Ballroom, 2 p.m., $35
Sunday, March 19 -- 16th Anniversary Concert: The Music of Marvin Gaye & Motown featuring Jason Miles, Bobby Caldwell, Peter White, Kevin Mahogany, Guida DePalma, Mike Mattison, Nick Colionne, Jay Beckenstein, Gerald Albright, DJ Logic, Cesar Camargo Mariano, Bashiri Johnson and more, 7 p.m., $45 and $38
Monday, March 20 -- The Young Faces of Jazz: Taylor Eigsti and Julian Lage, Albright College Wachovia Theatre, 7:30 p.m., $15
Tuesday, March 21 -- Mulgrew Miller Trio, Albright College Wachovia Theatre, 7:30 p.m., $20
Wednesday, March 22 -- Berks Jazz Fest Fantasy Camp Faculty Concert: Mulgrew Miller, Kurt Elling, Christian McBride, Jimmy Bruno, Bob Mintzer, John Swana and Steve Smith, Wyndham Reading Hotel Ballroom 7:30 p.m., $25
Thursday, March 23 -- Gene Ludwig Trio featuring Dave Stryker and Vince Ector, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m., $10
Thursday, March 23 -- Chieli Minucci & Special EFX featuring Ken Navarro and the Berks Jazz Fest Horns, Wyndham Reading Hotel Ballroom, 7:30 p.m., $30
Thursday, March 23 -- Berks All-Star Jazz Jam featuring Rick Braun, Richard Elliot, Chuck Loeb, Gerald Veasley, Chieli Minucci, Ken Navarro, Joe McBride, Kenny Blake, Steve Smith, Tom Coster and more, Sheraton Reading Hotel Ballroom, 10 p.m., $30
Friday, March 24 -- Gerald Veasley with special guest Kurt Elling, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 7 p.m. and 10 p.m., $35
Friday, March 24 -- An Evening With Rick Braun & Richard Elliot, Sovereign Performing Arts Center, 7:30 p.m., $45 and $38
Friday, March 24 -- River City Brass Band, Scottish Rite Cathedral, 7:30 p.m., $25 and $20
Friday, March 24 -- Jimi Hendrix Tribute: The Carl Filipiak Group, Wyndham Reading Hotel Ballroom, 9 p.m., $15
Friday, March 24 -- Najee, Sheraton Reading Hotel Ballroom, 10:30 p.m., $30
Saturday, March 25 -- Larry Carlton & The Blue Sapphire Band plus Richard Smith & Freddie Ravel Power Quartet featuring special guest Kim Waters, Sheraton Reading Hotel Ballroom, 1 p.m., $35
Saturday, March 25 -- Tommy Dorsey Orchestra, Wyndham Reading Hotel Ballroom, 2 p.m., $25
Saturday, March 25 -- Triad featuring Steve Oliver, Michael Paulo and Gerald Veasley, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel, 6 p.m. and 10 p.m., $35
Saturday, March 25 -- Ivan Lins & Friends featuring Ivan Lins, Jason Miles, Jane Monheit, Brenda Russell, Eliane Elias, Nelson Rangell, Homero Lubambo, Leonardo Avedo, Cyro Baptista, Vinny Colaiuta, Will Lee, Tom Harrell and more, Sovereign Performing Arts Center, 7 p.m., $45 and $38
Saturday, March 25 -- The Robert Cray Band, Scottish Rite Cathedral, 7:30 p.m., $40 and $35
Saturday, March 25 -- John Mayall & The Bluesbreakers, Wyndham Reading Hotel Ballroom, 10 p.m., $35
Saturday, March 25 -- Brian Culbertson with special guest Eric Darius, Sheraton Reading Hotel Ballroom, 10:30 p.m., $35
Sunday, March 26 -- WJJZ Smooth Jazz Sunday Brunch: Paul Jackson Jr., Sheraton Reading Hotel Ballroom, 10 a.m. and 1 p.m., $35
Sunday, March 26 -- Bona Fide featuring Slim Man, Gerald Veasley's Jazz Base at the Sheraton Reading Hotel. 3 p.m., $20
Sunday, March 26 -- Tribute to Wes Montgomery: Chuck Loeb, Pat Martino, Paul Jackson Jr., Larry Carlton, Russell Malone, Earl Klugh and Jimmy Bruno plus a rhythm section of keyboardist Larry Goldings, drummer Vinny Colaiuta and bassist Will Lee, Scottish Rite Cathedral, 7 p.m., $40 and $35
September marks the first anniversary of the opening of Gerald Veasley's Jazz Base in Reading, Pennsylvania, so Happy Birthday, Jazz Base! Congratulations to Gerald Veasley, the extremely talented bass player who's made Reading his artistic home, John Ernesto, general manager of the Berks Jazz Fest, the Stage Right Production crew and the Sheraton for an exciting and memorable first year!
This first birthday party included another Thursday night of great music with Gerald Veasley and his band members: Will Brock and Pete Kuzma on keyboards, Eric Green on drums, and saxophonist Chris Farr. What made the night even more special was the addition of special guest and long-time friend Chieli Minucci, guitarist and composer extraordinnaire!
In his usual style, Gerald asked the audience to 'Sit back...and relax...'
Each of two sets began with Veasley and the band playing a few favorites, songs like 'Coup de Ville,' 'Do You Remember,' 'Do I Do,' 'Sugartime,' 'Deeper,' and 'Valdez in the Country.' The band was simply awesome.
Once Chieli joined them each set after about four songs, the high that Gerald felt having Chieli on stage with him was totally infectious. With Chieli there, the hallmarks of a Gerald Veasley performance -- the smiles, the becoming totally lost in the moment, and the intricacies of his techniques -- were as excellent as always, and then some! Gerald did a solo that was so out of sight it must be recorded in the heavens somewhere!
Likewise, Chieli's been eager to play with Gerald's band, having done a show with them in Rehoboth Beach last year. He relished having this talented and very tight band with him every step of the way -- he was free to play with the same level of intensity and passion as he does with his own band, to the crowd's delight. Chieli is a real favorite among fans.
Along with Gerald's songs and keyboard player Will Brock's legendary 'Home,' fans were treated to Chieli and/or Special EFX compositions of 'Kickin' It Hard,' 'Cruise Control,' 'Speak to Me,' and Stevie Wonder's 'Cause We've Ended As Lovers.' Duos of Chieli with other band members were magnificent and fun to watch. 'Kickin It Hard' was especially outstanding and turned into quite a jam session.
The combination of Chieli playing Veasley's music and this band playing Chieli and Special EFX music was a sight and sound to behold. Chieli and Gerald definitely brought out the best of the best in each other, and had an enormous amount of fun. After watching each of them during many shows, it's evident that talented musical artists continue to evolve over time and become even better at what they do.
Fortunately for the fans, this exciting night of music lasted even beyond the scheduled ending time! Some fans went home with prizes won during a raffle drawing: concert tickets, Berks Jazz Fest jackets and t-shirts. If you didn't attend, you missed your chance to get a free, one-and-only Jazz Base cup!
Hope to see you at the Jazz Base!
Latest CDs:
Gerald Veasley, At the Jazz Base
Chieli Minucci, Got It Goin' On
For more information about the artists, visit their websites:
GeraldVeasleysJazzBase.com
ChieliMusic.com
Happy Jazzin'
Beverly J. Packard
Jazz Circle Member of the Berks Arts Council
MyGirlSunday22@aol.com
Photo Credits: Michael Packard
by Beverly J. Packard
Having witnessed the development of Gerald Veasley's home away from home at the Jazz Base in the Sheraton Hotel, Reading, Pennsylvania, the energy of the live CD recording and CD release party, it's time to recap a treasured moment: a long talk with this nearly always smiling, easy going, among the most masterful bass guitarists in jazzdom.
The CD, appropriately titled Gerald Veasley: At the Jazz Base! was officially released last week (July 26th) by Heads Up International. Hopefully you have your copy and now you can just 'sit...back...and relax,' Gerald Veasley style, and listen to what he has to say about the events of the past year -- and more -- when I spoke with him in June.
Included are pictures from the CD recording session itself, the CD release party, and the 50th birthday party celebration.
BJP: Hi Gerald! It's so exciting to talk with you, and of course you know how I love the Jazz Base.
GV: You're a big supporter!
BJP: Thanks. You know you'll see our smiling faces there this week for the Chuck Loeb show, and you have such a great summer line up for the club.
GV: Yes, I'll be there with Chuck Loeb, in fact, I'll be sitting in with the band on a few numbers. A little later in the summer we'll have Jaared, and Nick Colionne, and in September we have Acoustic Alchemy.
BJP: This is a very exciting time for you, and for your fans in Reading with the Jazz Base – that place is only getting better and better. What is it that gave you the vision for it?
GV: I won’t take full responsibility. It was a lot of things coming together. It was the Sheraton seeing an opportunity, as they had seen success with their comedy club, and of course, John Ernesto -- he threw his marketing expertise behind the idea, as well as the generous volunteers who come down and give of their time, Stage Right Productions. A whole host of people put this thing together, and then the artistic name given to it. I also thought it was very important that Reading have an outlet for jazz; it complements what happens there once a year with the Berks Jazz Fest.
BJP: It's so great that we have this year round……it's exciting to be able to learn a lot about the music and the artists. How do bands get to play there? Do you contact them or do they contact you by now?
GV: People are contacting us. They contact me, or John Ernesto. There are a lot of people who are looking for places like this. It's great for regional acts, to give them additional exposure, it’s great for national acts coming in on a Thursday who are playing New York or Philadelphia on the weekend. So it gives them the opportunity to play on a Thursday night in conjunction with their weekend shows.
BJP: The Jazz Base has been called the House of the Flying Vee . I saw on one of your CDs that you have something called Flying Vee Music. I just have to know, where did the term Flying Vee start?
GV: Friends of mine had a band together, one of the first bands to help me get off the ground a bit as a performer and a songwriter, Reverie, and that was one of the nicknames the guys in the band had for me.
BJP: I like that. You are the flying vee, that just fits. You just fly up there in the clouds when you play.
BJP: I'm enjoying the new CD so much. It was so much fun being there when you made the live recording and it’s great to listen now and be transported back to that night. It was a great night, it just makes me want to ‘sit back…and relax..’ How was that different for you as compared to other CD recordings?
GV: Live recording in itself adds a whole other dimension to the recording process. First of all, you’re able to be much freer in your approach, playing in an environment that is much more natural …it’s what I do mostly, perform in a live setting, so the live recording allows you to be in the environment where it’s most comfortable as a performer. Part of the reason to do a live recording was also to showcase the band: Pete Kuzma, Chris Farr, Will Brock, Eric Green, Pablo Baptiste -- of all the bands I’ve had, it's coalesced into a group that is fresh, spontaneous, and super funky. We're a really tight band. I really wanted the recording to document what that band does live.
BJP: That is a really good band. I love your band. They all bring something really unique and they're so fun to watch... Will Brock, jumping up and down…they're really into it.
BJP: I took one look at the expression on your face on the cover of the new CD and I said to myself, ‘yep, that’s Gerald all right, that’s that 'bliss with the bass’ look that I know. I’m sure that came after some serious head-bobbing….
GV: laughing, I’m sorry about all those expressions!
BJP: That's what we love about you, your expressions, we love to see them! And during those times, I just can't help wondering ‘where you go’ when you’re playing. What are you thinking and what brings all those wonderful smiles I love to watch? Part of it is interacting with the band, I know, but you're just -- up there somewhere, I mean, where do you go.....?
GV: It's hard to describe, but just imagine the most natural moment --when you lose yourself in it. Maybe it’s playing with a child, or playing a sport you like, or like being with your friends and someone tells a good joke -- moments like these when you forget about yourself, forget about being self-conscious, forget about things you’re attempting to do, you're just enjoying life at the moment……that’s what it’s like for me. I’m lucky enough to have a career that allows me to enjoy those moments.
BJP: It’s a good thing for you, and a good thing for those of us watching, because we get to go there with you.
BJP: Someone mentioned in your liner notes on one of the CDs that you have such a tender touch and melodic lyricism not usually associated with the bass guitar. That is a great way of saying what I’ve always thought about your playing. And the song ‘Forever’ really shows that melodic lyricism, I love that song! That’s one of my all time favorites.
GV: Mine, too..a bass is a very multidimensional instrument, it has colors to it……bass players have been exploring it. I always wanted to have that kind of lyricism, and express myself melodically……It’s most difficult to express yourself rhythmically, be very funky, have a groove, when you play rhythm and blues, and gospel, I have that, too…..but through the years I wanted to express this other side of myself, I wanted to express myself melodically. You know, how sometimes you are more forceful in life, or sometimes you want to just kick off your shoes at the beach, relax or you want to be tender with a loved one. All of that can be in the bass line. At a certain point, I realized, why not have all that in the bass guitar?
BJP: Is that easier with a six string?
GV: A six string not necessary to do that, but for me, it opened up more possibilities.